LEADER 03574cam a2200517 i 4500
001 800041
003 TR_AnAIT
005 20260123020243
006 m o d
007 cr cnu---unuuu
008 230727t20242024enka ob 001 0 eng
020 |a9781003291657|qelectronic book
020 |a1003291651|qelectronic book
020 |a9781003803980|qelectronic book
020 |a1003803989|qelectronic book
020 |a9781003850588|qelectronic book
020 |a1003850588|qelectronic book
020 |z9781032271712|qhardcover
020 |z9781032271729|qpaperback
024 7 |a10.4324/9781003291657|2doi
035 |a(OCoLC)1396082361
035 |a(OCoLC-P)1396082361
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 04|aN6300|b.F57 2024
072 7|aHIS|x000000|2bisacsh
072 7|aHBLC1|2bicssc
082 00|a726.50933/01|223/eng/20230825
100 1 |aFishhof, Gil,|eauthor.
245 10|aShaping identities in a holy land :|bcrusader art in the Latin Kingdom of Jerusalem : patrons and viewers /|cGil Fishhof.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2024.
264 4|c©2024
300 |a1 online resource (xiii, 361 pages) :|billustrations (chiefly color)
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
520 |a"In the 88 years between its establishment by the victorious armies of the First Crusade and its collapse following the disastrous defeat at Hattin, the Latin Kingdom of Jerusalem was the site of a vibrant artistic and architectural activity. As the crusaders rebuilt some of Christendom's most sacred churches, or embellished others with murals and mosaics, a unique and highly original art was created. Focusing on the sculptural, mosaic and mural cycles adorning some of the most important shrines in the Kingdom (such as the Church of the Holy Sepulchre, The Basilica of the Annunciation and the Church of the Nativity) this book offers a broad perspective of Crusader art and architecture. Among the many aspects discussed are competition among pilgrimage sites, crusader manipulation of biblical models, the image of the Muslim, and others. Building on recent developments in the fields of patronage studies and reception theory, the book offers a study of the complex ways in which Crusader art addressed its diverse audiences (Franks, indigenous Eastern Christians, pilgrims etc.), while serving the intentions of its patrons. Of particular interest to scholars and students of the Crusades and of Crusader art, as well as scholars and students of medieval art in general, this book will appeal to all those engaging with intercultural encounters, acculturation, Christian-Muslim relations, pilgrimage, the Holy Land, medieval devotion and theology, Byzantine art, reception theory and medieval patronage"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aCrusader art.
650 0|aChurch architecture|zPalestine|xHistory|yTo 1500.
650 0|aArt and society|zPalestine|xHistory|yTo 1500.
650 0|aArchitecture and society|zPalestine|xHistory|yTo 1500.
650 0|aChristian pilgrims and pilgrimages|zPalestine|xHistory|yTo 1500.
650 7|aHISTORY / General|2bisacsh
651 0|aJerusalem|xHistory|yLatin Kingdom, 1099-1244.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003291657
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis