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008 190509s2019 nyu ob 001 0 eng d
020 |a9780429013676|q(electronic bk.)
020 |a0429013671|q(electronic bk.)
020 |a9780429506222|q(electronic bk.)
020 |a0429506228|q(electronic bk.)
020 |a9780429013683|q(electronic bk. : PDF)
020 |a042901368X|q(electronic bk. : PDF)
020 |a9780429013669|q(electronic bk. : Mobipocket)
020 |a0429013663|q(electronic bk. : Mobipocket)
020 |z9781138584099
020 |z1138584096
035 |a(OCoLC)1100588550
035 |a(OCoLC-P)1100588550
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aNX180.S6|bM54 2019eb
072 7|aART|x060000|2bisacsh
072 7|aART|x025000|2bisacsh
072 7|aART|x037000|2bisacsh
072 7|aSOC|x007000|2bisacsh
072 7|aPOL|x045000|2bisacsh
072 7|aAB|2bicssc
082 04|a700.1/03|223
245 00|aMigration, diversity and the arts :|bthe postmigrant condition /|cMoritz Schramm, Sten Pultz Moslund and Anne Ring Petersen, Mirjam Gebauer, Hans Christian Post, Sabrina Vitting-Seerup and Frauke Wiegand.
264 1|aNew York :|bRoutledge,|c2019.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aRoutledge research in art and politics
505 0 |aCover; Half Title; Series; Title; Copyright; Contents; List of Illustrations; Preface; Part I Postmigration as a Concept (Reception, Histories, Criticism); Introduction: From Artistic Intervention to Academic Discussion; 1 Academic Reception; 2 Comparing Histories: The United Kingdom, Germany and Denmark; 3 Criticism and Perspectives; Part II Postmigration as a Perspective (Art, Literature, Film); Introduction: Towards a Postmigrant Frame of Reading; 4 'Say It Loud!' A Postmigrant Perspective on Postcolonial Critique in Contemporary Art
505 8 |a5 Towards a Postmigrant Reading of Literature: An Analysis of Zadie Smith's NW6 Expanding the Concept of Heimat: A Postmigrant Perspective on Fatih Akin's Soul Kitchen; Part III Sites of Negotiation (Identity, Language, Institutions); Introduction: Reinventing Identities, Languages and Institutions; 7 Identity and Cultural Representations in the Postmigrant Condition; 8 Postmonolingual Struggles and the Poetry of Uljana Wolf; 9 Organizing Postmigration in Cultural Institutions: Diversity Work as Intrusion, Potential or Fact?; Part IV Envisioning the Future
520 |aThis book offers a compelling study of contemporary developments in European migration studies and the representation of migration in the arts and cultural institutions. It introduces scholars and students to the new concept of 'postmigration', offering a review of the origin of the concept (in Berlin) and how it has taken on a variety of meanings and works in different ways within different national, cultural and disciplinary contexts. The authors explore postmigrant theory in relation to the visual arts, theater,film and literature as well as the representation of migration and cultural diversity in cultural institutions, offering case studies of postmigrant analyses of contemporary works of art from Europe (mainly Denmark, Germany and Great Britain).
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArts and society|zEurope.
650 0|aCultural pluralism|zEurope.
650 0|aEmigration and immigration in art.
650 7|aART / Performance|2bisacsh
650 7|aART / Reference|2bisacsh
650 7|aART / Art & Politics|2bisacsh
650 7|aSOCIAL SCIENCE / Emigration & Immigration|2bisacsh
700 1 |aSchramm, Moritz,|d1970-
700 1 |aMoslund, Sten Pultz.
700 1 |aPetersen, Anne Ring.
700 1 |aGebauer, Mirjam.
700 1 |aPost, Hans Christian.
700 1 |aVitting-Seerup, Sabrina.
700 1 |aWiegand, Frauke.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9780429506222
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis