LEADER 02649cam a2200445M 4500
001 804500
003 TR_AnAIT
005 20260124001414
006 m o d
007 cr |n|||||||||
008 231115s2023 xx o 0|| 0 eng d
020 |a9781000963397|q(electronic bk.)
020 |a100096339X|q(electronic bk.)
020 |a9781003377467|q(electronic bk.)
020 |a1003377467|q(electronic bk.)
020 |a9781000963335|q(electronic bk. : PDF)
020 |a1000963330|q(electronic bk. : PDF)
020 |z1032455381
020 |z9781032455389
024 7 |a10.4324/9781003377467|2doi
035 |a(OCoLC)1409203482
035 |a(OCoLC-P)1409203482
040 |aOCoLC-P|beng|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1995.2
072 7|aHIS|x016000|2bisacsh
072 7|aPER|x004000|2bisacsh
072 7|aHB|2bicssc
082 04|a791.43/658|222
100 1 |aRosenstone, Robert A.
245 10|aHISTORY ON FILM/FILM ON HISTORY|h[electronic resource].
260 |a[S.l.] :|bROUTLEDGE,|c2023.
300 |a1 online resource
520 |aHistory on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the fourth edition of this widely acclaimed text, Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events. This book examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler's List, Glory, October, and Reds. Advocating for the dramatic feature as a legitimate way of doing history, this edition includes a new Preface and a new chapter that focuses on films produced in Latin America, Africa, the Middle East, India, and East Asia. Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations, this book is an essential introduction to the field for students of history and film.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aMotion pictures and history.
650 0|aHistorical films|xHistory and criticism.
650 7|aHISTORY / Historiography|2bisacsh
650 7|aPERFORMING ARTS / Film & Video / General|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003377467
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis