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008 200515r20202014enka fo 000 0 eng d
020 |a9781000183061|q(PDF ebook)
020 |a1000183068
020 |a9781003087304|q(electronic bk.)
020 |a1003087302|q(electronic bk.)
020 |a9781000189698|q(electronic bk. : EPUB)
020 |a1000189694|q(electronic bk. : EPUB)
020 |a9781000186307|q(electronic bk. : Mobipocket)
020 |a100018630X|q(electronic bk. : Mobipocket)
035 |a(OCoLC)1159421793
035 |a(OCoLC-P)1159421793
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML1055
072 7|aSOC|x002000|2bisacsh
072 7|aMUS|x000000|2bisacsh
072 7|aSOC|x002010|2bisacsh
072 7|aJHM|2bicssc
082 04|a384|223
100 1 |aBartmanski, Dominik,|d1978-|eauthor.
245 10|aVinyl|bthe analogue record in the digital age /|cDominik Bartmanski, Ian Woodward.
264 1|aLondon :|bRoutledge,|c2020.
300 |a1 online resource|billustrations (black and white)
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
520 |aRecent years have seen not just a revival, but a rebirth of the analogue record. More than merely a nostalgic craze, vinyl has become a cultural icon. As music consumption migrated to digital and online, this seemingly obsolete medium became the fastest-growing format in music sales. Whilst vinyl never ceased to be the favorite amongst many music lovers and DJs, from the late 1980s the recording industry regarded it as an outdated relic, consigned to dusty domestic corners and obscure record shops. So why is vinyl now experiencing a rebirth of its cool'?Dominik Bartmanski and Ian Woodward explore this question by combining a cultural sociological approach with insights from material culture studies. Presenting vinyl as a multifaceted cultural object, they investigate the reasons behind its persistence within our technologically accelerated culture. Informed by media analysis, urban ethnography and the authors' interviews with musicians, DJs, sound engineers, record store owners, collectors and cutting-edge label chiefs from a range of metropolitan centres renowned for thriving music scenes including London, New York, Tokyo, Melbourne, and especially Berlin, what emerges is a story of a modern icon.
588 |aOCLC-licensed vendor bibliographic record.
650 7|aSOCIAL SCIENCE / Anthropology / General|2bisacsh
650 7|aMUSIC / General|2bisacsh
650 7|aSOCIAL SCIENCE / Anthropology / Cultural|2bisacsh
650 0|aSound recordings|xSocial aspects.
650 0|aSound recording industry.
700 1 |aWoodward, Ian|c(Sociologist),|eauthor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003087304
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis