LEADER 03933cam a2200349Ii 4500
001 802258
003 TR_AnAIT
005 20260123023712
008 180706s2017 nyua ob 001 0 eng d
020 |a9781315161037|q(e-book : PDF)
020 |a9781351664172|q(e-book: Mobi)
020 |z9781138063464|q(hardback)
024 7 |a10.4324/9781315161037 |2doi
035 |a(OCoLC)993949179
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML3800|b.S57 2017
082 04|a113|bS617
245 00|aSing aloud harmonious spheres :|bRenaissance conceptions of cosmic harmony /|cedited by Jacomien Prins and Maude Vanhaelen.
264 1|aNew York :|bRoutledge,|c2017.
300 |a1 online resource (xii, 294 pages)
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aWarwick series in the humanities
505 00|tchapter Introduction -- |tpart PART I: Ancient and Medieval Sources -- |tchapter 1 Eight Singing Sirens: Heavenly Harmonies in Plato and the Neoplatonists /|rFRA NC E SCO PELOSI -- |tchapter 2 Harmonic and Acoustic theory: Latin and Arabic Ideas of Sympathetic Vibration as the Causes of Effects between Heaven and Earth -- |tchapter 3 Theory of Heavenly Harmony and Angelic Song in Jewish and Islamic Sources -- |tchapter 4 Medieval Variations on a Cosmic Theme GA BR I EL ACURRIE -- |tchapter 5 ‘Therout com so gret a noyse’: The Harmony of the Spheres and Chaucerian Poetics /|rWOL FRAMR. K ELL ER -- |tpart PART II: The Revival of the Doctrine of the Pythagorean Harmony of the Universe in Fifteenth- and Sixteenth-Century Italy and Germany -- |tchapter 6 Cosmic Harmony, Demons, and the Mnemonic Power of Music in Renaissance Florence: The Case of Marsilio Ficino M AU DE VA NHA EL E N -- |tchapter 7 Francesco Giorgi on the Harmony of Creation and the Catholic Censorship of His Views -- |tchapter 8 Francesco Patrizi and the ‘Weakest Echo of the Harmony of the Spheres’ -- |tchapter 9 The Reception of Ficino’s Theory of World Harmony in Germany -- |tpart PART III The Tradition of the Harmony of the Spheres in Seventeenth- and Early Eighteenth-Century Europe and New Spain -- |tchapter 10 Andrea Torelli and His Orphic Lyre -- |tchapter 11 Cosmic Play in a Symbolic Harmonic Universe: the Reception of Cusanus and Kircher in Seventeenth-Century New Spain -- |tchapter 12 The Harmony of the Spheres in English Musical Mathematics, 1650–1750 -- |tchapter 13 William Stukeley’s ‘Music of the Spheres’ Manuscript: Ancient Wisdom and Modern Newtonianism, c. 1720 /|rTOM DI XON.
520 |aThis is the first volume to explore the reception of the Pythagorean doctrine of cosmic harmony within a variety of contexts, ranging chronologically from Plato to 18th-century England. This original collection of essays engages with contemporary debates concerning the relationship between music, philosophy, and science, and challenges the view that Renaissance discussions on cosmic harmony are either mere repetitions of ancient music theory or pre-figurations of the 'Scientific Revolution'. Utilizing this interdisciplinary approach, Renaissance Conceptions of Cosmic Harmony offers a new perspective on the reception of an important classical theme in various cultural, sequential and geographical contexts, underlying the continuities and changes between Antiquity, the Middle Ages and the Renaissance. This project will be of particular interest within these emerging disciplines as they continue to explore the ideological significance of the various ways in which we appropriate the past.
600 00|aPythagoras|xInfluence.
650 0|aMusic|xPhilosophy and aesthetics.
650 0|aHarmony of the spheres.
650 0|aPhilosophy, Renaissance.
700 1 |aPrins, Jacomien.
700 1 |aVanhaelen, Maude.
776 08|iPrint version: |z9781138063464|w(DLC) 2017017888
856 40|uhttps://www.taylorfrancis.com/books/9781315161037|zClick here to view.
901 |aTaylor & Francis