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020 |a9781315666051|qelectronic book
020 |a1315666057|qelectronic book
020 |a9781317353959|q(electronic bk. : EPUB)
020 |a1317353951|q(electronic bk. : EPUB)
020 |a9781317353966|q(electronic bk. : PDF)
020 |a131735396X|q(electronic bk. : PDF)
020 |a9781317353942|q(electronic bk. : Mobipocket)
020 |a1317353943|q(electronic bk. : Mobipocket)
020 |z9781138955844|qhardcover ;|qalkaline paper
035 |a(OCoLC)1079400737
035 |a(OCoLC-P)1079400737
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 14|aPN1995|b.R6854 2019
072 7|aPER|x009000|2bisacsh
072 7|aSOC|x052000|2bisacsh
072 7|aJFD|2bicssc
082 00|a791.4309|223
245 04|aThe Routledge companion to new cinema history /|cedited by Daniël Biltereyst, Richard Maltby and Philippe Meers.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2019.
264 4|c©2019
300 |a1 online resource (xxiii, 409 pages)
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
500 |aRoutledge Companion
505 0 |aIntroduction: The scope of new cinema history / Daniel Biltereyst, Richard Maltby and Philippe Meers -- Reflections and comments -- Challenges and opportunities -- Distribution and trade -- Exhibition, place and space -- Programming, popularity and film -- Audiences, reception and cinemagoing experiences.
520 |aThe Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience of cinema, from its origins in vaudeville and traveling exhibitions to the multiplexes of today. Exploring its history from the perspective of the cinemagoer, the study of new cinema history examines the circulation and consumption of cinema, the political and legal structures that underpinned its activities, the place that it occupied in the lives of its audiences and the traces that it left in their memories. Using a broad range of methods from the statistical analyses of box office economics to ethnography, oral history, and memory studies, this approach has brought about an undisputable change in how we study cinema, and the questions we ask about its history. This companion examines the place, space, and practices of film exhibition and programming; the questions of gender and ethnicity within the cinematic experience; and the ways in which audiences gave meaning to cinemagoing practices, specific films, stars, and venues, and its operation as a site of social and cultural exchange from Detroit and Laredo to Bandung and Chennai. Contributors demonstrate how the digitization of source materials and the use of digital research tools have enabled them to map previously unexplored aspects of cinema's business and social history and undertake comparative analysis of the diversity of the social experience of cinema across regional, national, and continental boundaries. With contributions from leading scholars in the field, The Routledge Companion to New Cinema History enlarges and refines our understanding of cinema's place in the social history of the twentieth century.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aMotion pictures.
650 0|aMotion picture industry.
650 7|aPERFORMING ARTS / Reference|2bisacsh
650 7|aSOCIAL SCIENCE / Media Studies|2bisacsh
700 1 |aBiltereyst, Daniël,|d1962-|eeditor.
700 1 |aMaltby, Richard,|d1952-|eeditor.
700 1 |aMeers, Philippe,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781315666051
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis