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020 |a1003562671
020 |a9781003562672|q(electronic bk.)
020 |a9781040411155|q(electronic bk. : EPUB)
020 |a1040411150|q(electronic bk. : EPUB)
020 |a9781040411117|q(electronic bk. : PDF)
020 |a1040411118|q(electronic bk. : PDF)
020 |z9781032913353|qhardback
020 |z9781032913384|qpaperback
024 7 |a10.4324/9781003562672|2doi
035 |a(OCoLC)1528579523
035 |a(OCoLC-P)1528579523
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aNX180.P64
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082 00|a701/.03|223/eng/20251202
245 04|aThe Routledge companion to art and challenges to empire /|cedited by Emily C. Burns and Alice M. Rudy Price.
264 1|aNew York, NY :|bRoutledge,|c2026.
300 |a1 online resource
334 |asingle unit|bmono|0http://id.loc.gov/vocabulary/issuance/mono
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
353 |abibliography|bbibliography|0http://id.loc.gov/vocabulary/msupplcont/bibliography
353 |aindex|bindex|0http://id.loc.gov/vocabulary/msupplcont/index
505 2 |aPrefabricated promises : the Te Pahi house / Deirdre Brown and Stacy Vallis -- Race and the problem of impressionist skin / Allison Deutsch -- Drawing made easy : Akino??la Las??ekan and colonial art education in Nigeria / Perrin M. Lathrop.
520 |a"This companion analyzes interactions between the arts and global imperial relationships from around 1800 through the 20th century. By excavating layers and identifying legacies, the essays reveal inherent fractures in colonial perspectives. Tremendous multi-directional imperialisms and inter-imperial dialogues characterize the period, as do protests and anticolonial activity. How does the materializing of empire expose its logics of cultural superiority and its fault lines and instabilities? The essays in this volume explore how the arts, visual, and material culture, however subtly, tested empire's hegemonic limits, whether by exposing fragilities, unmasking ruptures, or through intentional subversions. While this volume's essays at times trace evidence of strident anticolonial voices, most consistently they show visual, textual, material, and performative practices pointing to the instability of imperial ambition and activity. The theme of geological stratification shapes the essay structure as authors consider the modes of artistic interaction in the context of imperialism as well as the legacies of empire. The book will be of interest to graduate students, researchers, and professors and may be used in classes focused on art history, imperialism, and colonialism"-- Provided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArts|xPolitical aspects.
650 0|aImperialism in art.
650 0|aArts|xPolitical aspects|1http://id.loc.gov/authorities/subjects/sh2009113916
700 1 |aPrice, Alice M. Rudy,|eeditor.|4http://id.loc.gov/vocabulary/relators/edt|1https://id.oclc.org/worldcat/entity/E39PCjvdBCFGv6MRbpqxc6DhjK|1http://id.loc.gov/rwo/agents/n2020060161
700 1 |aBurns, Emily C.,|eeditor.|4http://id.loc.gov/vocabulary/relators/edt|1https://id.oclc.org/worldcat/entity/E39PCjtG3XV8JgGpMPCvpW3M6C|1http://id.loc.gov/rwo/agents/no2013110040
758 |1http://id.loc.gov/resources/instances/24131879
758 |4http://id.loc.gov/ontologies/bibframe/instanceOf|1http://id.loc.gov/resources/works/24131879
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003562672
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis