LEADER 03983cam a2200361Ii 4500
001 801240
003 TR_AnAIT
005 20260123022110
008 180706s2018 enk ob 001 0 eng d
020 |a9781315123004|q(e-book : PDF)
020 |a9781351345316|q(e-book: Mobi)
020 |z9781472488084|q(hardback)
024 7 |a10.4324/9781315123004 |2doi
035 |a(OCoLC)1007497085
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
043 |ae-uk-en
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN2587|b.T87 2018
082 04|a792.09420902|bT975
100 1 |aTwycross, Meg,|eauthor.
245 14|aThe materials of early theatre :|bsources, images, and performance : shifting paradigms in early English drama studies /|cMeg Twycross ; edited by Sarah Carpenter and Pamela King.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2018.
300 |a1 online resource
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aVariorum collected studies series
505 00|tpart Part I: York -- |tchapter 1 ‘“Places to hear the play”: pageant stations at York 1398–1572’, Records of Early English Drama Newsletter, (1978:2), pp. 10–33 -- |tchapter 2 ‘The left-hand-side theory: a retraction’, Medieval English Theatre, 14 (1992), pp. 77–94 -- |tchapter 3 ‘Some aliens in York and their overseas connections up to 1470’, Leeds Studies in English, n.s. 29 (1998), pp. 359–80 -- |tchapter 4 ‘The King’s Peace and the play: the York Corpus Christi Eve Proclamation’, Medieval English Theatre, 29 (2007), pp. 121–50 -- |tchapter 5 ‘The Ordo paginarum revisited, with a digital camera’, ‘Bring Furth the Pagants’: Essays in Early English Drama presented to Sawyer Marsalek (Toronto: University of Toronto Press, 2007), pp. 105–31 /|rAlexandra F. Johnston, edition by David N. Klausner and Karen -- |tpart Part II: Performance -- |tchapter 6 ), pp. 273–96 -- |tchapter 7 ‘Books for the unlearned’, Drama and Religion, edition by James Redmond (Cambridge: Cambridge University Press, 1983), pp. 65–110 -- |tchapter 8 ‘“Transvestism” in the mystery plays’, Medieval English Theatre, 2 (1983), pp. 123–80 -- |tpart Part III: Theology -- |tchapter 9 ‘“As the sun with his beams when he is most bright”’, Medieval English Theatre, 12:1 (1990), pp. 34–79 -- |tchapter 10 ‘“With what body shall they come?”: black and white souls in the mystery plays’, Langland, the Mystics, and the Medieval Religious Tradition, edition by Helen Phillips (Cambridge: Brewer, 1990), pp. 271–86 -- |tchapter 11 ‘Kissing cousins: the Four Daughters of God and the Visitation in the N. Town Mary Play’, Medieval English Theatre, 18 (1998 for 1996), pp. 99–141 -- |tpart Part IV: Processions and the wider culture -- |tchapter 12 ‘The Flemish ommegang and its pageant cars’, Medieval English Theatre, 2:1 (1980), pp. 15–41, and 2:2 (1980), pp. 80–98 -- |tchapter 13 ‘Felsted of London: silk-dyer and theatrical entrepreneur’, Medieval English Theatre, 10:1 (1988), pp. 4–16 -- |tchapter 14 ‘The York Mercers’ Lewent Brede and the Hanseatic trade’, Medieval English Theatre, 17 (1995), pp. 96–119 -- |tchapter 15 ‘The Leuven ommegang and Leuven City Archives: report on work in progress’, European Drama 4: Selected Papers from the Fourth International Conference on ‘Aspects of European Medieval Drama’, Camerino, 5–8 August 1999, edition by André Lascombes (Turnhout: Brepols, 2001), pp. 77–90.
650 0|aTheater|zEngland|xHistory|yMedieval, 500-1500.
650 0|aTheater|xProduction and direction|zEngland|xHistory.
650 0|aEnglish drama|yTo 1500|xHistory and criticism.
650 0|aMysteries and miracle-plays, English|xHistory and criticism.
700 1 |aCarpenter, Sarah,|eeditor.
700 1 |aKing, Pamela M.,|eeditor.
776 08|iPrint version: |z9781472488084|w(DLC) 2017030229
856 40|uhttps://www.taylorfrancis.com/books/9781315123004|zClick here to view.
901 |aTaylor & Francis