LEADER 01840cam a2200361Ii 4500
001 800447
003 TR_AnAIT
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008 180706r20162015enkag ob 001 0 eng d
020 |a9781315575810|q(e-book : PDF)
020 |a9781317154884|q(e-book: Mobi)
020 |a9781317154891|q(e-book: ePub)
020 |z9781472420824|q(hardback)
024 7 |a10.4324/9781315575810 |2doi
035 |a(OCoLC)948604163
041 |aeng
043 |ae-uk-en
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML286.2|b.W55 2016
082 04|a782.43|bW727
100 1 |aWilliams, Sarah F.,|eauthor.
245 10|aDamnable practises :|bwitches, dangerous women, and music in seventeenth-century English broadside ballads /|cSarah F. Williams.
264 1|aLondon ;|aNew York :|bRoutledge,|c2016.
300 |a1 online resource (279 pages)
500 |a"An Ashgate book"--Cover.
500 |aFirst published 2015 by Ashgate Publishing.
504 |aIncludes bibliographical references (pages [189]-215) and index.
505 0 |a1. Witches, Catholics, scolds, and wives : noisy women in context -- 2. "The hanging tune" : feminizing and stigmatizing broadside trade melodies -- 3. "A swearing and blaspheming wretch" : acoustic disorder and verbal excess in ballad texts -- 4. "Auditories are like fairies" : hearing, seeing, selling, and singing ballads.
650 0|aWomen in music|zEngland|xHistory|y17th century.
650 0|aBroadsides|zEngland|y17th century.
650 0|aBroadsides|zEngland|y18th century.
650 0|aWomen|vSongs and music|xHistory and criticism.
650 0|aMusic|xSocial aspects|zEngland|xHistory|y17th century.
650 0|aMusic|xSocial aspects|zEngland|xHistory|y18th century.
650 0|aWitch hunting|zEngland|xHistory.
776 08|iPrint version: |z9781472420824|w(DLC) 2014040730
856 40|uhttps://www.taylorfrancis.com/books/9781315575810|zClick here to view.
901 |aTaylor & Francis