Scottish Art in the Industrial Age, 1800-1914. Volume IV, Collecting, philanthropy and the art market c.1800-1914 / edited by Frances Fowle.
Scottish Art in the Industrial Age, 1800-1914.
ISBN
9781003253372 (electronic bk.)
1003253377 (electronic bk.)
9781040399316 (electronic bk. : EPUB)
1040399312 (electronic bk. : EPUB)
9781040399217 (electronic bk. : PDF)
1040399215 (electronic bk. : PDF)
9781032181950
1003253377 (electronic bk.)
9781040399316 (electronic bk. : EPUB)
1040399312 (electronic bk. : EPUB)
9781040399217 (electronic bk. : PDF)
1040399215 (electronic bk. : PDF)
9781032181950
Dil Kodu
İngilizce
Yayın Bilgisi
Oxford : Routledge, [2025]
??2026
??2026
Fiziksel Niteleme
1 online resource : illustrations
İçindekiler Notu
Volume IVAcknowledgmentsList of IllustrationsGeneral IntroductionVolume IV IntroductionPart 1: Artists' Societies and Exhibitions1. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The First2. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Second3. Preface to The Exhibition of the Scottish Academy of Painting, Sculpture and Architecture, The Third4. George R. Halkett, Glasgow Institute of the Fine Arts5. Anon., West of Scotland Fine Art Exhibition6. Anon., An Art Exhibition in Dundee7. T.S. Robertson, Provost Orchar of Broughty Ferry8. Anon., The Opening of the Arts Exhibition9. Anon., The Arts Exhibition10. Anon., The Arts Exhibition11. First Annual Report of the Paisley Art Institute, Constituted 1876Part 2. Scotland's Art Galleries and Museums: Collecting and Philanthropy12. Gustav Waagen, extract from letter XXVIII, Edinburgh13. Gustav Waagen, extract from letter XXVIII, Glasgow14. James Paterson, Episodes in the Art Life of the West of Scotland15. James Paton, Public Art in Glasgow16. J. C. Robinson, Report on the Art Collections, Corporation Galleries, Glasgow17. Anon., Death of Provost Orchar: Sketch of his Career18. Anon., The Victoria Art Galleries19. Edward Pinnington, Art Collections of Dundee and District20. Anon., Aberdeen Fine Art Exhibition Opening CeremonyPart 3. Loan Shows and International Exhibitions21. Fine Art Loan Exhibition in Glasgow22. James Craik, John Eadie, and James Galbraith, Alexander Bannatyne Stewart 1836-188023. Anon, The Edinburgh 1886 International Exhibition: The Fine Art Section24. Robert A. M. Stevenson, French and Dutch Pictures in Edinburgh25. W. E. Henley, Preface in a Century of Artists: A Memorial of the Loan Collection of Painting and Sculpture, International Exhibition, Glasgow26. Robert Walker, Robert and Davison, T. Raffles, The Fine ArtsPart 4. Art and Commerce: The Rise of the Market27. William Buchanan, Mr Gordon's Collection28. Jeremy Maas, Gambart: Prince of the Victorian Art World29. Ronald Pickvance, Introduction to A Man of Influence: Alex Reid 1854-192830. Alex Reid, Joseph Crawhall Junior, introduction to the Catalogue of the Collected Works of Joseph Crawhall, Jr.31. Letter Dated 14 January 1946, from Sir William Burrell, Hutton Castle, Berwick on Tweed to A.J. McNeill Reid32. Letter from W.B. Paterson to Charles M. Kurtz, Director of the St Louis Exposition, 189533. Letter from Alex Reid to Charles M. Kurtz, Director of the St Louis Exposition, 189534. Undated letter from Bessie MacNicol, 175 St Vincent Street, Glasgow, to John W. Beatty, First Director of the Carnegie Museum of Art, 1895. 35. The Purchase of PicturesPart 5. Collecting and Patronage in Glasgow and the West of Scotland36. R.A.M. Steveson, A Representative Scottish Collection37. Robert Walker, Private Picture Collections in Glasgow and West of Scotland I - Mr James Reid's Collection 38. James Craik, John Eadie and James Galbraith, et al, John McGavin 1816-188139. Robert Walker, 'Private Picture Collections in Glasgow and West of Scotland II - Mr Andrew Maxwell's Collection40. Robert Walker, 'Private Picture Collections in Glasgow and West of Scotland - Mr. A.J. Kirkpatrick's Collection41. Robert Walker, 'The Collection of J. Carfrae Alston, Esq. 42. A.L. Baldry, 'The Collection of George McCulloch, Esq.43. Arthur Kay, A Treasure Trove in Art44. Anon, Late Arthur Kay: Art Collector and ConnoisseurPart 6. Introduction: Art Collections in Dundee and Aberdeen45. A.H. Millar, The Collection of I. John Julius Weinberg Esq., Dundee46. Anon., The Late Mr J.C. Bell: Reminiscences by an Old Friend47. Edward Pinnington, Art Collections of Dundee and District II: The Orchar Gallery48. Anon, Dispersal of Mr. G.B. Simpson's Art Collection49. George Hay (ed.), The Book of Hospitalfield: A Memorial of Patrick Allan-Fraser, The Hospital Trust50. Ina Mary Harrower, John Forbes White51. Charles Carter, Art Patronage in Scotland: John Forbes White, 1831-190452. Charles Carter, Alexander Macdonald 1837-1884: Aberdeen Art CollectorIllustrationsVolume IV BibliographyIndex
Özet, vb.
This volume examines the emergence of a market for Scottish art among Scotland's wealthy industrialists in the mid-nineteenth century and in the period leading up to the First World War. As well as considering key mercantile collectors such as James Guthrie Orchar and James Keiller in Dundee, James Duncan in Greenock, John Forbes White in Aberdeen and Sir William Burrell and William McInnes in Glasgow, it focuses on major art dealers such as Alexander Reid, who gave the artists Joseph Crawhall, George Henry and E.A. Hornel their first solo exhibitions. In Edinburgh Scottish artists were supported initially by Alexander Hill and later by Peter McOmish Dott at the Scottish Gallery, who supported the Scottish Colourists in the early 20th century. Accompanied by extensive editorial commentary, this collection will be of great interest to students of Art History and Scottish History.
Konu
Art and society __ Scotland __ History __ 19th century __ Sources.
Art, Scottish __ 19th century __ Sources.
Art, Scottish __ 19th century __ Sources.
Diğer Yazarlar
Veritabanı
