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008 210828s2022 enk ob 001 0 eng
020 |a9781032034324|q(ebook)
020 |a1032034327
020 |a9781000487237|q(electronic bk. : PDF)
020 |a1000487237|q(electronic bk. : PDF)
020 |a9781000487268|q(electronic bk. : EPUB)
020 |a1000487261|q(electronic bk. : EPUB)
020 |z9781032034294|q(hardback)
020 |z9781032034300|q(paperback)
035 |a(OCoLC)1269625986
035 |a(OCoLC-P)1269625986
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aPS3513.O53515
072 7|aPER|x011010|2bisacsh
072 7|aPER|x013000|2bisacsh
072 7|aPER|x011030|2bisacsh
072 7|aAN|2bicssc
082 00|a792.9/2|223
100 1 |aEnsel, Remco,|eauthor.
245 10|aAnne Frank on the postwar Dutch stage :|bperformance, memory, affect /|cauthored by Remco Ensel.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2022.
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
505 0 |aIntroduction: Specters of Anne Frank -- Time out of joint. Theaters of destruction -- Under erasure. From diary to script -- A holocaust performative. From script to play -- Driven by affect. Opening night and beyond -- Shibboleth. Postwar Jewishness onstage -- Conclusions: After events and affects.
520 |a"This book is a case study into the affective history of Holocaust drama offering a new perspective on the impact of The Diary of Anne Frank, the pivotal 1950s play that was a turning point in Holocaust consciousness. Despite its overwhelming success, criticism of the Broadway makeover has been harsh, suggesting that the alleged Americanization would not do justice to the violence of the Holocaust or Anne Frank's budding Jewishness. This study revisits these issues by focusing on the play's European appropriation delving into the emotional intensity with which the piece was produced and received. The core of the exploration is a history of the Dutch staging in ethnographic detail, based on unique archival material such as correspondence with Otto Frank, prompt books, original tapes, blueprints of the set and oral history. This book is a microhistory of the first Dutch performance of the stage adaptation of Anne Frank's diary by the American playwrights Goodrich and Hackett. The stage history is examined in the context of the postwar hesitant development of publicly voiced Holocaust consciousness. Influenced by memory studies and affect theory, the emphasis is on the emotional impact of the drama on both the members of the cast and the audience and will be of great interest to students and scholars in theatre & performance studies, memory studies, cultural history, Jewish Studies, Holocaust Studies and Contemporary European History"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
600 10|aGoodrich, Frances.|tDiary of Anne Frank.
600 10|aGoodrich, Frances|xStage history|zNetherlands.
600 10|aFrank, Anne,|d1929-1945.|tAchterhuis|vAdaptations.
600 10|aFrank, Anne,|d1929-1945|xIn literature.
650 0|aHolocaust, Jewish (1939-1945), in literature.
650 0|aTheater|zNetherlands|xHistory|y20th century.
650 7|aPERFORMING ARTS / Theater / Direction & Production|2bisacsh
650 7|aPERFORMING ARTS / Theater / Broadway & Musical Revue|2bisacsh
650 7|aPERFORMING ARTS / Theater / Playwriting|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781032034324
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis