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008 241211s2025 nyu ob 001 0 eng
020 |a9781003571476|q(ebook)
020 |a1003571476
020 |a9781040300336|q(electronic bk. : EPUB)
020 |a1040300332|q(electronic bk. : EPUB)
020 |a9781040300312|q(electronic bk. : PDF)
020 |a1040300316|q(electronic bk. : PDF)
020 |z9781032945712|q(hardback)
020 |z9781032945705|q(paperback)
024 7 |a10.4324/9781003571476|2doi
035 |a(OCoLC)1487666160
035 |a(OCoLC-P)1487666160
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aN6280
072 7|aSOC|x003000|2bisacsh
072 7|aHD|2bicssc
082 00|a709.4/09021|223/eng/20250118
245 00|aRomanesque and the year 1000 /|cedited by Gerhard Lutz, John McNeill and Richard Plant.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2025.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aThe British Archaeological Association Romanesque transactions
505 2 |aImage and society at Reichenau c. 1000 / Barbara Franzé -- Order and disorder through the eyes of scribes and illuminators in the Kingdom of Pamplona c. 970-c. 1000 / Rose Walker -- St Laurence at Bradford on Avon, St Michael at Hildesheim and the use of squares in their planning / Eric Fernie.
520 |a"Romanesque and the Year 1000 examines the art and architecture of the Latin West between c.970 and c.1030, a period which witnessed crucial developments in iconography and stylistic expression across a wide range of media. Despite the complex political situation in late-10th-century Europe - a period marked by chaos in some areas and the effective exercise of authority in others - the last quarter of the century saw an apparent upsurge in artistic production in the Empire, southern Britain, Lombardy, the Alps and Mediterranean, albeit one whose survival rate is low. The decades after the millennium have left a larger residue of work, notably in France, Catalonia and northern Italy, but were the 1020s artistically more dynamic than the 980s? How might we describe the cultural climate of the Latin West between c.970 and c.1030? Individual chapters examine the influence of Carolingian art on artistic production around 1000, the emergence of new approaches to architecture in France, Germany, England and northern Italy, and the response of artists to perceived order and disorder at the turn of the millennium. There are studies of architectural sculpture in Catalonia and Castile, new town foundation in Saxony, and monastic architecture in southern Britain, together with examinations of Ottonian sarcophagi, book covers in gold and ivory, the wall paintings at Reichenau, the patronage of Willigis at Mainz and Robert the Pious in northern France, the early Romanesque of Poland and Hungary and the reflection of a new type of affective piety in the manuscript illumination of late Anglo-Saxon England. Romanesque and the Year 1000 presents a wealth of new research into artistic production at a critical period and is of interest to art historians, archaeologists and historians alike"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArt, Romanesque.
650 0|aArchitecture, Romanesque.
650 7|aSOCIAL SCIENCE / Archaeology|2bisacsh
700 1 |aLutz, Gerhard,|d1965-|eeditor.|1https://id.oclc.org/worldcat/entity/E39PBJdx6w974m9pWktYp4FMyd
700 1 |aMcNeill, John,|d1957-|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjtKfxpKry8Kcf9gQbFKbd
700 1 |aPlant, Richard,|eeditor.
830 0|aBritish Archaeological Association Romanesque transactions.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003571476
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis