Practicing art/science : experiments in an emerging field / edited by Philippe Sormani, Guelfo Carbone and Priska Gisler.
Erişim Adresi
ISBN
9781315175881 (e-book : PDF)
Dil Kodu
İngilizce
Basım Bildirimi
First edition.
Yayın Bilgisi
Boca Raton, FL : Routledge, an imprint of Taylor and Francis, 2018.
Fiziksel Niteleme
1 online resource (268 pages) : 52 illustrations.
Dizi
Interventions
İçindekiler Notu
part, PART I Positions -- chapter 1 Introduction: Experimenting with “art/science”? / GUELFO CARBONE PRISKA GISLER PHILIPPE SORMANI -- chapter 2 The “practice turn” in STS: an ad hoc reminder -- chapter 3 Varieties of experiment in art, research, and “artistic research” in particular -- chapter 4 Hybrid experimentation in situ: positions, practices, and implications -- chapter Acknowledgements -- chapter References -- chapter 1 Engaging performative contradiction: Introducing the rhetorics of practice and method to artist researchers / MICK WILSON -- chapter 2 Contemporary art as a new paradigm?: An artistic revolution in light of the history of science / NATHALIE HEINICH -- chapter 3 Writing practices as experimental arenas at universities of the arts / PRISKA GISLER -- part, PART II Practices -- chapter 4 Material play and artistic renderings: The production of essentially useless nanotechnology / MICHAEL LYNCH -- chapter 5 Probing the art/science binary: Notes on the experimental achievement of shared perception / DIRK VOM LEHN -- chapter 6 From heterogeneity to hybridity?: Working and living in arts-based research / BERNHARD BÖHM -- chapter 7 Artworks in and as practices: The relevance of particulars YAËL KREPLAK -- chapter 8 On the discrepancy between objects and things: An ecological approach / FERNANDO DOMÍNGUEZ RUBIO -- part, PART III Implications -- chapter 9 Re-programmed art: Overcoming obsolescence and opening up programmed and kinetic artworks / SERENA CANGIANO DAVIDE FORNARI AZALEA SERATONI -- chapter 10 Back to the future: Bogomir Ecker’s Tropfsteinmaschine as a thought experiment in stone / JOHANNE MOHS -- chapter 11 Epistemics and aesthetics of experimentation: Towards a hybrid heuristics? / HANS-JÖRG RHEINBERGER.
Özet, vb.
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, science, and technology have seen the light of day. Why, by whom, and under what circumstances are such initiatives promoted? What does their experimental character look like - and what can be learned, epistemologically and institutionally, from probing the multiple practices of "art/science" at work? In answer to the questions raised, Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo’s Mona Lisa and its cracked smile. In so doing, this volume brings to bear the "practice turn" in science and technology studies on the empirical investigation of multifaceted experimentation across contemporary art, science, and technology in situ. Against the background of current discourse on "artistic research," the introduction not only explains the particular relevance of the "practice turn" in STS to tackle the interdisciplinary task at hand, but offers also a timely survey of varying strands of artistic experimentation.In bringing together ground-breaking studies from internationally renowned scholars and upcoming researchers in sociology, art theory and artistic practice, as well as history and philosophy of science, Practicing Art/Science will be essential reading for practitioners and professionals in said fields, as well as postgraduate students and representatives of higher education and research policy more broadly.
Konu
Interdisciplinary approach to knowledge.
ART / Performance. __ bisacsh
ART / Reference. __ bisacsh
SOCIAL SCIENCE / Sociology / General. __ bisacsh
Interdisciplinary approach to knowledge __ Case studies.
Science and the arts.
ART / Performance. __ bisacsh
ART / Reference. __ bisacsh
SOCIAL SCIENCE / Sociology / General. __ bisacsh
Interdisciplinary approach to knowledge __ Case studies.
Science and the arts.
Diğer Yazarlar
Kurum Adı
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 04971nam a2200421Ii 4500
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008 180813s2018 fluab ob 001 0 eng d
020 |a9781315175881|q(e-book : PDF)
035 |a(OCoLC)1044734114
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aNX180.S3|bP73 2018
072 7|aSOC|x000000 |2bisacsh
072 7|aSOC|x026000 |2bisacsh
072 7|aJHB |2bicscc
082 04|a700.1/05|223
245 00|aPracticing art/science :|bexperiments in an emerging field /|cedited by Philippe Sormani, Guelfo Carbone and Priska Gisler.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bRoutledge, an imprint of Taylor and Francis,|c2018.
300 |a1 online resource (268 pages) :|b52 illustrations.
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aInterventions
505 00|tpart, PART I Positions -- |tchapter 1 Introduction: Experimenting with “art/science”? /|rGUELFO CARBONE PRISKA GISLER PHILIPPE SORMANI -- |tchapter 2 The “practice turn” in STS: an ad hoc reminder -- |tchapter 3 Varieties of experiment in art, research, and “artistic research” in particular -- |tchapter 4 Hybrid experimentation in situ: positions, practices, and implications -- |tchapter Acknowledgements -- |tchapter References -- |tchapter 1 Engaging performative contradiction: Introducing the rhetorics of practice and method to artist researchers /|rMICK WILSON -- |tchapter 2 Contemporary art as a new paradigm?: An artistic revolution in light of the history of science /|rNATHALIE HEINICH -- |tchapter 3 Writing practices as experimental arenas at universities of the arts /|rPRISKA GISLER -- |tpart, PART II Practices -- |tchapter 4 Material play and artistic renderings: The production of essentially useless nanotechnology /|rMICHAEL LYNCH -- |tchapter 5 Probing the art/science binary: Notes on the experimental achievement of shared perception /|rDIRK VOM LEHN -- |tchapter 6 From heterogeneity to hybridity?: Working and living in arts-based research /|rBERNHARD BÖHM -- |tchapter 7 Artworks in and as practices: The relevance of particulars YAËL KREPLAK -- |tchapter 8 On the discrepancy between objects and things: An ecological approach /|rFERNANDO DOMÍNGUEZ RUBIO -- |tpart, PART III Implications -- |tchapter 9 Re-programmed art: Overcoming obsolescence and opening up programmed and kinetic artworks /|rSERENA CANGIANO DAVIDE FORNARI AZALEA SERATONI -- |tchapter 10 Back to the future: Bogomir Ecker’s Tropfsteinmaschine as a thought experiment in stone /|rJOHANNE MOHS -- |tchapter 11 Epistemics and aesthetics of experimentation: Towards a hybrid heuristics? /|rHANS-JÖRG RHEINBERGER.
520 3 |aOver the last two decades, multiple initiatives of transdisciplinary collaboration across art, science, and technology have seen the light of day. Why, by whom, and under what circumstances are such initiatives promoted? What does their experimental character look like - and what can be learned, epistemologically and institutionally, from probing the multiple practices of "art/science" at work? In answer to the questions raised, Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo’s Mona Lisa and its cracked smile. In so doing, this volume brings to bear the "practice turn" in science and technology studies on the empirical investigation of multifaceted experimentation across contemporary art, science, and technology in situ. Against the background of current discourse on "artistic research," the introduction not only explains the particular relevance of the "practice turn" in STS to tackle the interdisciplinary task at hand, but offers also a timely survey of varying strands of artistic experimentation.In bringing together ground-breaking studies from internationally renowned scholars and upcoming researchers in sociology, art theory and artistic practice, as well as history and philosophy of science, Practicing Art/Science will be essential reading for practitioners and professionals in said fields, as well as postgraduate students and representatives of higher education and research policy more broadly.
650 0|aInterdisciplinary approach to knowledge.
650 7|aART / Performance.|2bisacsh
650 7|aART / Reference.|2bisacsh
650 7|aSOCIAL SCIENCE / Sociology / General.|2bisacsh
650 0|aInterdisciplinary approach to knowledge|vCase studies.
650 0|aScience and the arts.
700 1 |aSormani, Philippe,|eeditor.
700 1 |aCarbone, Guelfo,|d1983-|eeditor.
700 1 |aGisler, Priska,|eeditor.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9781138039414|w(DLC) 2017060793
830 0|aRoutledge advances in sociology.
856 40|uhttps://www.taylorfrancis.com/books/9781315175881|zClick here to view.
901 |aTaylor & Francis
001 802270
003 TR_AnAIT
005 20260123023725
008 180813s2018 fluab ob 001 0 eng d
020 |a9781315175881|q(e-book : PDF)
035 |a(OCoLC)1044734114
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aNX180.S3|bP73 2018
072 7|aSOC|x000000 |2bisacsh
072 7|aSOC|x026000 |2bisacsh
072 7|aJHB |2bicscc
082 04|a700.1/05|223
245 00|aPracticing art/science :|bexperiments in an emerging field /|cedited by Philippe Sormani, Guelfo Carbone and Priska Gisler.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bRoutledge, an imprint of Taylor and Francis,|c2018.
300 |a1 online resource (268 pages) :|b52 illustrations.
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aInterventions
505 00|tpart, PART I Positions -- |tchapter 1 Introduction: Experimenting with “art/science”? /|rGUELFO CARBONE PRISKA GISLER PHILIPPE SORMANI -- |tchapter 2 The “practice turn” in STS: an ad hoc reminder -- |tchapter 3 Varieties of experiment in art, research, and “artistic research” in particular -- |tchapter 4 Hybrid experimentation in situ: positions, practices, and implications -- |tchapter Acknowledgements -- |tchapter References -- |tchapter 1 Engaging performative contradiction: Introducing the rhetorics of practice and method to artist researchers /|rMICK WILSON -- |tchapter 2 Contemporary art as a new paradigm?: An artistic revolution in light of the history of science /|rNATHALIE HEINICH -- |tchapter 3 Writing practices as experimental arenas at universities of the arts /|rPRISKA GISLER -- |tpart, PART II Practices -- |tchapter 4 Material play and artistic renderings: The production of essentially useless nanotechnology /|rMICHAEL LYNCH -- |tchapter 5 Probing the art/science binary: Notes on the experimental achievement of shared perception /|rDIRK VOM LEHN -- |tchapter 6 From heterogeneity to hybridity?: Working and living in arts-based research /|rBERNHARD BÖHM -- |tchapter 7 Artworks in and as practices: The relevance of particulars YAËL KREPLAK -- |tchapter 8 On the discrepancy between objects and things: An ecological approach /|rFERNANDO DOMÍNGUEZ RUBIO -- |tpart, PART III Implications -- |tchapter 9 Re-programmed art: Overcoming obsolescence and opening up programmed and kinetic artworks /|rSERENA CANGIANO DAVIDE FORNARI AZALEA SERATONI -- |tchapter 10 Back to the future: Bogomir Ecker’s Tropfsteinmaschine as a thought experiment in stone /|rJOHANNE MOHS -- |tchapter 11 Epistemics and aesthetics of experimentation: Towards a hybrid heuristics? /|rHANS-JÖRG RHEINBERGER.
520 3 |aOver the last two decades, multiple initiatives of transdisciplinary collaboration across art, science, and technology have seen the light of day. Why, by whom, and under what circumstances are such initiatives promoted? What does their experimental character look like - and what can be learned, epistemologically and institutionally, from probing the multiple practices of "art/science" at work? In answer to the questions raised, Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo’s Mona Lisa and its cracked smile. In so doing, this volume brings to bear the "practice turn" in science and technology studies on the empirical investigation of multifaceted experimentation across contemporary art, science, and technology in situ. Against the background of current discourse on "artistic research," the introduction not only explains the particular relevance of the "practice turn" in STS to tackle the interdisciplinary task at hand, but offers also a timely survey of varying strands of artistic experimentation.In bringing together ground-breaking studies from internationally renowned scholars and upcoming researchers in sociology, art theory and artistic practice, as well as history and philosophy of science, Practicing Art/Science will be essential reading for practitioners and professionals in said fields, as well as postgraduate students and representatives of higher education and research policy more broadly.
650 0|aInterdisciplinary approach to knowledge.
650 7|aART / Performance.|2bisacsh
650 7|aART / Reference.|2bisacsh
650 7|aSOCIAL SCIENCE / Sociology / General.|2bisacsh
650 0|aInterdisciplinary approach to knowledge|vCase studies.
650 0|aScience and the arts.
700 1 |aSormani, Philippe,|eeditor.
700 1 |aCarbone, Guelfo,|d1983-|eeditor.
700 1 |aGisler, Priska,|eeditor.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9781138039414|w(DLC) 2017060793
830 0|aRoutledge advances in sociology.
856 40|uhttps://www.taylorfrancis.com/books/9781315175881|zClick here to view.
901 |aTaylor & Francis
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