Scottish Art in the Industrial Age, 1800-1914. Volume II, Scottish art in the Industrial Era, 1850-1900 / edited by Freya Spoor.
ISBN
9781003253334 (electronic bk.)
1003253334 (electronic bk.)
9781040399194 (electronic bk. : PDF)
1040399193 (electronic bk. : PDF)
9781040399293 (electronic bk. : EPUB)
1040399290 (electronic bk. : EPUB)
9781032181929
1003253334 (electronic bk.)
9781040399194 (electronic bk. : PDF)
1040399193 (electronic bk. : PDF)
9781040399293 (electronic bk. : EPUB)
1040399290 (electronic bk. : EPUB)
9781032181929
Dil Kodu
İngilizce
Yayın Bilgisi
Oxford : Routledge, [2025]
??2026
??2026
Fiziksel Niteleme
1 online resource (424 pages) illustrations
İçindekiler Notu
Volume IIAcknowledgementsList of IllustrationsGeneral IntroductionVolume II IntroductionPart 1. Art Education 1. Martin Hardie, John Pettie R.A.2. John Lavery, The Life of a Painter3. Edward Pinnington, Robert Brough - Painter4. Alison Mowat, James Cadenhead RSA RSW 1858-1927: His Letters Home as a Young Man5. James Paterson, Art Student Life and Concluding Part of a Lecture on Art Students in Paris MS lectures6. Academy Art Exhibition - a Fine Display7. Letter from Christina J Stark to Francis H Newbery 29th April 1905Part 2. Networking and Artists Colonies 8. Sidney Gilpin, Sam Bough, R. S. A.; some account of his life and works9. Letters from John Pettie with William McTaggart10. Martin Hardie, John Pettie R.A.11. Edward Pinnington, George Paul Chalmers RSA and the Art of His Time12. Sir James L. Caw, Sir James Guthrie, P.R.S.A., LL.D.: A Biography13. Morley Roberts, A Colony of Artists14. Robert Louis Stevenson, Fontainebleau: Village Communities of Painters - IV15. Walter Shaw-Sparrow, John Lavery and his Work16. A.S. Hartrick R.W.S, A Painters Pilgrimage through Fifty Years17. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-190418. Letters from James Paterson and E.A. Hornel 189219. Letters from Bessie MacNicol to E.A. HornelPart 3. Art Institutions and Exhibition Culture 20. Opening of the Tenth Exhibition of the Glasgow Institute of the Fine Arts, 30th January 187121. First Annual Report of the Paisley Art Institute, constituted 187622. Paisley Art Exhibition23. Aberdeen Artists Society - the Forthcoming Exhibition24. George R. Halkett, Special Exhibition of Scottish Art25. Anon. How I became an A.R.S.A: A Chapter of Autobiography26. George Henry, The Royal Scottish Society of Painters in Watercolours27. C.P. Anstruther, Woman's Work in Art Industries28. Glasgow Lady Artists29. A. K. Brown, The Glasgow Art Club: A Retrospect30. Anon, 'The Glasgow Art Club31. Graphic Arts Association Annual Report 189132. Art at the Glasgow International Exhibition. Painting33. Agnes McKay, Arthur Melville: A Scottish Impressionist 1855-190434. The Grosvenor Gallery35. Walter Armstrong, Current Art. The Grosvenor GalleryPart 4. Evolving Styles 1850-1900 36. John Ruskin, Lectures on Architecture and Painting, Delivered at Edinburgh in November 185337. Letter fragment Robert Scott Lauder to Unknown, [1853].38. John Ballantyne, What is Pre-Raphaelitism?39. The Thirty Eighth Exhibition of the Royal Scottish Academy40. Iconoclast, Scottish Art and Artists in 186041. Veri Vindex (George Reid and John Forbes White), Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 186842. Sydney Hodges, Artists' Haunts - Off the track in Scotland43. W.M. Gilbert, The Life and Work of Peter Graham R.A44. Edward Pinnington, George Paul Chalmers RSA and the Art of His Time45. P. McOmish Dott, Notes Technical and Explanatory on the Art of Mr William McTaggart as Displayed in his Exhibition of 32 Pictures46. J. L. Caw, A Phase of Scottish Art47. R.A.M. Stevenson, The Art of Velasquez48. C. J. Holmes, The Glasgow School at KnightsbridgePart 5. Scots Abroad 49. The Last Work of John Phillip, R.A.50. Letter from George Reid to John Forbes White, 10 February 186951. William Robertson Smith and George Reid, Notes and Sketches52. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-190453. Letters from Thomas Millie Dow and to Abott Handerson Thayer54. E. A. Hornel, "Japan", Lecture Delivered on His Behalf to Audience at the Corporation Art Galleries, Glasgow, 189555. James Paterson, Impressions of Tenerife, MS Lecture56. Sir John Lavery, The Life of a Painter57. Fritz von Ostini, Scottish Pictures - What the Germans Think of Them58. Charles M. Kurtz, The Glasgow School: The Men and Their WorkPart 6. What is Scottish Art? 59. Scottish Art and Artists60. G. Baldwin Brown, Old and New in Art61. James Stanley Little, W. Q. Orchardson: his Life and Work62. Veri Vindex [George Reid and John Forbes White], Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 186863. A.H. Millar, Scottish Art64. Anon, The Scottish School of Painting65. James Paterson, Art in Scotland, dated 1876, MS lecture66. James L. Caw, "The Present Condition of Art in Scotland", The Art Journal, (London: J. S. Virtue & Co., 1898), pp. 45-48 67. Anon, Varieties - Sir Daniel Macnee on Art68. Sir William Fettes Douglas P.R.S.A. and the Edinburgh School of Art - Lady Artists69. Anon, Art in the West of Scotland70. Richard Muther, Whistler and the Scotch ArtistsIllustrationsVolume II BibliographyIndex
Özet, vb.
This volume introduces key artists such as the Scottish Pre-Raphaelites and the Glasgow Boys and engages with the critical debates and artistic theories that were circulating in the second half of the nineteenth century. This was a period when Scotland was experiencing huge growth and economic expansion and centres such as Edinburgh and Glasgow saw the emergence of the Glasgow Institute for the Fine Arts and of smaller artists' clubs, providing new opportunities for women. Artists adopted a more international outlook, travelling to Europe for training, or to work at one of the many artists' colonies, such as Grez-sur-Loing, south of Paris. Through enrolling at studios such at the Acad?????mie Julien, they were introduced to new ways of painting, thinking about art in terms of 'tonalism' and 'impressionism'. Accompanied by extensive editorial commentary, this collection will be of great interest to students of Art History and Scottish History.
Konu
Art and society __ Scotland __ History __ 19th century __ Sources.
Art, Scottish __ 19th century __ Sources.
Art, Scottish __ 19th century __ Sources.
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505 0 |aVolume IIAcknowledgementsList of IllustrationsGeneral IntroductionVolume II IntroductionPart 1. Art Education 1. Martin Hardie, John Pettie R.A.2. John Lavery, The Life of a Painter3. Edward Pinnington, Robert Brough - Painter4. Alison Mowat, James Cadenhead RSA RSW 1858-1927: His Letters Home as a Young Man5. James Paterson, Art Student Life and Concluding Part of a Lecture on Art Students in Paris MS lectures6. Academy Art Exhibition - a Fine Display7. Letter from Christina J Stark to Francis H Newbery 29th April 1905Part 2. Networking and Artists Colonies 8. Sidney Gilpin, Sam Bough, R. S. A.; some account of his life and works9. Letters from John Pettie with William McTaggart10. Martin Hardie, John Pettie R.A.11. Edward Pinnington, George Paul Chalmers RSA and the Art of His Time12. Sir James L. Caw, Sir James Guthrie, P.R.S.A., LL.D.: A Biography13. Morley Roberts, A Colony of Artists14. Robert Louis Stevenson, Fontainebleau: Village Communities of Painters - IV15. Walter Shaw-Sparrow, John Lavery and his Work16. A.S. Hartrick R.W.S, A Painters Pilgrimage through Fifty Years17. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-190418. Letters from James Paterson and E.A. Hornel 189219. Letters from Bessie MacNicol to E.A. HornelPart 3. Art Institutions and Exhibition Culture 20. Opening of the Tenth Exhibition of the Glasgow Institute of the Fine Arts, 30th January 187121. First Annual Report of the Paisley Art Institute, constituted 187622. Paisley Art Exhibition23. Aberdeen Artists Society - the Forthcoming Exhibition24. George R. Halkett, Special Exhibition of Scottish Art25. Anon. How I became an A.R.S.A: A Chapter of Autobiography26. George Henry, The Royal Scottish Society of Painters in Watercolours27. C.P. Anstruther, Woman's Work in Art Industries28. Glasgow Lady Artists29. A. K. Brown, The Glasgow Art Club: A Retrospect30. Anon, 'The Glasgow Art Club31. Graphic Arts Association Annual Report 189132. Art at the Glasgow International Exhibition. Painting33. Agnes McKay, Arthur Melville: A Scottish Impressionist 1855-190434. The Grosvenor Gallery35. Walter Armstrong, Current Art. The Grosvenor GalleryPart 4. Evolving Styles 1850-1900 36. John Ruskin, Lectures on Architecture and Painting, Delivered at Edinburgh in November 185337. Letter fragment Robert Scott Lauder to Unknown, [1853].38. John Ballantyne, What is Pre-Raphaelitism?39. The Thirty Eighth Exhibition of the Royal Scottish Academy40. Iconoclast, Scottish Art and Artists in 186041. Veri Vindex (George Reid and John Forbes White), Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 186842. Sydney Hodges, Artists' Haunts - Off the track in Scotland43. W.M. Gilbert, The Life and Work of Peter Graham R.A44. Edward Pinnington, George Paul Chalmers RSA and the Art of His Time45. P. McOmish Dott, Notes Technical and Explanatory on the Art of Mr William McTaggart as Displayed in his Exhibition of 32 Pictures46. J. L. Caw, A Phase of Scottish Art47. R.A.M. Stevenson, The Art of Velasquez48. C. J. Holmes, The Glasgow School at KnightsbridgePart 5. Scots Abroad 49. The Last Work of John Phillip, R.A.50. Letter from George Reid to John Forbes White, 10 February 186951. William Robertson Smith and George Reid, Notes and Sketches52. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-190453. Letters from Thomas Millie Dow and to Abott Handerson Thayer54. E. A. Hornel, "Japan", Lecture Delivered on His Behalf to Audience at the Corporation Art Galleries, Glasgow, 189555. James Paterson, Impressions of Tenerife, MS Lecture56. Sir John Lavery, The Life of a Painter57. Fritz von Ostini, Scottish Pictures - What the Germans Think of Them58. Charles M. Kurtz, The Glasgow School: The Men and Their WorkPart 6. What is Scottish Art? 59. Scottish Art and Artists60. G. Baldwin Brown, Old and New in Art61. James Stanley Little, W. Q. Orchardson: his Life and Work62. Veri Vindex [George Reid and John Forbes White], Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 186863. A.H. Millar, Scottish Art64. Anon, The Scottish School of Painting65. James Paterson, Art in Scotland, dated 1876, MS lecture66. James L. Caw, "The Present Condition of Art in Scotland", The Art Journal, (London: J. S. Virtue & Co., 1898), pp. 45-48 67. Anon, Varieties - Sir Daniel Macnee on Art68. Sir William Fettes Douglas P.R.S.A. and the Edinburgh School of Art - Lady Artists69. Anon, Art in the West of Scotland70. Richard Muther, Whistler and the Scotch ArtistsIllustrationsVolume II BibliographyIndex
520 |aThis volume introduces key artists such as the Scottish Pre-Raphaelites and the Glasgow Boys and engages with the critical debates and artistic theories that were circulating in the second half of the nineteenth century. This was a period when Scotland was experiencing huge growth and economic expansion and centres such as Edinburgh and Glasgow saw the emergence of the Glasgow Institute for the Fine Arts and of smaller artists' clubs, providing new opportunities for women. Artists adopted a more international outlook, travelling to Europe for training, or to work at one of the many artists' colonies, such as Grez-sur-Loing, south of Paris. Through enrolling at studios such at the Acad?????mie Julien, they were introduced to new ways of painting, thinking about art in terms of 'tonalism' and 'impressionism'. Accompanied by extensive editorial commentary, this collection will be of great interest to students of Art History and Scottish History.
532 8 |3PDF|aPublisher contact for further accessibility information: ebookqueries@tandf.co.uk
532 8 |3PDF|aNo known hazards or warnings
532 8 |3PDF|aAccessibility summary: Scottish Art in the Industrial Age, 1800-1914 aspires to meet the AA level of the Web Content Accessibility Guidelines. It is a moderate complexity book with images, tables, lists, endnotes, references, cross-references, backlinks and hyperlinks. Some images and tables may appear on pages different from the print version. All images have short descriptions. Linked DOIs are provided, but not uniquely identified. In-text citations are linked, however backlinks only return to the first in-text citation.
532 8 |3PDF|aCompliance certification by Benetech
532 8 |3PDF|aLatest accessibility assessment date: 20250925
532 8 |3PDF|aCompliance organization's web page: https://bornaccessible.org/certification/gca-credential/
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532 8 |3EPUB|aCompliance certification by Benetech
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245 00|aScottish Art in the Industrial Age, 1800-1914.|nVolume II,|pScottish art in the Industrial Era, 1850-1900 /|cedited by Freya Spoor.
264 1|aOxford :|bRoutledge,|c[2025]
264 4|c??2026
300 |a1 online resource (424 pages)|billustrations
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505 0 |aVolume IIAcknowledgementsList of IllustrationsGeneral IntroductionVolume II IntroductionPart 1. Art Education 1. Martin Hardie, John Pettie R.A.2. John Lavery, The Life of a Painter3. Edward Pinnington, Robert Brough - Painter4. Alison Mowat, James Cadenhead RSA RSW 1858-1927: His Letters Home as a Young Man5. James Paterson, Art Student Life and Concluding Part of a Lecture on Art Students in Paris MS lectures6. Academy Art Exhibition - a Fine Display7. Letter from Christina J Stark to Francis H Newbery 29th April 1905Part 2. Networking and Artists Colonies 8. Sidney Gilpin, Sam Bough, R. S. A.; some account of his life and works9. Letters from John Pettie with William McTaggart10. Martin Hardie, John Pettie R.A.11. Edward Pinnington, George Paul Chalmers RSA and the Art of His Time12. Sir James L. Caw, Sir James Guthrie, P.R.S.A., LL.D.: A Biography13. Morley Roberts, A Colony of Artists14. Robert Louis Stevenson, Fontainebleau: Village Communities of Painters - IV15. Walter Shaw-Sparrow, John Lavery and his Work16. A.S. Hartrick R.W.S, A Painters Pilgrimage through Fifty Years17. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-190418. Letters from James Paterson and E.A. Hornel 189219. Letters from Bessie MacNicol to E.A. HornelPart 3. Art Institutions and Exhibition Culture 20. Opening of the Tenth Exhibition of the Glasgow Institute of the Fine Arts, 30th January 187121. First Annual Report of the Paisley Art Institute, constituted 187622. Paisley Art Exhibition23. Aberdeen Artists Society - the Forthcoming Exhibition24. George R. Halkett, Special Exhibition of Scottish Art25. Anon. How I became an A.R.S.A: A Chapter of Autobiography26. George Henry, The Royal Scottish Society of Painters in Watercolours27. C.P. Anstruther, Woman's Work in Art Industries28. Glasgow Lady Artists29. A. K. Brown, The Glasgow Art Club: A Retrospect30. Anon, 'The Glasgow Art Club31. Graphic Arts Association Annual Report 189132. Art at the Glasgow International Exhibition. Painting33. Agnes McKay, Arthur Melville: A Scottish Impressionist 1855-190434. The Grosvenor Gallery35. Walter Armstrong, Current Art. The Grosvenor GalleryPart 4. Evolving Styles 1850-1900 36. John Ruskin, Lectures on Architecture and Painting, Delivered at Edinburgh in November 185337. Letter fragment Robert Scott Lauder to Unknown, [1853].38. John Ballantyne, What is Pre-Raphaelitism?39. The Thirty Eighth Exhibition of the Royal Scottish Academy40. Iconoclast, Scottish Art and Artists in 186041. Veri Vindex (George Reid and John Forbes White), Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 186842. Sydney Hodges, Artists' Haunts - Off the track in Scotland43. W.M. Gilbert, The Life and Work of Peter Graham R.A44. Edward Pinnington, George Paul Chalmers RSA and the Art of His Time45. P. McOmish Dott, Notes Technical and Explanatory on the Art of Mr William McTaggart as Displayed in his Exhibition of 32 Pictures46. J. L. Caw, A Phase of Scottish Art47. R.A.M. Stevenson, The Art of Velasquez48. C. J. Holmes, The Glasgow School at KnightsbridgePart 5. Scots Abroad 49. The Last Work of John Phillip, R.A.50. Letter from George Reid to John Forbes White, 10 February 186951. William Robertson Smith and George Reid, Notes and Sketches52. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-190453. Letters from Thomas Millie Dow and to Abott Handerson Thayer54. E. A. Hornel, "Japan", Lecture Delivered on His Behalf to Audience at the Corporation Art Galleries, Glasgow, 189555. James Paterson, Impressions of Tenerife, MS Lecture56. Sir John Lavery, The Life of a Painter57. Fritz von Ostini, Scottish Pictures - What the Germans Think of Them58. Charles M. Kurtz, The Glasgow School: The Men and Their WorkPart 6. What is Scottish Art? 59. Scottish Art and Artists60. G. Baldwin Brown, Old and New in Art61. James Stanley Little, W. Q. Orchardson: his Life and Work62. Veri Vindex [George Reid and John Forbes White], Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 186863. A.H. Millar, Scottish Art64. Anon, The Scottish School of Painting65. James Paterson, Art in Scotland, dated 1876, MS lecture66. James L. Caw, "The Present Condition of Art in Scotland", The Art Journal, (London: J. S. Virtue & Co., 1898), pp. 45-48 67. Anon, Varieties - Sir Daniel Macnee on Art68. Sir William Fettes Douglas P.R.S.A. and the Edinburgh School of Art - Lady Artists69. Anon, Art in the West of Scotland70. Richard Muther, Whistler and the Scotch ArtistsIllustrationsVolume II BibliographyIndex
520 |aThis volume introduces key artists such as the Scottish Pre-Raphaelites and the Glasgow Boys and engages with the critical debates and artistic theories that were circulating in the second half of the nineteenth century. This was a period when Scotland was experiencing huge growth and economic expansion and centres such as Edinburgh and Glasgow saw the emergence of the Glasgow Institute for the Fine Arts and of smaller artists' clubs, providing new opportunities for women. Artists adopted a more international outlook, travelling to Europe for training, or to work at one of the many artists' colonies, such as Grez-sur-Loing, south of Paris. Through enrolling at studios such at the Acad?????mie Julien, they were introduced to new ways of painting, thinking about art in terms of 'tonalism' and 'impressionism'. Accompanied by extensive editorial commentary, this collection will be of great interest to students of Art History and Scottish History.
532 8 |3PDF|aPublisher contact for further accessibility information: ebookqueries@tandf.co.uk
532 8 |3PDF|aNo known hazards or warnings
532 8 |3PDF|aAccessibility summary: Scottish Art in the Industrial Age, 1800-1914 aspires to meet the AA level of the Web Content Accessibility Guidelines. It is a moderate complexity book with images, tables, lists, endnotes, references, cross-references, backlinks and hyperlinks. Some images and tables may appear on pages different from the print version. All images have short descriptions. Linked DOIs are provided, but not uniquely identified. In-text citations are linked, however backlinks only return to the first in-text citation.
532 8 |3PDF|aCompliance certification by Benetech
532 8 |3PDF|aLatest accessibility assessment date: 20250925
532 8 |3PDF|aCompliance organization's web page: https://bornaccessible.org/certification/gca-credential/
532 8 |3EPUB|aAccessibility summary: Scottish Art in the Industrial Age, 1800????????1914 aspires to meet the AA level of the Web Content Accessibility Guidelines. It is a moderate complexity book with images, tables, lists, endnotes, references, cross-references, backlinks and hyperlinks. Some images and tables may appear on pages different from the print version. All images have short descriptions. Linked DOIs are provided, but not uniquely identified. In-text citations are linked, however backlinks only return to the first in-text citation.
532 8 |3EPUB|aCompliance certification by Benetech
532 8 |3EPUB|aLatest accessibility assessment date: 20250925
532 8 |3EPUB|aCompliance organization's web page: https://bornaccessible.org/certification/gca-credential/
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArt and society|zScotland|xHistory|y19th century|vSources.
650 0|aArt, Scottish|y19th century|vSources.
700 1 |aSpoor, Freya,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003253334
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
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Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
