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003 TR_AnAIT
005 20260123020506
008 180706s2018 fluab ob 001 0 eng d
020 |a9781315229409|q(e-book : PDF)
024 7 |a10.4324/9781315229409 |2doi
035 |a(OCoLC)1034633173
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN5303
072 7|aAC |2bicscc
072 7|aART|x008000 |2bisacsh
072 7|aART|x009000 |2bisacsh
072 7|aART|x015000 |2bisacsh
082 04|a709|223
245 00|aTime in the history of art :|btemporality, chronology and anachrony /|cedited by Dan Karlholm and Keith Moxey.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bRoutledge, an imprint of Taylor and Francis,|c2018.
300 |a1 online resource (264 pages) :|b100 illustrations.
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aStudies in art historiography
505 00|tchapter Introduction: Telling Art’s Time /|rDAN KARLHOLM -- |tpart PART I Historical Time -- |tchapter 1 Is History to Be Closed, Saved, or Restarted? Considering Efficient Art History /|rDAN KARLHOLM -- |tchapter 2 What Time is it in the History of Art? /|rKEITH MOXEY -- |tpart PART II Post-colonial Time -- |tchapter 3 Time Processes in the History of the Asian Modern /|rJOHN CLARK -- |tchapter 4 Colonial Modern: A Clash of Colonial and Indigenous Chronologies: The Case of India /|rPARTHA MITTER -- |tchapter 5 Artists, Amateurs, and the Pleated Time of Ottoman Modernity /|rMARY ROBERTS -- |tchapter 6 The Time of Translation: Victor Burgin and Sedad Eldem in Virtual Conversation /|rESRA AKCAN -- |tpart PART III Artist’s Time -- |tchapter 7 Arresting What Would Otherwise Slip Away: The Waiting Images of Jacob Vrel /|rHANNEKE GROOTENBOER -- |tchapter 8 Twisted Time: Fernando Bryce’s Art of History /|rMIGUEL ÁNGEL HERNÁNDEZ NAVARRO -- |tpart PART IV Narrative Time -- |tchapter 9 Heterochronies: The Gospel According to Caravaggio /|rGIOVANNI CARERI -- |tpart PART V Ontological Time -- |tchapter 10 The Phenomenal Sublime: Time, Matter, Image in Mesopotamian Antiquity /|rZAINAB BAHRANI -- |tchapter 11 Resisting Time: On How Temporality Shaped Medieval Choice of Materials /|rAVINOAM SHALEM -- |tchapter 12 Sarah Sze’s The Last Garden and the Temporality of Wonder /|rCHRISTINE ROSS -- |tpart PART VI Photographic Time -- |tchapter 13 Showtime and Exposure Time: The Contradictions of Social Photography and the Critical Role of Sensitive Plates for Rethinking the Temporality of Artworks /|rEMMANUEL ALLOA -- |tchapter 14 “Objects Moving are Not Impressed”: Reading into the Blur /|rAMELIA GROOM.
520 3 |aAddressed to students of the image--both art historians and students of visual studies--this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.
650 0|aArt|xHistory.
650 0|aTime and art.
650 0|aTime in art.
650 7|aART / Conceptual.|2bisacsh
650 7|aART / History / General.|2bisacsh
650 7|aART / History / General.|2bisacsh.
700 1 |aKarlholm, Dan,|eeditor.
700 1 |aMoxey, Keith P. F.,|d1943-|eeditor.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9780415347440
830 0|aStudies in art historiography.
856 40|uhttps://www.taylorfrancis.com/books/9781315229409|zClick here to view.
901 |aTaylor & Francis