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003 TR_AnAIT
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008 180727s2018 fluab ob 001 0 eng d
020 |a9781315551852|q(e-book : PDF)
035 |a(OCoLC)1043400871
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
043 |ae-uk---
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aZ280
072 7|aLIT|x019000 |2bisacsh
072 7|aDSBD |2bicscc
082 04|a381/.45002|223
100 1 |aStenner, Rachel,|eauthor.
245 14|aThe typographic imaginary in early modern English literature /|cby Rachel Stenner.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bRoutledge, an imprint of Taylor and Francis,|c2018.
300 |a1 online resource (216 pages) :|b10 illustrations.
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aMaterial readings in early modern culture
505 00|tchapter Introduction: print and the difference it makes -- |tchapter 1 Instructional texts and print symbolism: Christopher /|rPlantin, Hieronymus Hornschuch, and Joseph Moxon -- |tchapter 2 An emergent typographic imaginary in William Caxton’s paratexts -- |tchapter 3 Robert Copland, Thomas Blague, and the printer–author dialogue -- |tchapter 4 Protestant printing and humanism in Beware the Cat: undoing printing -- |tchapter 5 George Gascoigne and Richard Tottel: negotiating manuscript and print in the poetic miscellany Typographic value in the prefatory poses of A Hundreth -- |tchapter 6 Edmund Spenser’s early and mid-career: public image and machine horror Early career self-presentation: The Shepheardes Calender -- |tchapter 7 St Paul’s Churchyard and the meanings of print: Pierce Penilesse His Supplication to the Diuell.
520 3 |aThe typographic imaginary is an aesthetic linking authors from William Caxton to Alexander Pope, this study centrally contends. Early modern English literature engages imaginatively with printing and this book both characterizes that engagement and proposes the typographic imaginary as a framework for its analysis. Certain texts, Rachel Stenner states, describe the people, places, concerns, and processes of printing in ways that, over time, generate their own figurative authority. The typographic imaginary is posited as a literary phenomenon shared by different writers, a wider cultural understanding of printing, and a critical concept for unpicking the particular imaginative otherness that printing introduced to literature. Authors use the typographic imaginary to interrogate their place in an evolving media environment, to assess the value of the printed text, and to analyse the roles of other text-producing agents. This book treats a broad array of authors and forms: printers’ manuals; William Caxton’s paratexts; the pamphlet dialogues of Robert Copland and Ned Ward; poetic miscellanies; the prose fictions of William Baldwin, George Gascoigne, and Thomas Nashe; the poetry and prose of Edmund Spenser; writings by John Taylor and Alexander Pope. At its broadest, this study contributes to an understanding of how technology changes cultures. Located at the crossroads between literary, material, and book historical research, the particular intervention that this work makes is threefold. In describing the typographic imaginary, it proposes a new framework for analysis of print culture. It aims to focus critical engagement on symbolic representations of material forms. Finally, it describes a lineage of late medieval and early modern authors, stretching from the mid-fifteenth to the mid-eighteenth centuries, that are linked by their engagement of a particular aesthetic.
650 0|aBook industries and trade|xHistory.
650 7|aBUSINESS & ECONOMICS / Commerce.|2bisacsh
650 7|aBUSINESS & ECONOMICS / Marketing / General.|2bisacsh
650 7|aBUSINESS & ECONOMICS / Sales & Selling / General.|2bisacsh
650 0|aA Hundreth Sundrie Flowres.
650 0|aBeware The Cat.
650 0|aChristopher Plantin.
650 0|aCritical Mapping.
650 0|aEarly Modern English Literature.
650 0|aEdmund Spenser.
650 0|aGatekeepers Of The Press.
650 0|aGeorge Gascoigne.
650 0|aHieronymus Hornschuch.
650 0|aImagined Typographic Space.
650 0|aJoseph Maxon.
650 0|aMirrour Of The World.
650 0|aParatexts.
650 0|aPierce Penilesse.
650 0|aPrinter-Author Dialogue.
650 0|aPrint Symbolism.
650 0|aProtestant Printing.
650 0|aRecuyell Of The Historyes Of Troye.
650 0|aRichard Tottel.
650 0|aRobert Copland.
650 0|aThe Faerie Queene.
650 0|aThe Posies Of George Gascoigne Esquire.
650 0|aThe Sepeardes Calender.
650 0|aThe Teares Of The Muses.
650 0|aThomas Blague.
650 0|aThree Proper, And Wittie, Familiar Letters.
650 0|aTypographic Imaginary.
650 0|aWilliam Baldwin.
650 0|aWilliam Caxton.
650 0|aEnglish literature|yEarly modern, 1500-1700|xHistory and criticism.
650 0|aPrinting|zGreat Britain|xHistory.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9781472480422|w(DLC) 2018014701
830 0|aMaterial readings in early modern culture.
856 40|uhttps://www.taylorfrancis.com/books/9781315551852|zClick here to view.
901 |aTaylor & Francis