A history of Chinese theatre in the 20th century. III / Fu Jin ; translated by Zhang Qiang.

Erişim Adresi
Taylor & Francis Link
OCLC metadata license agreement Link
ISBN
9781000384413 electronic book
1000384411 electronic book
9781003171171 electronic book
1003171176 electronic book
9781000384420 electronic book EPUB
100038442X electronic book EPUB
0367773953
9780367773953
Dil Kodu
İngilizce
Yazar
Fu, Jin, 1956-
Tekbiçim Eser Adı
20 shi ji Zhongguo xi ju shi. English.
Yayın Bilgisi
Abingdon, Oxon ; New York, NY : Routledge, 2021.
©2021
Fiziksel Niteleme
1 online resource (xxi, 294 pages)
Dizi
China perspectives
İçindekiler Notu
Part I "Letting One Hundred Flowers Blossom" and "Getting Rid of the Stale and Bringing Forth the Fresh" -- Policies for Chinese Theatre in the New Era. 1. Liberation and "Theatrical Reform". 2. Rectification of Deviation and "May 5th Instruction". 3. National Joint Performance and Review of Spoken Drama. 4. Removing the Restrictive Rules Detrimental to Theatrical Development. A Brief Summary of Part I. Part II Eulogizing "the Great Leap Forward Movement" and Recalling Revolutionary History. 5. "The Great Leap Forward Movement". 6. Upholds of Three Theatrical Categories (New Historical Drama, Adapted Traditional Drama and Modern Drama). 7. A Review of The Theatrical Development from 1949 to 1962. A Brief Summary of Part II.
Özet, vb.
The twentieth century was a dynamic period for the theatrical arts in China. Booming urban theatres, the interaction between commercial practice and theatre, dramas staged during the War of Resistance against Japan and a healthy dialogue between Western and Eastern theatres all contributed to the momentousness of this period. The four volumes of A History of Chinese Theatre in the 20th Century display the developmental trajectories of Chinese theatre over those hundred years. This volume examines national policies developed for the culture industry and practice of Chinese theatre from 1949 to the period of "the Great Leap Forward". The author highlights the tension between the new nation's principle of "letting one hundred flowers bloom" and the theatrical industry as a tool for ideological propaganda. He argues that the transition from war-time conditions to the new social structure of peace time was far from thorough and stable. Scholars and students in the history of the arts, especially the history of Chinese theatre, will find this book to be an essential guide.
Konu
Theater __ China __ History __ 20th century.
Chinese drama __ 20th century __ History and criticism.
HISTORY / General __ bisacsh
ART / Asian __ bisacsh
ART / History / General __ bisacsh
Diğer Yazarlar
Zhang, Qiang (Translator)
Veritabanı
Taylor & Francis
İşlemler