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020 |a9781315109688(e-book : PDF)
035 |a(OCoLC)1076876979
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML160
072 7|aMUS|x000000 |2bisacsh
072 7|aAVG |2bicscc
082 04|a780.9|223
100 1 |aHijleh, Mark,|eauthor.
245 10|aTowards a Global Music History :|bIntercultural Convergence, Fusion, and Transformation in the Human Musical Story /|cby Mark Hijleh.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bRoutledge,|c[2018].
264 4|c©2019.
300 |a1 online resource (254 pages) :|b44 illustrations, text file, PDF
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
504 |aIncludes bibliographical references and index.
505 00|t1. Introduction: Global Musicianship and Global Musicology Part I: The Afro-Eurasian Old World Web, c.3500BCE-1500CE 2. Precedents to the Silk Road 3. The First Pivotal Convergence: The Silk Road, c.200BCE-900CE 4. The Second Pivotal Convergence: al-Andalus, Bzyantium, and the European Coming of Age, c.700-1500CE Part II: The New World Web, the Third Pivotal Convergence, and the Acceleration of Fusion, c.1500-1920CE 5. A Musical Columbian Exchange 6. The Rise of Transcultural Musics in the United States 7. Expanded Acceleration: Empires and Exoticism Part III: The Global Web and Continuous Transformation, since c.1920CE 8. The Full Flowering and Influence of the American Musical Convergence 9. Technology, Convergence, and the Age of Instantaneous Exchange 10. Conclusion: Global Music HistoryIntercultural or Transcultural?
520 3 |aHow do we explain the globalized musical world in which we find ourselves in the early 21st century and how did we arrive here? This extraordinary book outlines an understanding of the human musical story as an intercultural—and ultimately a transcultural—one, with travel and trade as the primary conditions and catalysts for the ongoing development of musical styles. Starting with the cultural and civilizational precedents that gave rise to the first global trading and travel network in both directions across the Afro-Eurasian Old World Web in the form of the Silk Road, the book proceeds to the rise of al-Andalus and its influence on Europe through the Iberian peninsula before considering the fusion of European, African and indigenous musics that emerged in the Americas between c1500-1920 as part of Atlantic culture and the New World Web, as well as the concurrent acceleration of globalism in music through European empires and exoticism. The book concludes by examining the musical implications of our current Age of Instantaneous Exchange that technology permits, and by revisiting the question of interculturality and transculurality in music.
530 |aAlso available in print format.
650 0|aMusic|yHistory and criticism.
650 0|aWorld history.
650 0|aIntercultural communication|yHistory.
650 0|aMusic and globalization.
650 0|aIntercultural communication.
655 0|aElectronic books.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9781138088733
856 40|uhttps://www.taylorfrancis.com/books/9781315109688|zClick here to view
901 |aTaylor & Francis