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003 TR_AnAIT
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006 m o d
007 cr cnu---unuuu
008 200416s2020 nyu ob 001 0 eng d
020 |a9780429026447|q(electronic bk.)
020 |a0429026447|q(electronic bk.)
020 |a9780429651779|q(electronic bk. : PDF)
020 |a0429651775|q(electronic bk. : PDF)
020 |a9780429649134|q(electronic bk. : EPUB)
020 |a0429649134|q(electronic bk. : EPUB)
020 |a9780429646492|q(electronic bk. : Mobipocket)
020 |a0429646496|q(electronic bk. : Mobipocket)
020 |z9780367134327
020 |z0367134322
035 |a(OCoLC)1150902122
035 |a(OCoLC-P)1150902122
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML1711|b.R46 2020eb
072 7|aMUS|x000000|2bisacsh
072 7|aAVGC9|2bicssc
082 04|a782.10973|223
100 1 |aRenihan, Colleen,|eauthor.
245 14|aThe operatic archive :|bAmerican opera as history /|cColleen Renihan.
250 |a[1.].
264 1|aNew York :|bRoutledge,|c2020.
300 |a1 online resource :|billustrations.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aAshgate interdisciplinary studies in opera
520 |a"The Operatic Archive: American Opera as History extends the growing interdisciplinary dialogue in opera studies by drawing on ideas from performance studies and the philosophy of history. Moving beyond traditional conceptions of opera as purely aesthetic, this book argues for opera's powerful potential for historical impact and engagement in late twentieth-century works by American composers. Considering music's ability to express the past, distance, realistic representation, presence, and the historical sublime, this volume demonstrates how music's ability to represent and re-create historical events and historical experience differs fundamentally from the representations and recreations of other modes (specifically, literary and dramatic representations). Building on the work of performance scholars such as Joseph Roach, Rebecca Schneider, and Diana Taylor, and in consultation with recent debates in the philosophy of history, the book will be of interest to a wide range of scholars and researchers, particularly those working in the areas of Opera Studies and Performance Studies"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aOpera|zUnited States.
650 0|aHistory in opera.
650 7|aMUSIC / General|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9780429026447
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis