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020 |a9781000171419|qelectronic book
020 |a1000171418|qelectronic book
020 |a9781000171396|qelectronic book
020 |a1000171396|qelectronic book
020 |a9781003049456|q(electronic bk.)
020 |a1003049451|q(electronic bk.)
020 |a9781000171402|q(electronic bk. : Mobipocket)
020 |a100017140X|q(electronic bk. : Mobipocket)
020 |z9780367503154
020 |z0367503158
035 |a(OCoLC)1162556231|z(OCoLC)1160899473|z(OCoLC)1164360059|z(OCoLC)1194873417
035 |a(OCoLC-P)1162556231
040 |aOCoLC-P|beng|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1995.9.W3|bH65 2020eb
072 7|aPER|x004030|2bisacsh
072 7|aHIS|x027110|2bisacsh
072 7|aJFD|2bicssc
082 04|a791.43/658|223
245 00|aHollywood remembrance and American war /|cedited by Andrew Rayment and Paul Nadasdy.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2020.
264 4|c©2020
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aRoutledge advances in film studies
505 0 |aCover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Contributors -- 1 Hollywood Remembrance and American War -- 2 Their War, Our War: Private Memory and Public Commemoration in Billy Lynn's Long Halftime Walk -- 3 Lions for Lambs: Ambivalent Memorialization and Melodrama -- 4 Hysterical Colonels and Kernels: Apocalypse Now Redux and Ápres Coup Remembering -- 5 Dr. Strangelove: MAD Clowns and Phantom Memorialization -- 6 "A Quiet Day at the Front": Realism as an Act of Memorialization in Cease Fire
505 8 |a7 The Thin Red Line: the Hero's Desire to Be More Realized -- 8 The Abyss of the "Other": Wounded Memory and the Negative Exception in Letters from Iwo Jima -- 9 The Living Memorial: War Horse and the Horse-Crux -- Afterword -- Index
520 |aHollywood Remembrance and American War addresses the synergy between Hollywood war films and American forms of war remembrance. Subjecting the notion that war films ought to be considered the war memorials of today' to critical scrutiny, the book develops a theoretical understanding of how Hollywood war films, as rhetorical sites of remembering and memory, reflect, replicate and resist American modes of remembrance. The authors first develop the framework for, and elaborate on, the co-evolution of Hollywood war cinema and American war memorialization in the historical, political and ideological terms of remembrance, and the parallel synergic relationship between the aesthetic and industrial status of Hollywood war cinema and the remembering of American war on film. The chapters then move to analysis of Hollywood war films - covering The Great War, World War II, The Korean War, The Vietnam War, The Cold War, and the wars in Afghanistan and Iraq - and critically scrutinize the terms upon which a film could be considered a memorial to the war it represents. Bringing together the fields of film studies and memory studies, this book will be of interest to scholars and students in not just these areas but those in the fields of history, media and cultural studies more broadly, too.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aWar films|xSocial aspects.
650 7|aPERFORMING ARTS / Film & Video / History & Criticism|2bisacsh
650 7|aHISTORY / Military / United States|2bisacsh
700 1 |aRayment, Andrew,|eeditor.
700 1 |aNadasdy, Paul,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003049456
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis