Beuckelaer and the art of dining : northern painting, food, and social class in early modern Italy / Claudia Goldstein.

Erişim Adresi
Taylor & Francis Link
OCLC metadata license agreement Link
ISBN
9781003691563 (electronic bk.)
1003691560 (electronic bk.)
9781040779613 (electronic bk. : PDF)
1040779611 (electronic bk. : PDF)
9781040795132 (electronic bk. : EPUB)
1040795137 (electronic bk. : EPUB)
9789463727822
Dil Kodu
İngilizce
Yazar
Goldstein, Claudia, Link
Basım Bildirimi
First edition.
Yayın Bilgisi
Abingdon : Routledge, 2025.
Fiziksel Niteleme
1 online resource (188 pages).
Dizi
Visual and material culture, 1300-1700
Genel Not
First published in 2025 by Amsterdam University Press Ltd.
İçindekiler Notu
Acknowledgements, Introduction - Beuckelaer as Periscope, 1. Kitchens, Markets, and Marthas in Antwerp Houses, 2. Beuckelaer and Margaret of Parma's Flemish Identity, 3. Fashion Spreads: Campi and the Affaitadi in Cremona (and beyond), 4. Parties, Privacy, Performance, and Paintings in the Duchy of Milan, 5. Class, Food, Paintings, Health, Conclusion - The Problem with Beuckelaer, Bibliography, List of Illustrations, Index
Özet, vb.
Sixteenth-century Flemish painter Joachim Beuckelaer produced dozens of large-scale paintings of contemporary working women and men selling, presenting, and preparing a visually stunning array of foodstuffs for the viewer. These were new subjects in Antwerp and even newer in Italy, where elite merchants and nobles like Margaret of Parma displayed them as they were meant to be displayed: in dining rooms and spaces used for entertaining. This study explores the cross-cultural meanings of Beuckelaer's distinctly Northern European kitchen and market scenes in the context of North Italian dining and food culture. Examining the functions of Beuckelaer's strange and new subject matter, Goldstein situates his paintings and those of his closest Italian follower, Vincenzo Campi, in the physical space of the dining room, addressing dining practice and the class and gender tensions inherent in a setting that placed both elite and non-elite viewers before life-sized renderings of their employees, and themselves.
Konu
Beuckelaer, Joachim, __ approximately 1533-approximately 1575 __ Criticism and interpretation.
Food in art.
Veritabanı
Taylor & Francis
İşlemler