Scottish art in the Industrial Age, 1800-1914. Volume III, Arts, crafts and the Celtic Revival c.1880-1914 / edited by Elizabeth Cumming.
ISBN
9781003253365 (electronic bk.)
1003253369 (electronic bk.)
9781040399200 (electronic bk. : PDF)
1040399207 (electronic bk. : PDF)
9781040399309 (electronic bk. : EPUB)
1040399304 (electronic bk. : EPUB)
9781032181936
1003253369 (electronic bk.)
9781040399200 (electronic bk. : PDF)
1040399207 (electronic bk. : PDF)
9781040399309 (electronic bk. : EPUB)
1040399304 (electronic bk. : EPUB)
9781032181936
Dil Kodu
İngilizce
Yayın Bilgisi
Oxford : Routledge, [2025]
??2026
??2026
Fiziksel Niteleme
1 online resource (334 pages) illustrations
İçindekiler Notu
Volume IIIAcknowledgmentsList of IllustrationsGeneral IntroductionVolume III IntroductionPart 1. Rural Craft and Home Industry1. Robert Bryden, Prefatory Note, 'The Blacksmith' and 'The Joiner'2. Ann Macbeth, Introduction to James A Morris, The Art of Ayrshire White Needlework3. James L. Caw, The Mortons of Darvel4. James A. Morris, On the Application of Art to Industry, being a Lecture delivered before the art students of the evening continuation classes in Ayr5. Alexander Ross, Scottish Home Industries by Provost Alexander Ross6. Anon., Highland Home Industries Association'7. Anon., Aldourie Terra-Cotta Work8. Anon., The Edinburgh Decorative Handiwork Exhibition: The Amateur Section'9. Anon., Arts and Crafts Exhibition: Address by Professor Baldwin Brown10. D.M. Sutherland, The Guild of Women Binders11. Henry Taylor Wyse, Introduction to The Rudiments of Design based on Plant FormPart 2. William Morris and Scotland12. Letter from William Morris to Jenny Morris, 17 March 188713. Letter from William Morris to Jenny Morris, 26 March 188814. J. W. Mackail, The Life of William Morris15. James Leatham, IV - Morris as Art Craftsman16. William Morris, The Arts and Crafts of To-day', Presidential Address, Section of Applied Art, Edinburgh Meeting, National Association for the Advancement of Art and its Application to Industry 188917. Alec Grieve and Stewart Carmichael, The Growlers' Club18. J. Bruce Glasier, William Morris and the Early Days of the Socialist Movement19. J. Bruce Glasier, William Morris and the Early Days of the Socialist Movement20. D'Arcy Wentworth Thompson, Walter Biggar Blaikie LL.D., D.L.21. Robert Lorimer to Robin Dods, 22 December 189622. James Morton, William Morris. An Appreciation by James Morton of Darvel, Ayrshire. As read before the XL Club, Glasgow, March 4th 190123. William George Thomson, Report on the Procedure of having Tapestries woven from CartoonsPart 3. Urban Art and Design Education24. J. Forbes White and Mark H. Judge, How can Art be best Introduced into the Houses of Persons of Limited Income?25. Annual Report of the Glasgow Kyrle Society for the Year 1887-8826. Annual Report of the Glasgow Kyrle Society for the Year 1883-8427. Annual Report of the Glasgow Kyrle Society for Year 1890-9128. Anon., Edinburgh Social Union29. Gerard Baldwin Brown, Some Recent Efforts in Mural Decoration30. Robert Lorimer, The Decoration of the Song School of Saint Mary's Cathedral31. Phoebe Anna Traquair to her nephew Willie Moss, 11 December 189332. Mrs Traquair A. F. Morris, A Versatile Art Worker33. James L. Caw, The Artwork of Mrs Traquair34. Anon, Decorative Art in Aberdeen: The Trades Council Hall35. Douglas Strachan to William Kelly, 15 May 191036. Douglas Strachan to William Kelly, 8 January 191137. W.S. Black, On Hindrance to the Progress of Applied Art38. John Maitland Talbot, Paper by a Practical Jeweller on His Attempt to Improve His Craft through the Aid of Art Schools and Museums39. Francis H. Newbery, The Place of Art Schools in the Economy of Applied ArtPart 4. Uncovering the Past40. Daniel Wilson, The Archaeology and Prehistoric Annals of Scotland41. James Drummond, Notes made during a Wandering in the West Highlands; With Remarks upon the Style of Art of Some Monumental Stones at Iona, and in other Localities42. John Stuart, Preface, Sculptured Stones of Scotland43. Joseph Anderson, Scotland in Early Christian Times (Second Series): The Rhind Lectures in Archaeology for 188044. J. Romilly Allen and Joseph Anderson, The Early Christian Monuments of Scotland45. W. Matthews Gilbert, The Decoration of the Scottish National Portrait Gallery46. Anon, The Pageant and Masque47. The Scottish National War Memorial at The Castle, Edinburgh: A Record and Appreciation by Sir Lawrence Weaver K.B.E., Supplement to Country Life 18 July 1927Part 5. The Celtic Renascence48. Daniel Wilson, The Archaeology and Prehistoric Annals of Scotland49. F.R. Coles, The Recent Cup and Ring Mark Discoveries in Kirkcudbrightshire50. Patrick Geddes, The Work of the Art School51. Margaret Armour, Mural Decoration in Scotland - Part I52. Patrick Geddes, Introduction to The Interpreter: Of Seven Pictures, of Black and White53. Annotated proof copy of Patrick Geddes and J. Arthur Thomson, The Interpreter54. Patrick Geddes, The Scots Renascence55. William Sharp to Patrick Geddes 15 May 1895 re The Evergreen 56. H. G. Wells, Bio-Optimism: The Evergreen, A Northern Seasonal57. Israel Zangwill, Here, There and Somewhere Else: Philosophic Excursions - Edinburgh58. John Duncan to Patrick Geddes, 5 May 189859. Stewart Carmichael,Unaesthetic Dundee - The Sin of Ugliness60. Critical Note by John Duncan61. John Duncan, extracts from a notebook62. E. and A. Ritchie, The Teaching of Celtic ArtPart 6. Modernity63. Gleeson White, Some Glasgow Designers and their Work - I64. Herbert MacNair to Thomas Howarth, 8 June 194465. Edwin Lutyens to Lady Emily Lytton, 17 June 1897 and 1 June 189866. Robert Lorimer to Robin Dods, 11 August 189767. Hugh Foulis (Neil Munro), XXII: Erchie in an Art Tea-Room68. Gleeson White, Some Glasgow Designers and their Work - II69. Gleeson White, Some Glasgow Designers and their Work - III70. 'M', The New Woman in Art71. Anon., Women as Decorative Artists72. Walter R. Watson, Miss Jessie M. King and her Work73. George Logan, A Colour Symphony74. An Appreciation of the Work of Ann Macbeth by F.H. Newbery75. Henry Taylor Wyse, Some Remarks on Simplicity in Furniture76. Charles Rennie Mackintosh, Lecture on Seemliness, 190277. Margaret McMillan, Preface to Margaret Swanson and Ann Macbeth, Educational Needlecraft78. Douglas Strachan, A Lecture on Design and Craft delivered by Douglas Strachan, Head of Section of Crafts at the Edinburgh College of Art, on the Occasion of the Opening of the Craft Workshops at Edinburgh College of Art79. J.T. [John Taylor], Studio Talk: GlasgowIllustrationsVolume III BibliographyIndex
Özet, vb.
This volume focuses on artists and writers associated with the Arts and Crafts movement, Scottish Symbolism and the Celtic Revival. The latter was spearheaded by the biologist and social reformer Patrick Geddes, who encouraged artistic revival in Edinburgh. In 1884 he founded the Edinburgh Social Union which commissioned mural schemes for public buildings from artists such as Phoebe Anna Traquair. Geddes also invited contributions from contemporary artists through his avant-garde journal The Evergreen, whose art editor was John Duncan. During the same period Glasgow flourished as an artistic centre under the leadership of Fra Newbery at Glasgow School of Art. This period saw the rise in importance of the decorative arts and the emergence of a number of women designers, among them Jessie Keppie, Annie French and Ann Macbeth. The leading artists at the turn of the century were Charles Rennie Mackintosh, Herbert McNair and the Macdonald sisters, who enjoyed an international reputation, exhibiting at the Vienna Secession in 1900. Accompanied by extensive editorial commentary, this collection will be of great interest to students of Art History and Scottish History.
Konu
Art and society __ Scotland __ History __ 19th century __ Sources.
Art, Scottish __ 19th century __ Sources.
Art, Scottish __ 19th century __ Sources.
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