Reconstruction, replication and re-enactment in the humanities and social sciences / edited by Sven Dupre??, Anna Harris, Julia Kursell, Patricia Lulof, Maartje Stols-Witlox.
ISBN
9781003702375 (electronic bk.)
1003702376 (electronic bk.)
9781040798935 (electronic bk. : EPUB)
1040798934 (electronic bk. : EPUB)
9781040793145 (electronic bk. : PDF)
1040793142 (electronic bk. : PDF)
9781041184973
9789463728003
1003702376 (electronic bk.)
9781040798935 (electronic bk. : EPUB)
1040798934 (electronic bk. : EPUB)
9781040793145 (electronic bk. : PDF)
1040793142 (electronic bk. : PDF)
9781041184973
9789463728003
Dil Kodu
İngilizce
Basım Bildirimi
First edition.
Yayın Bilgisi
Abingdon : Routledge, 2025.
Fiziksel Niteleme
1 online resource.
Genel Not
First published in 2020 by Amsterdam University Press Ltd.
İçindekiler Notu
1. Introduction, 2. Replication as a Play on Categories: The Case of Taxidermy,Petra Tjitske Kalshoven, 3. Bringing the Past to Life: Material Culture Production and Archaeological Practice,Jill Hilditch, 4. Making Musicians Think: The Problem with Organs,Hans Fidom, 5. Making Sound Present: Reenactment and Reconstruction in Historical Organ Building Practices,Julia Kursell and Peter Peters, 6. Reconstructions of Oil Painting Materials and Techniques: the HART Model for Approaching Historical Accuracy,Leslie Carlyle, 7. Imperfect Copies. Reconstructions in Conservation Research and Practice,Maartje Stols-Witlox, 8. Re-working Recipes and Experiments in the Classroom,Peter Heering, Thijs Hagendijk, Sven Dupre??, and Lawrence Principe, 9. A Walk as Act / Enact / Re-enactment: Performing Psychogeography and Anthropology,Jo Vergunst, 10. Recreating Reconstructions: Archaeology, Architecture and 3D Technologies,Patricia S. Lulof, 11. Science and the Knowing Body: Making Sense of Embodied Knowledge in Scientific Experiment,H. Otto Sibum, Index.|- interdisciplinary methodological reflection (books below are more typical mono-disciplinary) - inclusion of arts-based methods - focus on skills, application, best practices.
Özet, vb.
Performative methods are playing an increasingly prominent role in research into historical production processes, materials, bodily knowledge and sensory skills, and in forms of education and public engagement in classrooms and museums. This book offers, for the first time, sustained, interdisciplinary reflections on performative methods, variously known as Reconstruction, Replication and Re-enactment (RRR) practices across the fields of history of science, archaeology, art history, conservation, musicology and anthropology. Each of these fields has distinct histories, approaches, tools and research questions. Researchers in the historical disciplines have used reconstructions to learn about the materials and practices of the past, while anthropologists and ethnographers have more often studied the re-enactments themselves, participating in these performances as engaged observers. In this book, authors bring their experiences of RRR practices within their discipline into conversation with RRR practices in other disciplines, providing a basis for interdisciplinary cross-fertilization.
Konu
Humanities __ Methodology.
Social sciences __ Methodology.
Historical reenactments.
Social sciences __ Methodology.
Historical reenactments.
Diğer Yazarlar
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 06869cam a22009017i 4500
001 802187
003 TR_AnAIT
005 20260123023558
006 m o d
007 cr cnu|||unuuu
008 251031r20252020enk fo 000 0 eng d
020 |a9781003702375|q(electronic bk.)
020 |a1003702376|q(electronic bk.)
020 |a9781040798935|q(electronic bk. : EPUB)
020 |a1040798934|q(electronic bk. : EPUB)
020 |a9781040793145|q(electronic bk. : PDF)
020 |a1040793142|q(electronic bk. : PDF)
020 |z9781041184973
020 |z9789463728003
024 7 |a10.5117/9789463728003|2doi
035 |a(OCoLC)1547759495
035 |a(OCoLC-P)1547759495
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aAZ105
072 7|aAC|2bicssc
072 7|aART015080|2bisacsh
072 7|aAB|2bicssc
072 7|aHB|2bicssc
072 7|aPDX|2bicssc
072 7|aGPS|2bicssc
072 7|aREF020000|2bisacsh
072 7|aSCI034000|2bisacsh
082 04|a001.30285|1https://id.oclc.org/worldcat/ddc/E3dYhKwgtg66wdP8fCGXH6Gv6Y|223/eng/20251110
245 00|aReconstruction, replication and re-enactment in the humanities and social sciences /|cedited by Sven Dupre??, Anna Harris, Julia Kursell, Patricia Lulof, Maartje Stols-Witlox.
250 |aFirst edition.
264 1|aAbingdon :|bRoutledge,|c2025.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |3EPUB|bEpub Accessibility Specification 1.1|2onix
341 0 |3EPUB|bTable of contents navigation|2onix
341 0 |3EPUB|bIndex navigation|2onix
341 0 |3EPUB|bSingle logical reading order|2onix
341 0 |3EPUB|bShort alternative textual descriptions|2onix
341 0 |3EPUB|bPrint-equivalent page numbering|2onix
341 0 |3EPUB|bUse of color is not sole means of conveying information|2onix
341 0 |3EPUB|bNext / Previous structural navigation|2onix
341 0 |3EPUB|bARIA roles provided|2onix
341 0 |3EPUB|bAppearance of all textual content can be modified|2onix
341 0 |3EPUB|bAll non-decorative content supports reading without sight|2onix
341 0 |3EPUB|bWCAG v2.2|2onix
341 0 |3EPUB|bWCAG level AA|2onix
341 0 |3PDF|bTable of contents navigation|2onix
341 0 |3PDF|bIndex navigation|2onix
341 0 |3PDF|bShort alternative textual descriptions|2onix
341 0 |3PDF|bPrint-equivalent page numbering|2onix
500 |aFirst published in 2020 by Amsterdam University Press Ltd.
505 0 |a1. Introduction, 2. Replication as a Play on Categories: The Case of Taxidermy,Petra Tjitske Kalshoven, 3. Bringing the Past to Life: Material Culture Production and Archaeological Practice,Jill Hilditch, 4. Making Musicians Think: The Problem with Organs,Hans Fidom, 5. Making Sound Present: Reenactment and Reconstruction in Historical Organ Building Practices,Julia Kursell and Peter Peters, 6. Reconstructions of Oil Painting Materials and Techniques: the HART Model for Approaching Historical Accuracy,Leslie Carlyle, 7. Imperfect Copies. Reconstructions in Conservation Research and Practice,Maartje Stols-Witlox, 8. Re-working Recipes and Experiments in the Classroom,Peter Heering, Thijs Hagendijk, Sven Dupre??, and Lawrence Principe, 9. A Walk as Act / Enact / Re-enactment: Performing Psychogeography and Anthropology,Jo Vergunst, 10. Recreating Reconstructions: Archaeology, Architecture and 3D Technologies,Patricia S. Lulof, 11. Science and the Knowing Body: Making Sense of Embodied Knowledge in Scientific Experiment,H. Otto Sibum, Index.|- interdisciplinary methodological reflection (books below are more typical mono-disciplinary) - inclusion of arts-based methods - focus on skills, application, best practices.
520 |aPerformative methods are playing an increasingly prominent role in research into historical production processes, materials, bodily knowledge and sensory skills, and in forms of education and public engagement in classrooms and museums. This book offers, for the first time, sustained, interdisciplinary reflections on performative methods, variously known as Reconstruction, Replication and Re-enactment (RRR) practices across the fields of history of science, archaeology, art history, conservation, musicology and anthropology. Each of these fields has distinct histories, approaches, tools and research questions. Researchers in the historical disciplines have used reconstructions to learn about the materials and practices of the past, while anthropologists and ethnographers have more often studied the re-enactments themselves, participating in these performances as engaged observers. In this book, authors bring their experiences of RRR practices within their discipline into conversation with RRR practices in other disciplines, providing a basis for interdisciplinary cross-fertilization.
532 8 |3EPUB|aAccessibility summary: Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences aspires to meet the AA level of the Web Content Accessibility Guidelines. It is a complex book with images, lists, footnotes, references, cross-references, backlinks and hyperlinks. Some images may appear on pages different from the print version. All images have short descriptions. Linked DOIs are provided, but not uniquely identified. In-text citations are linked, however backlinks only return to the first in-text citation.
532 8 |3EPUB|aPublisher contact for further accessibility information: ebookqueries@tandf.co.uk
532 8 |3EPUB|aCompliance certification by Benetech
532 8 |3EPUB|aLatest accessibility assessment date: 20250919
532 8 |3EPUB|aCompliance organization's web page: https://bornaccessible.org/certification/gca-credential/
532 8 |3EPUB|aNo known hazards or warnings
588 |aOCLC-licensed vendor bibliographic record.
650 0|aHumanities|xMethodology.
650 0|aSocial sciences|xMethodology.
650 0|aHistorical reenactments.
700 1 |aDupre??, Sven,|d1975-|eeditor.|1https://id.oclc.org/worldcat/entity/E39PBJqbrJK8QrRMfvWQqkTJXd
700 1 |aHarris, Anna,|eeditor.
700 1 |aKursell, Julia,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjJp8Qf6TqHTyxV3FC4rdP
700 1 |aLulof, Patricia S.,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjvWjd8qth8M3FQx7PyWpd
700 1 |aStols-Witlox, Maartje,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjxPyjk3bdJ8tTYFwP6xWC
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003702375
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
857 40|uhttps://audit.portico.org/Portico/login.html
901 |aTaylor & Francis
001 802187
003 TR_AnAIT
005 20260123023558
006 m o d
007 cr cnu|||unuuu
008 251031r20252020enk fo 000 0 eng d
020 |a9781003702375|q(electronic bk.)
020 |a1003702376|q(electronic bk.)
020 |a9781040798935|q(electronic bk. : EPUB)
020 |a1040798934|q(electronic bk. : EPUB)
020 |a9781040793145|q(electronic bk. : PDF)
020 |a1040793142|q(electronic bk. : PDF)
020 |z9781041184973
020 |z9789463728003
024 7 |a10.5117/9789463728003|2doi
035 |a(OCoLC)1547759495
035 |a(OCoLC-P)1547759495
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aAZ105
072 7|aAC|2bicssc
072 7|aART015080|2bisacsh
072 7|aAB|2bicssc
072 7|aHB|2bicssc
072 7|aPDX|2bicssc
072 7|aGPS|2bicssc
072 7|aREF020000|2bisacsh
072 7|aSCI034000|2bisacsh
082 04|a001.30285|1https://id.oclc.org/worldcat/ddc/E3dYhKwgtg66wdP8fCGXH6Gv6Y|223/eng/20251110
245 00|aReconstruction, replication and re-enactment in the humanities and social sciences /|cedited by Sven Dupre??, Anna Harris, Julia Kursell, Patricia Lulof, Maartje Stols-Witlox.
250 |aFirst edition.
264 1|aAbingdon :|bRoutledge,|c2025.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |3EPUB|bEpub Accessibility Specification 1.1|2onix
341 0 |3EPUB|bTable of contents navigation|2onix
341 0 |3EPUB|bIndex navigation|2onix
341 0 |3EPUB|bSingle logical reading order|2onix
341 0 |3EPUB|bShort alternative textual descriptions|2onix
341 0 |3EPUB|bPrint-equivalent page numbering|2onix
341 0 |3EPUB|bUse of color is not sole means of conveying information|2onix
341 0 |3EPUB|bNext / Previous structural navigation|2onix
341 0 |3EPUB|bARIA roles provided|2onix
341 0 |3EPUB|bAppearance of all textual content can be modified|2onix
341 0 |3EPUB|bAll non-decorative content supports reading without sight|2onix
341 0 |3EPUB|bWCAG v2.2|2onix
341 0 |3EPUB|bWCAG level AA|2onix
341 0 |3PDF|bTable of contents navigation|2onix
341 0 |3PDF|bIndex navigation|2onix
341 0 |3PDF|bShort alternative textual descriptions|2onix
341 0 |3PDF|bPrint-equivalent page numbering|2onix
500 |aFirst published in 2020 by Amsterdam University Press Ltd.
505 0 |a1. Introduction, 2. Replication as a Play on Categories: The Case of Taxidermy,Petra Tjitske Kalshoven, 3. Bringing the Past to Life: Material Culture Production and Archaeological Practice,Jill Hilditch, 4. Making Musicians Think: The Problem with Organs,Hans Fidom, 5. Making Sound Present: Reenactment and Reconstruction in Historical Organ Building Practices,Julia Kursell and Peter Peters, 6. Reconstructions of Oil Painting Materials and Techniques: the HART Model for Approaching Historical Accuracy,Leslie Carlyle, 7. Imperfect Copies. Reconstructions in Conservation Research and Practice,Maartje Stols-Witlox, 8. Re-working Recipes and Experiments in the Classroom,Peter Heering, Thijs Hagendijk, Sven Dupre??, and Lawrence Principe, 9. A Walk as Act / Enact / Re-enactment: Performing Psychogeography and Anthropology,Jo Vergunst, 10. Recreating Reconstructions: Archaeology, Architecture and 3D Technologies,Patricia S. Lulof, 11. Science and the Knowing Body: Making Sense of Embodied Knowledge in Scientific Experiment,H. Otto Sibum, Index.|- interdisciplinary methodological reflection (books below are more typical mono-disciplinary) - inclusion of arts-based methods - focus on skills, application, best practices.
520 |aPerformative methods are playing an increasingly prominent role in research into historical production processes, materials, bodily knowledge and sensory skills, and in forms of education and public engagement in classrooms and museums. This book offers, for the first time, sustained, interdisciplinary reflections on performative methods, variously known as Reconstruction, Replication and Re-enactment (RRR) practices across the fields of history of science, archaeology, art history, conservation, musicology and anthropology. Each of these fields has distinct histories, approaches, tools and research questions. Researchers in the historical disciplines have used reconstructions to learn about the materials and practices of the past, while anthropologists and ethnographers have more often studied the re-enactments themselves, participating in these performances as engaged observers. In this book, authors bring their experiences of RRR practices within their discipline into conversation with RRR practices in other disciplines, providing a basis for interdisciplinary cross-fertilization.
532 8 |3EPUB|aAccessibility summary: Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences aspires to meet the AA level of the Web Content Accessibility Guidelines. It is a complex book with images, lists, footnotes, references, cross-references, backlinks and hyperlinks. Some images may appear on pages different from the print version. All images have short descriptions. Linked DOIs are provided, but not uniquely identified. In-text citations are linked, however backlinks only return to the first in-text citation.
532 8 |3EPUB|aPublisher contact for further accessibility information: ebookqueries@tandf.co.uk
532 8 |3EPUB|aCompliance certification by Benetech
532 8 |3EPUB|aLatest accessibility assessment date: 20250919
532 8 |3EPUB|aCompliance organization's web page: https://bornaccessible.org/certification/gca-credential/
532 8 |3EPUB|aNo known hazards or warnings
588 |aOCLC-licensed vendor bibliographic record.
650 0|aHumanities|xMethodology.
650 0|aSocial sciences|xMethodology.
650 0|aHistorical reenactments.
700 1 |aDupre??, Sven,|d1975-|eeditor.|1https://id.oclc.org/worldcat/entity/E39PBJqbrJK8QrRMfvWQqkTJXd
700 1 |aHarris, Anna,|eeditor.
700 1 |aKursell, Julia,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjJp8Qf6TqHTyxV3FC4rdP
700 1 |aLulof, Patricia S.,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjvWjd8qth8M3FQx7PyWpd
700 1 |aStols-Witlox, Maartje,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjxPyjk3bdJ8tTYFwP6xWC
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003702375
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
857 40|uhttps://audit.portico.org/Portico/login.html
901 |aTaylor & Francis
Materyaller
Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
