Scottish Art in the Industrial Age, 1800-1914. Volume IV, Collecting, philanthropy and the art market c.1800-1914 / edited by Frances Fowle.
ISBN
9781003253372 (electronic bk.)
1003253377 (electronic bk.)
9781040399316 (electronic bk. : EPUB)
1040399312 (electronic bk. : EPUB)
9781040399217 (electronic bk. : PDF)
1040399215 (electronic bk. : PDF)
9781032181950
1003253377 (electronic bk.)
9781040399316 (electronic bk. : EPUB)
1040399312 (electronic bk. : EPUB)
9781040399217 (electronic bk. : PDF)
1040399215 (electronic bk. : PDF)
9781032181950
Dil Kodu
İngilizce
Yayın Bilgisi
Oxford : Routledge, [2025]
??2026
??2026
Fiziksel Niteleme
1 online resource : illustrations
İçindekiler Notu
Volume IVAcknowledgmentsList of IllustrationsGeneral IntroductionVolume IV IntroductionPart 1: Artists' Societies and Exhibitions1. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The First2. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Second3. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Third4. George R. Halkett, Glasgow Institute of the Fine Arts5. Anon., West of Scotland Fine Art Exhibition6. Anon., An Art Exhibition in Dundee7. T.S. Robertson, Provost Orchar of Broughty Ferry8. Anon., The Opening of the Arts Exhibition9. Anon., The Arts Exhibition10. Anon., The Arts Exhibition11. First Annual Report of the Paisley Art Institute, Constituted 1876Part 2. Scotland's Art Galleries and Museums: Collecting and Philanthropy12. Gustav Waagen, extract from letter XXVIII, Edinburgh13. Gustav Waagen, extract from letter XXVIII, Glasgow14. James Paterson, Episodes in the Art Life of the West of Scotland15. James Paton, Public Art in Glasgow16. J. C. Robinson, Report on the Art Collections, Corporation Galleries, Glasgow17. Anon., Death of Provost Orchar: Sketch of his Career18. Anon., The Victoria Art Galleries19. Edward Pinnington, Art Collections of Dundee and District20. Anon., Aberdeen Fine Art Exhibition Opening CeremonyPart 3. Loan Shows and International Exhibitions21. Fine Art Loan Exhibition in Glasgow22. James Craik, John Eadie, and James Galbraith, Alexander Bannatyne Stewart 1836-188023. Anon, The Edinburgh 1886 International Exhibition: The Fine Art Section24. Robert A. M. Stevenson, French and Dutch Pictures in Edinburgh25. W. E. Henley, Preface in a Century of Artists: A Memorial of the Loan Collection of Painting and Sculpture, International Exhibition, Glasgow26. Robert Walker, Robert and Davison, T. Raffles, The Fine ArtsPart 4. Art and Commerce: The Rise of the Market27. William Buchanan, Mr Gordon's Collection28. Jeremy Maas, Gambart: Prince of the Victorian Art World29. Ronald Pickvance, Introduction to A Man of Influence: Alex Reid 1854-192830. Alex Reid, Joseph Crawhall Junior, introduction to the Catalogue of the Collected Works of Joseph Crawhall, Jr.31. Letter Dated 14 January 1946, from Sir William Burrell, Hutton Castle, Berwick on Tweed to A.J. McNeill Reid32. Letter from W.B. Paterson to Charles M. Kurtz, Director of the St Louis Exposition, 189533. Letter from Alex Reid to Charles M. Kurtz, Director of the St Louis Exposition, 189534. Undated letter from Bessie MacNicol, 175 St Vincent Street, Glasgow, to John W. Beatty, First Director of the Carnegie Museum of Art, 1895. 35. The Purchase of PicturesPart 5. Collecting and Patronage in Glasgow and the West of Scotland36. R.A.M. Steveson, A Representative Scottish Collection37. Robert Walker, Private Picture Collections in Glasgow and West of Scotland I - Mr James Reid's Collection 38. James Craik, John Eadie and James Galbraith, et al, John McGavin 1816-188139. Robert Walker, 'Private Picture Collections in Glasgow and West of Scotland II - Mr Andrew Maxwell's Collection40. Robert Walker, 'Private Picture Collections in Glasgow and West of Scotland - Mr. A.J. Kirkpatrick's Collection41. Robert Walker, 'The Collection of J. Carfrae Alston, Esq. 42. A.L. Baldry, 'The Collection of George McCulloch, Esq.43. Arthur Kay, A Treasure Trove in Art44. Anon, Late Arthur Kay: Art Collector and ConnoisseurPart 6. Introduction: Art Collections in Dundee and Aberdeen45. A.H. Millar, The Collection of I. John Julius Weinberg Esq., Dundee46. Anon., The Late Mr J.C. Bell: Reminiscences by an Old Friend47. Edward Pinnington, Art Collections of Dundee and District II: The Orchar Gallery48. Anon, Dispersal of Mr. G.B. Simpson's Art Collection49. George Hay (ed.), The Book of Hospitalfield: A Memorial of Patrick Allan-Fraser, The Hospital Trust50. Ina Mary Harrower, John Forbes White51. Charles Carter, Art Patronage in Scotland: John Forbes White, 1831-190452. Charles Carter, Alexander Macdonald 1837-1884: Aberdeen Art CollectorIllustrationsVolume IV BibliographyIndex
Özet, vb.
This volume examines the emergence of a market for Scottish art among Scotland's wealthy industrialists in the mid-nineteenth century and in the period leading up to the First World War. As well as considering key mercantile collectors such as James Guthrie Orchar and James Keiller in Dundee, James Duncan in Greenock, John Forbes White in Aberdeen and Sir William Burrell and William McInnes in Glasgow, it focuses on major art dealers such as Alexander Reid, who gave the artists Joseph Crawhall, George Henry and E.A. Hornel their first solo exhibitions. In Edinburgh Scottish artists were supported initially by Alexander Hill and later by Peter McOmish Dott at the Scottish Gallery, who supported the Scottish Colourists in the early 20th century. Accompanied by extensive editorial commentary, this collection will be of great interest to students of Art History and Scottish History.
Konu
Art and society __ Scotland __ History __ 19th century __ Sources.
Art, Scottish __ 19th century __ Sources.
Art, Scottish __ 19th century __ Sources.
Diğer Yazarlar
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 09574nam a2200841 i 4500
001 800002
003 TR_AnAIT
005 20260123020205
006 m o d
007 cr cnu|||unuuu
008 251218t20252026enka eo 000 0 eng d
020 |a9781003253372|q(electronic bk.)
020 |a1003253377|q(electronic bk.)
020 |a9781040399316|q(electronic bk. : EPUB)
020 |a1040399312|q(electronic bk. : EPUB)
020 |a9781040399217|q(electronic bk. : PDF)
020 |a1040399215|q(electronic bk. : PDF)
020 |z9781032181950
024 7 |a10.4324/9781003253372|2doi
035 |a(OCoLC)1564172952
035 |a(OCoLC-P)1564172952
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN72.S6
072 7|aAC|2bicssc
072 7|aART015000|2bisacsh
072 7|aGBC|2bicssc
072 7|aAB|2bicssc
072 7|aHBJD1|2bicssc
072 7|aHBTB|2bicssc
072 7|aHIS030000|2bisacsh
072 7|aHIS000000|2bisacsh
072 7|aHIS015000|2bisacsh
072 7|aHIS037060|2bisacsh
082 04|a709.41109/034|223/eng/20251218
245 00|aScottish Art in the Industrial Age, 1800-1914.|nVolume IV,|pCollecting, philanthropy and the art market c.1800-1914 /|cedited by Frances Fowle.
264 1|aOxford :|bRoutledge,|c[2025]
264 4|c??2026
300 |a1 online resource :|billustrations
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |3EPUB|bEpub Accessibility Specification 1.1|2onix
341 0 |3EPUB|bTable of contents navigation|2onix
341 0 |3EPUB|bIndex navigation|2onix
341 0 |3EPUB|bSingle logical reading order|2onix
341 0 |3EPUB|bShort alternative textual descriptions|2onix
341 0 |3EPUB|bPrint-equivalent page numbering|2onix
341 0 |3EPUB|bUse of color is not sole means of conveying information|2onix
341 0 |3EPUB|bNext / Previous structural navigation|2onix
341 0 |3EPUB|bARIA roles provided|2onix
341 0 |3EPUB|bAppearance of all textual content can be modified|2onix
341 0 |3EPUB|bAll non-decorative content supports reading without sight|2onix
341 0 |3EPUB|bWCAG v2.2|2onix
341 0 |3EPUB|bWCAG level AA|2onix
341 0 |3PDF|bTable of contents navigation|2onix
341 0 |3PDF|bIndex navigation|2onix
341 0 |3PDF|bShort alternative textual descriptions|2onix
341 0 |3PDF|bPrint-equivalent page numbering|2onix
505 0 |aVolume IVAcknowledgmentsList of IllustrationsGeneral IntroductionVolume IV IntroductionPart 1: Artists' Societies and Exhibitions1. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The First2. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Second3. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Third4. George R. Halkett, Glasgow Institute of the Fine Arts5. Anon., West of Scotland Fine Art Exhibition6. Anon., An Art Exhibition in Dundee7. T.S. Robertson, Provost Orchar of Broughty Ferry8. Anon., The Opening of the Arts Exhibition9. Anon., The Arts Exhibition10. Anon., The Arts Exhibition11. First Annual Report of the Paisley Art Institute, Constituted 1876Part 2. Scotland's Art Galleries and Museums: Collecting and Philanthropy12. Gustav Waagen, extract from letter XXVIII, Edinburgh13. Gustav Waagen, extract from letter XXVIII, Glasgow14. James Paterson, Episodes in the Art Life of the West of Scotland15. James Paton, Public Art in Glasgow16. J. C. Robinson, Report on the Art Collections, Corporation Galleries, Glasgow17. Anon., Death of Provost Orchar: Sketch of his Career18. Anon., The Victoria Art Galleries19. Edward Pinnington, Art Collections of Dundee and District20. Anon., Aberdeen Fine Art Exhibition Opening CeremonyPart 3. Loan Shows and International Exhibitions21. Fine Art Loan Exhibition in Glasgow22. James Craik, John Eadie, and James Galbraith, Alexander Bannatyne Stewart 1836-188023. Anon, The Edinburgh 1886 International Exhibition: The Fine Art Section24. Robert A. M. Stevenson, French and Dutch Pictures in Edinburgh25. W. E. Henley, Preface in a Century of Artists: A Memorial of the Loan Collection of Painting and Sculpture, International Exhibition, Glasgow26. Robert Walker, Robert and Davison, T. Raffles, The Fine ArtsPart 4. Art and Commerce: The Rise of the Market27. William Buchanan, Mr Gordon's Collection28. Jeremy Maas, Gambart: Prince of the Victorian Art World29. Ronald Pickvance, Introduction to A Man of Influence: Alex Reid 1854-192830. Alex Reid, Joseph Crawhall Junior, introduction to the Catalogue of the Collected Works of Joseph Crawhall, Jr.31. Letter Dated 14 January 1946, from Sir William Burrell, Hutton Castle, Berwick on Tweed to A.J. McNeill Reid32. Letter from W.B. Paterson to Charles M. Kurtz, Director of the St Louis Exposition, 189533. Letter from Alex Reid to Charles M. Kurtz, Director of the St Louis Exposition, 189534. Undated letter from Bessie MacNicol, 175 St Vincent Street, Glasgow, to John W. Beatty, First Director of the Carnegie Museum of Art, 1895. 35. The Purchase of PicturesPart 5. Collecting and Patronage in Glasgow and the West of Scotland36. R.A.M. Steveson, A Representative Scottish Collection37. Robert Walker, Private Picture Collections in Glasgow and West of Scotland I - Mr James Reid's Collection 38. James Craik, John Eadie and James Galbraith, et al, John McGavin 1816-188139. Robert Walker, 'Private Picture Collections in Glasgow and West of Scotland II - Mr Andrew Maxwell's Collection40. Robert Walker, 'Private Picture Collections in Glasgow and West of Scotland - Mr. A.J. Kirkpatrick's Collection41. Robert Walker, 'The Collection of J. Carfrae Alston, Esq. 42. A.L. Baldry, 'The Collection of George McCulloch, Esq.43. Arthur Kay, A Treasure Trove in Art44. Anon, Late Arthur Kay: Art Collector and ConnoisseurPart 6. Introduction: Art Collections in Dundee and Aberdeen45. A.H. Millar, The Collection of I. John Julius Weinberg Esq., Dundee46. Anon., The Late Mr J.C. Bell: Reminiscences by an Old Friend47. Edward Pinnington, Art Collections of Dundee and District II: The Orchar Gallery48. Anon, Dispersal of Mr. G.B. Simpson's Art Collection49. George Hay (ed.), The Book of Hospitalfield: A Memorial of Patrick Allan-Fraser, The Hospital Trust50. Ina Mary Harrower, John Forbes White51. Charles Carter, Art Patronage in Scotland: John Forbes White, 1831-190452. Charles Carter, Alexander Macdonald 1837-1884: Aberdeen Art CollectorIllustrationsVolume IV BibliographyIndex
520 |aThis volume examines the emergence of a market for Scottish art among Scotland's wealthy industrialists in the mid-nineteenth century and in the period leading up to the First World War. As well as considering key mercantile collectors such as James Guthrie Orchar and James Keiller in Dundee, James Duncan in Greenock, John Forbes White in Aberdeen and Sir William Burrell and William McInnes in Glasgow, it focuses on major art dealers such as Alexander Reid, who gave the artists Joseph Crawhall, George Henry and E.A. Hornel their first solo exhibitions. In Edinburgh Scottish artists were supported initially by Alexander Hill and later by Peter McOmish Dott at the Scottish Gallery, who supported the Scottish Colourists in the early 20th century. Accompanied by extensive editorial commentary, this collection will be of great interest to students of Art History and Scottish History.
532 8 |3EPUB|aAccessibility summary: Scottish Art in the Industrial Age, 1800-1914 aspires to meet the AA level of the Web Content Accessibility Guidelines. It is a moderate complexity book with images, tables, lists, endnotes, references, cross-references, backlinks and hyperlinks. Some images and tables may appear on pages different from the print version. All images have short descriptions. Linked DOIs are provided, but not uniquely identified. In-text citations are linked, however backlinks only return to the first in-text citation.
532 8 |3EPUB|aPublisher contact for further accessibility information: ebookqueries@tandf.co.uk
532 8 |3EPUB|aCompliance certification by Benetech
532 8 |3EPUB|aLatest accessibility assessment date: 20250926
532 8 |3EPUB|aCompliance organization's web page: https://bornaccessible.org/certification/gca-credential/
532 8 |3EPUB|aNo known hazards or warnings
532 8 |3EPUB|aAccessibility summary: Scottish Art in the Industrial Age, 1800????????1914 aspires to meet the AA level of the Web Content Accessibility Guidelines. It is a moderate complexity book with images, tables, lists, endnotes, references, cross-references, backlinks and hyperlinks. Some images and tables may appear on pages different from the print version. All images have short descriptions. Linked DOIs are provided, but not uniquely identified. In-text citations are linked, however backlinks only return to the first in-text citation.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArt and society|zScotland|xHistory|y19th century|vSources.
650 0|aArt, Scottish|y19th century|vSources.
700 1 |aFowle, Frances,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjrG98rf8GkdgdyC6ThXbb
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003253372
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
001 800002
003 TR_AnAIT
005 20260123020205
006 m o d
007 cr cnu|||unuuu
008 251218t20252026enka eo 000 0 eng d
020 |a9781003253372|q(electronic bk.)
020 |a1003253377|q(electronic bk.)
020 |a9781040399316|q(electronic bk. : EPUB)
020 |a1040399312|q(electronic bk. : EPUB)
020 |a9781040399217|q(electronic bk. : PDF)
020 |a1040399215|q(electronic bk. : PDF)
020 |z9781032181950
024 7 |a10.4324/9781003253372|2doi
035 |a(OCoLC)1564172952
035 |a(OCoLC-P)1564172952
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN72.S6
072 7|aAC|2bicssc
072 7|aART015000|2bisacsh
072 7|aGBC|2bicssc
072 7|aAB|2bicssc
072 7|aHBJD1|2bicssc
072 7|aHBTB|2bicssc
072 7|aHIS030000|2bisacsh
072 7|aHIS000000|2bisacsh
072 7|aHIS015000|2bisacsh
072 7|aHIS037060|2bisacsh
082 04|a709.41109/034|223/eng/20251218
245 00|aScottish Art in the Industrial Age, 1800-1914.|nVolume IV,|pCollecting, philanthropy and the art market c.1800-1914 /|cedited by Frances Fowle.
264 1|aOxford :|bRoutledge,|c[2025]
264 4|c??2026
300 |a1 online resource :|billustrations
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |3EPUB|bEpub Accessibility Specification 1.1|2onix
341 0 |3EPUB|bTable of contents navigation|2onix
341 0 |3EPUB|bIndex navigation|2onix
341 0 |3EPUB|bSingle logical reading order|2onix
341 0 |3EPUB|bShort alternative textual descriptions|2onix
341 0 |3EPUB|bPrint-equivalent page numbering|2onix
341 0 |3EPUB|bUse of color is not sole means of conveying information|2onix
341 0 |3EPUB|bNext / Previous structural navigation|2onix
341 0 |3EPUB|bARIA roles provided|2onix
341 0 |3EPUB|bAppearance of all textual content can be modified|2onix
341 0 |3EPUB|bAll non-decorative content supports reading without sight|2onix
341 0 |3EPUB|bWCAG v2.2|2onix
341 0 |3EPUB|bWCAG level AA|2onix
341 0 |3PDF|bTable of contents navigation|2onix
341 0 |3PDF|bIndex navigation|2onix
341 0 |3PDF|bShort alternative textual descriptions|2onix
341 0 |3PDF|bPrint-equivalent page numbering|2onix
505 0 |aVolume IVAcknowledgmentsList of IllustrationsGeneral IntroductionVolume IV IntroductionPart 1: Artists' Societies and Exhibitions1. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The First2. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Second3. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Third4. George R. Halkett, Glasgow Institute of the Fine Arts5. Anon., West of Scotland Fine Art Exhibition6. Anon., An Art Exhibition in Dundee7. T.S. Robertson, Provost Orchar of Broughty Ferry8. Anon., The Opening of the Arts Exhibition9. Anon., The Arts Exhibition10. Anon., The Arts Exhibition11. First Annual Report of the Paisley Art Institute, Constituted 1876Part 2. Scotland's Art Galleries and Museums: Collecting and Philanthropy12. Gustav Waagen, extract from letter XXVIII, Edinburgh13. Gustav Waagen, extract from letter XXVIII, Glasgow14. James Paterson, Episodes in the Art Life of the West of Scotland15. James Paton, Public Art in Glasgow16. J. C. Robinson, Report on the Art Collections, Corporation Galleries, Glasgow17. Anon., Death of Provost Orchar: Sketch of his Career18. Anon., The Victoria Art Galleries19. Edward Pinnington, Art Collections of Dundee and District20. Anon., Aberdeen Fine Art Exhibition Opening CeremonyPart 3. Loan Shows and International Exhibitions21. Fine Art Loan Exhibition in Glasgow22. James Craik, John Eadie, and James Galbraith, Alexander Bannatyne Stewart 1836-188023. Anon, The Edinburgh 1886 International Exhibition: The Fine Art Section24. Robert A. M. Stevenson, French and Dutch Pictures in Edinburgh25. W. E. Henley, Preface in a Century of Artists: A Memorial of the Loan Collection of Painting and Sculpture, International Exhibition, Glasgow26. Robert Walker, Robert and Davison, T. Raffles, The Fine ArtsPart 4. Art and Commerce: The Rise of the Market27. William Buchanan, Mr Gordon's Collection28. Jeremy Maas, Gambart: Prince of the Victorian Art World29. Ronald Pickvance, Introduction to A Man of Influence: Alex Reid 1854-192830. Alex Reid, Joseph Crawhall Junior, introduction to the Catalogue of the Collected Works of Joseph Crawhall, Jr.31. Letter Dated 14 January 1946, from Sir William Burrell, Hutton Castle, Berwick on Tweed to A.J. McNeill Reid32. Letter from W.B. Paterson to Charles M. Kurtz, Director of the St Louis Exposition, 189533. Letter from Alex Reid to Charles M. Kurtz, Director of the St Louis Exposition, 189534. Undated letter from Bessie MacNicol, 175 St Vincent Street, Glasgow, to John W. Beatty, First Director of the Carnegie Museum of Art, 1895. 35. The Purchase of PicturesPart 5. Collecting and Patronage in Glasgow and the West of Scotland36. R.A.M. Steveson, A Representative Scottish Collection37. Robert Walker, Private Picture Collections in Glasgow and West of Scotland I - Mr James Reid's Collection 38. James Craik, John Eadie and James Galbraith, et al, John McGavin 1816-188139. Robert Walker, 'Private Picture Collections in Glasgow and West of Scotland II - Mr Andrew Maxwell's Collection40. Robert Walker, 'Private Picture Collections in Glasgow and West of Scotland - Mr. A.J. Kirkpatrick's Collection41. Robert Walker, 'The Collection of J. Carfrae Alston, Esq. 42. A.L. Baldry, 'The Collection of George McCulloch, Esq.43. Arthur Kay, A Treasure Trove in Art44. Anon, Late Arthur Kay: Art Collector and ConnoisseurPart 6. Introduction: Art Collections in Dundee and Aberdeen45. A.H. Millar, The Collection of I. John Julius Weinberg Esq., Dundee46. Anon., The Late Mr J.C. Bell: Reminiscences by an Old Friend47. Edward Pinnington, Art Collections of Dundee and District II: The Orchar Gallery48. Anon, Dispersal of Mr. G.B. Simpson's Art Collection49. George Hay (ed.), The Book of Hospitalfield: A Memorial of Patrick Allan-Fraser, The Hospital Trust50. Ina Mary Harrower, John Forbes White51. Charles Carter, Art Patronage in Scotland: John Forbes White, 1831-190452. Charles Carter, Alexander Macdonald 1837-1884: Aberdeen Art CollectorIllustrationsVolume IV BibliographyIndex
520 |aThis volume examines the emergence of a market for Scottish art among Scotland's wealthy industrialists in the mid-nineteenth century and in the period leading up to the First World War. As well as considering key mercantile collectors such as James Guthrie Orchar and James Keiller in Dundee, James Duncan in Greenock, John Forbes White in Aberdeen and Sir William Burrell and William McInnes in Glasgow, it focuses on major art dealers such as Alexander Reid, who gave the artists Joseph Crawhall, George Henry and E.A. Hornel their first solo exhibitions. In Edinburgh Scottish artists were supported initially by Alexander Hill and later by Peter McOmish Dott at the Scottish Gallery, who supported the Scottish Colourists in the early 20th century. Accompanied by extensive editorial commentary, this collection will be of great interest to students of Art History and Scottish History.
532 8 |3EPUB|aAccessibility summary: Scottish Art in the Industrial Age, 1800-1914 aspires to meet the AA level of the Web Content Accessibility Guidelines. It is a moderate complexity book with images, tables, lists, endnotes, references, cross-references, backlinks and hyperlinks. Some images and tables may appear on pages different from the print version. All images have short descriptions. Linked DOIs are provided, but not uniquely identified. In-text citations are linked, however backlinks only return to the first in-text citation.
532 8 |3EPUB|aPublisher contact for further accessibility information: ebookqueries@tandf.co.uk
532 8 |3EPUB|aCompliance certification by Benetech
532 8 |3EPUB|aLatest accessibility assessment date: 20250926
532 8 |3EPUB|aCompliance organization's web page: https://bornaccessible.org/certification/gca-credential/
532 8 |3EPUB|aNo known hazards or warnings
532 8 |3EPUB|aAccessibility summary: Scottish Art in the Industrial Age, 1800????????1914 aspires to meet the AA level of the Web Content Accessibility Guidelines. It is a moderate complexity book with images, tables, lists, endnotes, references, cross-references, backlinks and hyperlinks. Some images and tables may appear on pages different from the print version. All images have short descriptions. Linked DOIs are provided, but not uniquely identified. In-text citations are linked, however backlinks only return to the first in-text citation.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArt and society|zScotland|xHistory|y19th century|vSources.
650 0|aArt, Scottish|y19th century|vSources.
700 1 |aFowle, Frances,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjrG98rf8GkdgdyC6ThXbb
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003253372
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
Materyaller
Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
