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020 |a9781000079654|qelectronic book
020 |a1000079651|qelectronic book
020 |a9781003051510|qelectronic book
020 |a1003051510|qelectronic book
020 |a9781000079678|qelectronic book
020 |a1000079678|qelectronic book
020 |a9781000079661|qelectronic book
020 |a100007966X|qelectronic book
020 |z0367508443
020 |z9780367508449
035 |a(OCoLC)1157971228
035 |a(OCoLC-P)1157971228
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aGV1588|b.R68 2021
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072 7|aPHI|x000000|2bisacsh
072 7|aPER|x003060|2bisacsh
072 7|aASD|2bicssc
082 04|a792.801|223
100 1 |aRothfield, Philipa,|eauthor.
245 10|aDance and the corporeal uncanny :|bphilosophy in motion /|cPhilipa Rothfield.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2021.
264 4|c©2021
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
520 |aDance and the Corporeal Uncanny takes the philosophy of the body into the field of dance, through the lens of subjectivity and via its critique. It draws on dance and performance as its dedicated field of practice to articulate a philosophy of agency and movement. It is organized around two conceptual paradigms -one phenomenological (via Merleau-Ponty), the other an interpretation of Nietzschean philosophy, mediated through the work of Deleuze. The book draws on dance studies, cultural critique, ethnography and postcolonial theory, seeking an interdisciplinary audience in philosophy, dance and cultural studies.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aDance|xPhilosophy.
650 7|aPERFORMING ARTS / Dance / General|2bisacsh
650 7|aPHILOSOPHY / General|2bisacsh
650 7|aPERFORMING ARTS / Dance / Popular|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003051510
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis