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020 |a9781000581164|q(electronic bk.)
020 |a1000581160|q(electronic bk.)
020 |a9780429342837|q(electronic bk.)
020 |a0429342837|q(electronic bk.)
020 |a1000581209|q(electronic bk. : EPUB)
020 |a9781000581201|q(electronic bk.)
020 |z0367359529
020 |z9780367359522
024 7 |a10.4324/9780429342837|2doi
035 |a(OCoLC)1304813079
035 |a(OCoLC-P)1304813079
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML431|b.M38 2022e
072 7|aMUS|x000000|2bisacsh
072 7|aMUS|x020000|2bisacsh
072 7|aAVGC|2bicssc
082 04|a780.148|223
245 00|aMaterial cultures of music notation :|bnew perspectives on musical inscription /|cedited by Floris Schuiling and Emily Payne.
264 1|aAbingdon, Oxon ;|aNew York :|bRoutledge,|c2022.
300 |a1 online resource (xviii, 212 pages) :|billustrations, music.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aMusic and material culture
505 00|gIntroduction:|tNotation and/as material culture /|rFloris Schuiling and Emily Payne --|gPart I.|tEpistemologies of notation.|tWas 1974 the end of music history? Universalism, cybernetics, and the International Conference of New Musical Notation /|rGiulia Accornero ;|tEncyclopaedias and empty staves : re-reading music in Hanne Darboven's Quartett '88' /|rElaine Fitz Gibbon ;|tScoring the listener : notation and representation in acousmatic music /|rPatrick Valiquet --|gPart II.|tNotation and the body.|tThe deaf body beyond music : music notation by Christine Sun Kim /|rChae-Lin Kim ;|tMusic, notation, and embodiment in early sixteenth-century Italian pictures /|rTim Shephard and Sanna Raninen ;|tThe work of notation in the visual culture of medieval devotion /|rBeth Williamson --|gPart III.|tNotation and social relations.|tJianpu simplified notation and the transnational in musical repertoires of New York's Chinatown /|rJoseph S. Kaminski ;|tMediating minstrelsy : notating instrumental identity in fourteenth-century song /|rDavid Maw ;|tInscription, gesture, and social relations : notation in Karnatak music /|rLara Pearson --|gPart IV.|tNotation, instruments, and technology.|tDigital scores, algorithmic agents, and encoded ontologies : on the objects of musical computation /|rBrian A. Miller ;|tPerforating the subject : the player piano rolls of Conlon Nancarrow /|rNaomi Woo ;|tMaterial bias : David Tudor's realisations /|rYou Nakai ;|t'I feel love' : music mutation in the electronic age /|rKiene Brillenburg Wurth.
520 |a"Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives thatforeground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship."--Publisher's description.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aMusical notation.
650 7|aMUSIC / General|2bisacsh
650 7|aMUSIC / History & Criticism|2bisacsh
700 1 |aSchuiling, Floris,|eeditor.|1https://isni.org/isni/0000000460633571
700 1 |aPayne, Emily,|d1985-|eeditor.|1https://isni.org/isni/0000000498065127
830 0|aMusic and material culture series.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9780429342837
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis