LEADER 03841cam a2200349Ii 4500
001 803177
003 TR_AnAIT
005 20260123235145
008 180706s2018 enka ob 001 0 eng d
020 |a9781315098005|q(e-book : PDF)
020 |a9781351578783|q(e-book: Mobi)
020 |z9781138054240|q(hardback)
024 7 |a10.1201/9781315098005 |2doi
035 |a(OCoLC)1004358199
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
043 |ae-it---
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN72.S49|bI43 2018
082 04|a704.9493067|bI314
245 00|aImages of sex and desire in Renaissance art and modern historiography /|cedited by Angeliki Pollali and Berthold Hub.
264 1|aLondon :|bRoutledge,|c2018.
300 |a1 online resource
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aVisual Culture in Early Modernity
505 00|tchapter Introduction: Renaissance Sexuality and Myth Making /|rANGELIKI POLLALI -- |tpart Part I The Politics of Desire: Stereotypes and Ambiguity of Gender Identity -- |tchapter 1 Body Language in Dürer’s Martyrdom of the Ten Thousand Christians /|rLINDA C. HULTS -- |tchapter 2 Hilarious Homoeroticism, or the Renaissance of Stereotypes in Filarete’s Bronze Doors of St. Peter’s /|rPETER BELL -- |tchapter 3 Carnal Desire and Conflicted Sexual Identity in a ‘Dominican’ Chapel /|rROBIN O’BRYAN -- |tchapter 4 Mirror Effects: The Narcissus Emblem in Scève’s Délie /|rNANCY M. FRELICK -- |tpart Part II Mechanisms for Actualizing Desire: From Seduction to ‘Post-Coital Man’ -- |tchapter 5 Who is to Blame? Representing Adultery in Early Modern Books: Alciato, Aneau, Brant, Ripa /|rAlciato, Aneau, Brant, Ripa SABINE ENGEL -- |tchapter 6 Cupid and the Bear: Emblems of Creation and Images of Seduction in Sixteenth-Century Art Writing and Love Imagery ROMANA SAMMERN -- |tchapter 7 The ‘Power of Women’ and the Post-Coital Man /|rTATIANA C. STRING -- |tchapter 8 The Double Strike: A Psychoanalytic Reading of Donatello’s Judith and Holofernes /|rANGELIKI POLLALI -- |tpart Part III Beyond the ‘Pleasure Principle’ or the Polysemy of Desire -- |tchapter 9 Violence and Desire: Fetishist Impulses and Violence against the Female Body in the Hypnerotomachia Poliphili /|rLILIANA LEOPARDI -- |tchapter 10 Drunkenness, Sex and Desire in Titian’s Bacchanal of the Andrians /|rFRANÇOIS QUIVIGER -- |tchapter 11 Pollution and Desire in Hans Baldung Grien: The Abject, Erotic Spell of the Witch and Dragon /|rYVONNE OWENS -- |tchapter 12 Gabrielle d’Estrées et l’une de ses Soeurs and the Pleasures of Proliferative Criticism /|rKATHERINE CRAWFORD.
520 |a"Studies on gender and sexuality have proliferated in the last decades, covering a wide spectrum of disciplines. This anthology offers a metanarrative of sexuality as it has been recently embedded in the art historical discourse of the European Renaissance. It revisits 'canonical' forms of visual culture, such as painting, sculpture and a number of emblematic manuscripts. The contributors focus on one image--either actual or thematic--and examine it against its historiographic assumptions. Through the use of interdisciplinary approaches, the essays propose to unmask the ideology(ies) of representation of sexuality and suggest a richer image of the ever-shifting identities of gender. The anthology focuses on the Italian Renaissance, but also includes case studies from Germany and France. "--Provided by publisher.
650 0|aSex and art|zItaly|xHistory|y16th century.
650 0|aArt, Italian|y16th century|xThemes, motives.
650 0|aArt, Renaissance|zItaly.
700 1 |aHub, Berthold,|eeditor.
700 1 |aPollali, Angeliki,|eeditor.
776 08|iPrint version: |z9781138054240
856 40|uhttps://www.taylorfrancis.com/books/9781315098005|zClick here to view.
901 |aTaylor & Francis