LEADER 04018nam a2200433Ii 4500
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003 TR_AnAIT
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008 180727t20182019fluab ob 001 0 eng d
020 |a9781315148335|q(e-book : PDF)
035 |a(OCoLC)1044734187
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aHV6250.25|b.C85 2018
072 7|aJKV |2bicscc
082 04|a362.88|223
245 00|aCultural practices of victimhood /|cedited by Martin Hoondert, Paul Mutsaers and William Arfman.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bRoutledge, an imprint of Taylor and Francis,|c[2018].
264 4|c©2019.
300 |a1 online resource (266 pages) :|b52 illustrations.
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aVictims, culture and society
505 00|tchapter Introduction: cultural practices of victimhood /|rMARTIN HOONDERT -- |tpart PART I Ritual practices -- |tchapter 1 Srebrenica: conflict and ritual complexities /|rMARTIN HOONDERT -- |tchapter 2 A monument for boat refugees: ritual and the art of liminality /|rWILLIAM ARFMAN -- |tchapter 3 Refugee rituals: exploring ritual repertoire of victimhood /|rPAUL POST -- |tpart PART II Artistic practices -- |tchapter 4 Representing the experience of victims at the Berlin Wall Memorial Museum /|rDAVID CLARKE -- |tchapter 5 Victimhood in reverse: art in the age of apology /|rLIEKE WIJNIA -- |tchapter 6 Basque Country competing memories at the local, regional and state levels: promoting public artistic events versus public institutional policies /|rGEMA VARONA -- |tchapter 7 Who speaks for the victim? Experiences of migrants and refugees in Jenny Erpenbeck’s novel Go, Went, ODILE HEYNDERS /|rGone and Mikhail Shishkin’s Maidenhair -- |tpart PART III Media practices -- |tchapter 8 #BlackLivesMatter: understanding anti- police protest as a cultural practice /|rPAUL MUTSAERS -- |tchapter 9 Online- offline modes of identity and community: Elliot Rodger’s twisted world of masculine victimhood /|rJAN BLOMMAERT -- |tchapter 10 The Cologne translation note: victims and perpetrators /|rSJAAK KROON.
520 3 |aCultural Practices of Victimhood aims to set the agenda for a cultural study of victimhood. Words such as ‘victim’ and ‘victimhood’ represent shifting cultural signifiers, their meaning depending on the cultural context of their usage. Using case studies and through a practice-based approach, questions are asked about how victimhood is defined and constructed, whether in the ritual commemoration of refugees on Lampedusa, the artistic practices of an Aboriginal artist such as Richard Bell, or the media practices associated with police violence.Consisting of contributions by cultural studies experts with an interest in victim studies, this book seeks a double readership. On the one hand, it intends to break new ground with regards to a ‘cultural turn’ in the field of criminology, in particular victimology. On the other hand, it also seeks to open up discussions about a ‘victimological turn’ in culture studies. The volume invites scholars and advanced students active in both domains to reflect on victimhood in cultural practices.
650 0|aVictims of crimes|xCross-cultural studies.
650 0|aVictims of crimes.
650 0|aVictims|xCross-cultural studies.
650 0|aVictims.
650 7|aPOLITICAL SCIENCE / Public Policy / Social Security.|2bisacsh
650 7|aPOLITICAL SCIENCE / Public Policy / Social Services & Welfare.|2bisacsh
650 0|aVictims of crimes|vCross-cultural studies.
650 0|aVictims|vCross-cultural studies.
700 1 |aArfman, William R.,|eeditor.
700 1 |aHoondert, Martin J. M.,|d1967-|eeditor.
700 1 |aMutsaers, Paul,|eeditor.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9781138552814|w(DLC) 2018010967
830 0|aVictims, culture and society.
856 40|uhttps://www.taylorfrancis.com/books/9781315148335|zClick here to view.
901 |aTaylor & Francis