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008 210617s2022 nyu ob 001 0 eng
020 |a9781003112235|q(ebook)
020 |a1003112234
020 |a9781000477467|q(electronic bk. : PDF)
020 |a1000477460|q(electronic bk. : PDF)
020 |a9781000477474|q(electronic bk. : EPUB)
020 |a1000477479|q(electronic bk. : EPUB)
020 |z9780367612849|q(hardback)
020 |z9780367631246|q(paperback)
035 |a(OCoLC)1258042973
035 |a(OCoLC-P)1258042973
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aN72.S6
072 7|aART|x019000|2bisacsh
072 7|aAC|2bicssc
082 00|a701/.170952|223
245 04|aThe visual culture of Meiji Japan :|bnegotiating the transition to modernity /|cedited by Ayelet Zohar and Alison J. Miller.
264 1|aNew York :|bRoutledge,|c2022.
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
505 2 |aJapan as Far West : An Allegorical Reading of the Katakana Space / Michio Hayashi -- Medievalism and Militarism in Imperial Japan / Oleg Benesch -- Colors of Empire : Watercolor in Meiji Japan / Chinghsin Wu.
520 |a"This volume examines the visual culture of Japan's transition to modernity, from 1868 to the first decades of the twentieth century. Through this important moment in Japanese history, contributors reflect on Japan's transcultural artistic imagination vis-a-vis the discernment, negotiation, assimilation, and assemblage of diverse aesthetic concepts and visual pursuits. The collected chapters show how new cultural notions were partially modified and integrated to become the artistic methods of modern Japan, based on the hybridization of major ideologies, visualities, technologies, productions, formulations, and modes of representation. The book presents case studies of creative transformation demonstrating how new concepts and methods were perceived and altered to match views and theories prevalent in Meiji Japan, and by what means different practitioners negotiated between their existing skills and the knowledge generated from incoming ideas to create innovative modes of practice and representation that reflected the specificity of modern Japanese artistic circumstances. The book will be of interest to scholars working in art history, Japanese studies, Asian studies, and Japanese history, as well as those who use approaches and methods related to globalization, cross-cultural studies, transcultural exchange, and interdisciplinary studies"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArt and society|zJapan|xHistory|y19th century.
650 0|aArt and society|zJapan|xHistory|y20th century.
650 0|aAesthetics, Japanese|y19th century.
650 0|aAesthetics, Japanese|y20th century.
650 7|aART / Asian|2bisacsh
700 1 |aZohar, Ayelet,|eeditor.
700 1 |aMiller, Alison J.,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003112235
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis