Progress(es), Theories and Practices : Proceedings of the Third International Multidisciplinary Congress on Proportion Harmonies Identities (PHI 2017), October 4-7, 2017, Bari, Italy / Mário S. Ming Kong.
Erişim Adresi
ISBN
9781351242660 (e-book: Mobi)
9781351242691 (e-book : PDF)
9780815374152 (hardback)
9781351242691 (e-book : PDF)
9780815374152 (hardback)
Dil Kodu
İngilizce
Yazar
Basım Bildirimi
First edition.
Yayın Bilgisi
London : Taylor and Francis, 2017.
Fiziksel Niteleme
1 online resource
İçindekiler Notu
part, Part I: Progress(es) – theories and practices -- chapter Introduction -- chapter Discovery, science and progress / J. Seixas -- chapter Anonymous as a theme of discontinuity in the culture of Italian architecture between the first and second halves of the 20th century: E.N. Rogers and L. Ricci / G. Leoni -- chapter Progress(es) in planning – theory and practice and the quest for activist modes / J. Cabral -- chapter Colour effects and human perception: Contributions to architecture and design project / F. Moreira da Silva -- part, Part II: Architecture/urbanism/design; (theory to practice) -- chapter From potency in theory to act in practice / J.L. Morgado -- chapter From divine to human: Architecture and music celebrating the machine, but still searching for Plato / C.G. Gonçalves -- chapter Interstitial spatialities in progress: From identity to relationality / A. Vasconcelos -- chapter The bitter gifts of progress: Russian revolution, “barrackization” of living space and the poverty of experience / I. Seits -- chapter On progress: Remarks on the theoretical work of Adolf Loos / J. Nunes -- chapter The “anonymous” practice of construction and architectural theory: The tender age of the Form in the American industrial prototypes between 19th and 20th-century / V. Quadrato -- chapter More’s College: A case study in the eutopian praxis of deep heritage conservation / M. Wilson -- chapter Fernando Távora: The deontology of the journey as a form of cultural and personal progress / R. Maddaluno -- chapter Maquette-concept as project genesis in the teaching of architecture / M. Louro -- chapter Buildings and regenerative thinking: A forward perspective for sustainability / E. Conte -- chapter Progress, energy and architecture – The building as a power cell / F. Oliveira -- chapter Executing progress through the design-build platform / K. O’Connor -- chapter The void concept in building design / J.N. Bastos -- chapter Graphic dialogues: The progress of knowledge in design in the architecture studio / A.R. Ortega & S. Weihermann -- chapter Housing as a reflection of the human unconscious; the permanent flexibility in housing / J. Jerónimo -- chapter Living the contemporaneity: The idea of progress from the origins of the house / C. Chiarantoni -- chapter Progress and the happiness ideal: Materialisation of a utopia with the fortified enclave: The case of Casa Forte / T. Fonseca, A. Fonseca & F. Moreira da Silva -- chapter Towers in the contemporary city / E. Kuchpil & A. Pimentel dos Santos -- chapter The classical progress: French neoclassicism as “modern architecture”, a symbol of progress in the city of Recife, Brazil, in the 19th century / G.M.de Carvalho -- chapter Will stage and exhibition design save contemporary theatre? / S. Centineo -- chapter The Evolutive Design; the interpretation of the structure of the physical space in the architectural design / C. Montalbano -- chapter Urban restoration for territorial development / G. Martines -- chapter The green way of the Apulian Aqueduct. A regional corridor for the enhancement of the environmental heritage and local culture / C. Montalbano & L. Guastamacchia -- chapter “Rural villages” as engines of territory sustainable growth / T. Basirico -- chapter Studying and living in the city / C. Chiarantoni, M.I. Marzulli & M. Persia -- chapter Research and culturalist practice as a matrix for urban and architectural rehabilitation in Lisbon / A. Santos Leite & A.M. Feliciano -- chapter Architecture – a product for retail sale? / M. Germano Marques -- chapter The Portuguese city, 1930–1960: The progress of thinking as displayed in the architecture magazines / J.C. Dias -- chapter Drawing progress within the design process / A. Moreira da Silva -- chapter Sustainable design and technological innovation; New perspective for the traditional sector of the pottery / A. Di Roma -- chapter CACO: Promoting the progress of joinery in Brazil / J. Cardoso Braga, F. Moreira da Silva, L.C. Paschoarelli & L. Ferrão -- chapter Non-object; designing a conceptual model for the design process / J. Silveira Dias -- chapter Knit and technology: A long lasting friendship / G. Montagna & L. Santos -- chapter Prisoners of progress? Women, body and fashion in the 19th century: A reflection on city, society and conspicuous consumption / M.J. Pereira Neto -- part, Part III: Arts -- chapter The art and architecture of inner progress: Four significances of contemporary creations / S.F. Dias -- chapter Progress and return: Chaos, action and aesthetic contemplation, or knowledge never begins at the beginning / A.S. Guerreiro -- chapter Am I always drawing the same drawing? / A.L.M.M. Rodrigues -- chapter Progress and regress: The current status of art in two post-communist countries / G. Horváth -- chapter The promotion of art on the path of socio-cultural development / M.J. Delgado & M.H. Albuquerque -- part, Part IV: Humanities -- chapter Progress versus decadence. In the pursuit of a demystification of the black legend of the Portuguese Empire / M.L.G. da Cruz -- chapter Shadows of orientalism in Portugal – some notes on theories and practices in Macao early narrative images (16th and 17th centuries) / A.P. Avelar -- chapter The idea of progress and the practice of slavery in the second half of the 18th century / M. do R. Pimentel -- chapter On the “bread of Brazil” in the colonial period: Uses, habits and production / A.C. De Carvalho Viotti -- chapter Progress in the European periphery: An impracticable theory in 19th century Azores? / S. Goulart Costa -- chapter Progress and remembrance of the Finnish Lutheran work in the Ondonga Kingdom in SouthWest Africa / South West Africa K.S. Groop -- chapter No past – no progress: Uses of history as a prerequisite of progress in the reinauguration of The Luther Church Helsinki / J. Dahlbacka -- chapter Art and progress; Portuguese colonial representations in the great world exhibitions / M.J. Castro -- chapter Progress on display: Universal Exhibitions in the second half of the 19th century / A. Cardoso de Matos -- chapter Does acculturation mean progress? / R. Seredyn˙ska-Abou Eid -- chapter Birth of Cape Verdean man in the Writing of Jorge Barbosa / H. da Luz -- chapter Community empowerment and progress in Africa – notes from the field / A.M. Martinho Gale -- chapter “Who will not admire the advances of this century?” (Eça de Queirós, Civilização) / J.C. Vasconcelos e Sá -- chapter Humanism and technology: Comparative analysis of More’s Utopia, Bacon’s New Atlantis, and Miguel Real’s O Último Europeu 2284 / M. do R. Monteiro -- chapter Imagining the future: A view of progress in H.G.Wells’ science fiction / L.S. da Silva -- chapter 2 dystopic visions on the relationship of humans and progress – Emile Souvestre and Cordwainer Smith / M. do R. Monteiro.
Özet, vb.
"The texts presented in Proportion Harmonies and Identities (PHI) - Progress(es) - Theories and Practices were compiled with the intent to establish a platform for the presentation, interaction and dissemination of research. It aims also to foster the awareness of and discussion on the topics of Harmony and Proportion with a focus on different progress visions and readings relevant to Architecture, Arts and Humanities, Design, Engineering, Social and Natural Sciences, Technology and their importance and benefits for the community at large. Considering that the idea of progress is a major matrix for development, its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts."--Provided by publisher.
Konu
Harmony (Aesthetics).
Proportion.
Anthropology - Soc Sci
Civil Engineering History
Cultural Studies
SOCIAL SCIENCE / Anthropology / Physical __ bisacsh
TECHNOLOGY & ENGINEERING / Civil / General __ bisacsh
Proportion.
Anthropology - Soc Sci
Civil Engineering History
Cultural Studies
SOCIAL SCIENCE / Anthropology / Physical __ bisacsh
TECHNOLOGY & ENGINEERING / Civil / General __ bisacsh
Diğer Yazarlar
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 09473cam a2200385Ii 4500
001 804845
003 TR_AnAIT
005 20260124001923
008 180706s2017 xx o 000 0 eng d
020 |a9781351242660|q(e-book: Mobi)
020 |a9781351242691|q(e-book : PDF)
020 |z9780815374152|q(hardback)
024 7 |a10.1201/9781351242691 |2doi
035 |a(OCoLC)1004350768
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aBH301.H3|bM564 2017
100 1 |aMing Kong, Mário S.,|eauthor.
245 10|aProgress(es), Theories and Practices :|bProceedings of the Third International Multidisciplinary Congress on Proportion Harmonies Identities (PHI 2017), October 4-7, 2017, Bari, Italy /|cMário S. Ming Kong.
250 |aFirst edition.
264 1|aLondon :|bTaylor and Francis,|c2017.
300 |a1 online resource
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
505 00|tpart, Part I: Progress(es) – theories and practices -- |tchapter Introduction -- |tchapter Discovery, science and progress /|r J. Seixas -- |tchapter Anonymous as a theme of discontinuity in the culture of Italian architecture between the first and second halves of the 20th century: E.N. Rogers and L. Ricci /|r G. Leoni -- |tchapter Progress(es) in planning – theory and practice and the quest for activist modes /|r J. Cabral -- |tchapter Colour effects and human perception: Contributions to architecture and design project /|r F. Moreira da Silva -- |tpart, Part II: Architecture/urbanism/design; (theory to practice) -- |tchapter From potency in theory to act in practice /|r J.L. Morgado -- |tchapter From divine to human: Architecture and music celebrating the machine, but still searching for Plato /|r C.G. Gonçalves -- |tchapter Interstitial spatialities in progress: From identity to relationality /|r A. Vasconcelos -- |tchapter The bitter gifts of progress: Russian revolution, “barrackization” of living space and the poverty of experience /|r I. Seits -- |tchapter On progress: Remarks on the theoretical work of Adolf Loos /|r J. Nunes -- |tchapter The “anonymous” practice of construction and architectural theory: The tender age of the Form in the American industrial prototypes between 19th and 20th-century /|r V. Quadrato -- |tchapter More’s College: A case study in the eutopian praxis of deep heritage conservation /|r M. Wilson -- |tchapter Fernando Távora: The deontology of the journey as a form of cultural and personal progress /|r R. Maddaluno -- |tchapter Maquette-concept as project genesis in the teaching of architecture /|r M. Louro -- |tchapter Buildings and regenerative thinking: A forward perspective for sustainability /|r E. Conte -- |tchapter Progress, energy and architecture – The building as a power cell /|r F. Oliveira -- |tchapter Executing progress through the design-build platform /|r K. O’Connor -- |tchapter The void concept in building design /|r J.N. Bastos -- |tchapter Graphic dialogues: The progress of knowledge in design in the architecture studio /|r A.R. Ortega & S. Weihermann -- |tchapter Housing as a reflection of the human unconscious; the permanent flexibility in housing /|r J. Jerónimo -- |tchapter Living the contemporaneity: The idea of progress from the origins of the house /|r C. Chiarantoni -- |tchapter Progress and the happiness ideal: Materialisation of a utopia with the fortified enclave: The case of Casa Forte /|r T. Fonseca, A. Fonseca & F. Moreira da Silva -- |tchapter Towers in the contemporary city /|r E. Kuchpil & A. Pimentel dos Santos -- |tchapter The classical progress: French neoclassicism as “modern architecture”, a symbol of progress in the city of Recife, Brazil, in the 19th century /|r G.M.de Carvalho -- |tchapter Will stage and exhibition design save contemporary theatre? /|r S. Centineo -- |tchapter The Evolutive Design; the interpretation of the structure of the physical space in the architectural design /|r C. Montalbano -- |tchapter Urban restoration for territorial development /|r G. Martines -- |tchapter The green way of the Apulian Aqueduct. A regional corridor for the enhancement of the environmental heritage and local culture /|r C. Montalbano & L. Guastamacchia -- |tchapter “Rural villages” as engines of territory sustainable growth /|r T. Basirico -- |tchapter Studying and living in the city /|r C. Chiarantoni, M.I. Marzulli & M. Persia -- |tchapter Research and culturalist practice as a matrix for urban and architectural rehabilitation in Lisbon /|r A. Santos Leite & A.M. Feliciano -- |tchapter Architecture – a product for retail sale? /|r M. Germano Marques -- |tchapter The Portuguese city, 1930–1960: The progress of thinking as displayed in the architecture magazines /|r J.C. Dias -- |tchapter Drawing progress within the design process /|r A. Moreira da Silva -- |tchapter Sustainable design and technological innovation; New perspective for the traditional sector of the pottery /|r A. Di Roma -- |tchapter CACO: Promoting the progress of joinery in Brazil /|r J. Cardoso Braga, F. Moreira da Silva, L.C. Paschoarelli & L. Ferrão -- |tchapter Non-object; designing a conceptual model for the design process /|r J. Silveira Dias -- |tchapter Knit and technology: A long lasting friendship /|r G. Montagna & L. Santos -- |tchapter Prisoners of progress? Women, body and fashion in the 19th century: A reflection on city, society and conspicuous consumption /|r M.J. Pereira Neto -- |tpart, Part III: Arts -- |tchapter The art and architecture of inner progress: Four significances of contemporary creations /|r S.F. Dias -- |tchapter Progress and return: Chaos, action and aesthetic contemplation, or knowledge never begins at the beginning /|r A.S. Guerreiro -- |tchapter Am I always drawing the same drawing? /|r A.L.M.M. Rodrigues -- |tchapter Progress and regress: The current status of art in two post-communist countries /|r G. Horváth -- |tchapter The promotion of art on the path of socio-cultural development /|r M.J. Delgado & M.H. Albuquerque -- |tpart, Part IV: Humanities -- |tchapter Progress versus decadence. In the pursuit of a demystification of the black legend of the Portuguese Empire /|r M.L.G. da Cruz -- |tchapter Shadows of orientalism in Portugal – some notes on theories and practices in Macao early narrative images (16th and 17th centuries) /|r A.P. Avelar -- |tchapter The idea of progress and the practice of slavery in the second half of the 18th century /|r M. do R. Pimentel -- |tchapter On the “bread of Brazil” in the colonial period: Uses, habits and production /|r A.C. De Carvalho Viotti -- |tchapter Progress in the European periphery: An impracticable theory in 19th century Azores? /|r S. Goulart Costa -- |tchapter Progress and remembrance of the Finnish Lutheran work in the Ondonga Kingdom in SouthWest Africa /|r South West Africa K.S. Groop -- |tchapter No past – no progress: Uses of history as a prerequisite of progress in the reinauguration of The Luther Church Helsinki /|r J. Dahlbacka -- |tchapter Art and progress; Portuguese colonial representations in the great world exhibitions /|r M.J. Castro -- |tchapter Progress on display: Universal Exhibitions in the second half of the 19th century /|r A. Cardoso de Matos -- |tchapter Does acculturation mean progress? /|r R. Seredyn˙ska-Abou Eid -- |tchapter Birth of Cape Verdean man in the Writing of Jorge Barbosa /|r H. da Luz -- |tchapter Community empowerment and progress in Africa – notes from the field /|r A.M. Martinho Gale -- |tchapter “Who will not admire the advances of this century?” (Eça de Queirós, Civilização) /|r J.C. Vasconcelos e Sá -- |tchapter Humanism and technology: Comparative analysis of More’s Utopia, Bacon’s New Atlantis, and Miguel Real’s O Último Europeu 2284 /|r M. do R. Monteiro -- |tchapter Imagining the future: A view of progress in H.G.Wells’ science fiction /|r L.S. da Silva -- |tchapter 2 dystopic visions on the relationship of humans and progress – Emile Souvestre and Cordwainer Smith /|r M. do R. Monteiro.
520 2 |a"The texts presented in Proportion Harmonies and Identities (PHI) - Progress(es) - Theories and Practices were compiled with the intent to establish a platform for the presentation, interaction and dissemination of research. It aims also to foster the awareness of and discussion on the topics of Harmony and Proportion with a focus on different progress visions and readings relevant to Architecture, Arts and Humanities, Design, Engineering, Social and Natural Sciences, Technology and their importance and benefits for the community at large. Considering that the idea of progress is a major matrix for development, its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts."--Provided by publisher.
650 0|aHarmony (Aesthetics).
650 0|aProportion.
650 04|aAnthropology - Soc Sci
650 04|aCivil Engineering History
650 04|aCultural Studies
650 07|aSOCIAL SCIENCE / Anthropology / Physical|2bisacsh
650 07|aTECHNOLOGY & ENGINEERING / Civil / General|2bisacsh
700 1 |aPereira Neto, Maria João
700 1 |aRosário Monteiro, Maria do
776 08|iPrint version: |z9780815374152
856 40|uhttps://www.taylorfrancis.com/books/9781351242691|zClick here to view.
901 |aTaylor & Francis
001 804845
003 TR_AnAIT
005 20260124001923
008 180706s2017 xx o 000 0 eng d
020 |a9781351242660|q(e-book: Mobi)
020 |a9781351242691|q(e-book : PDF)
020 |z9780815374152|q(hardback)
024 7 |a10.1201/9781351242691 |2doi
035 |a(OCoLC)1004350768
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aBH301.H3|bM564 2017
100 1 |aMing Kong, Mário S.,|eauthor.
245 10|aProgress(es), Theories and Practices :|bProceedings of the Third International Multidisciplinary Congress on Proportion Harmonies Identities (PHI 2017), October 4-7, 2017, Bari, Italy /|cMário S. Ming Kong.
250 |aFirst edition.
264 1|aLondon :|bTaylor and Francis,|c2017.
300 |a1 online resource
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
505 00|tpart, Part I: Progress(es) – theories and practices -- |tchapter Introduction -- |tchapter Discovery, science and progress /|r J. Seixas -- |tchapter Anonymous as a theme of discontinuity in the culture of Italian architecture between the first and second halves of the 20th century: E.N. Rogers and L. Ricci /|r G. Leoni -- |tchapter Progress(es) in planning – theory and practice and the quest for activist modes /|r J. Cabral -- |tchapter Colour effects and human perception: Contributions to architecture and design project /|r F. Moreira da Silva -- |tpart, Part II: Architecture/urbanism/design; (theory to practice) -- |tchapter From potency in theory to act in practice /|r J.L. Morgado -- |tchapter From divine to human: Architecture and music celebrating the machine, but still searching for Plato /|r C.G. Gonçalves -- |tchapter Interstitial spatialities in progress: From identity to relationality /|r A. Vasconcelos -- |tchapter The bitter gifts of progress: Russian revolution, “barrackization” of living space and the poverty of experience /|r I. Seits -- |tchapter On progress: Remarks on the theoretical work of Adolf Loos /|r J. Nunes -- |tchapter The “anonymous” practice of construction and architectural theory: The tender age of the Form in the American industrial prototypes between 19th and 20th-century /|r V. Quadrato -- |tchapter More’s College: A case study in the eutopian praxis of deep heritage conservation /|r M. Wilson -- |tchapter Fernando Távora: The deontology of the journey as a form of cultural and personal progress /|r R. Maddaluno -- |tchapter Maquette-concept as project genesis in the teaching of architecture /|r M. Louro -- |tchapter Buildings and regenerative thinking: A forward perspective for sustainability /|r E. Conte -- |tchapter Progress, energy and architecture – The building as a power cell /|r F. Oliveira -- |tchapter Executing progress through the design-build platform /|r K. O’Connor -- |tchapter The void concept in building design /|r J.N. Bastos -- |tchapter Graphic dialogues: The progress of knowledge in design in the architecture studio /|r A.R. Ortega & S. Weihermann -- |tchapter Housing as a reflection of the human unconscious; the permanent flexibility in housing /|r J. Jerónimo -- |tchapter Living the contemporaneity: The idea of progress from the origins of the house /|r C. Chiarantoni -- |tchapter Progress and the happiness ideal: Materialisation of a utopia with the fortified enclave: The case of Casa Forte /|r T. Fonseca, A. Fonseca & F. Moreira da Silva -- |tchapter Towers in the contemporary city /|r E. Kuchpil & A. Pimentel dos Santos -- |tchapter The classical progress: French neoclassicism as “modern architecture”, a symbol of progress in the city of Recife, Brazil, in the 19th century /|r G.M.de Carvalho -- |tchapter Will stage and exhibition design save contemporary theatre? /|r S. Centineo -- |tchapter The Evolutive Design; the interpretation of the structure of the physical space in the architectural design /|r C. Montalbano -- |tchapter Urban restoration for territorial development /|r G. Martines -- |tchapter The green way of the Apulian Aqueduct. A regional corridor for the enhancement of the environmental heritage and local culture /|r C. Montalbano & L. Guastamacchia -- |tchapter “Rural villages” as engines of territory sustainable growth /|r T. Basirico -- |tchapter Studying and living in the city /|r C. Chiarantoni, M.I. Marzulli & M. Persia -- |tchapter Research and culturalist practice as a matrix for urban and architectural rehabilitation in Lisbon /|r A. Santos Leite & A.M. Feliciano -- |tchapter Architecture – a product for retail sale? /|r M. Germano Marques -- |tchapter The Portuguese city, 1930–1960: The progress of thinking as displayed in the architecture magazines /|r J.C. Dias -- |tchapter Drawing progress within the design process /|r A. Moreira da Silva -- |tchapter Sustainable design and technological innovation; New perspective for the traditional sector of the pottery /|r A. Di Roma -- |tchapter CACO: Promoting the progress of joinery in Brazil /|r J. Cardoso Braga, F. Moreira da Silva, L.C. Paschoarelli & L. Ferrão -- |tchapter Non-object; designing a conceptual model for the design process /|r J. Silveira Dias -- |tchapter Knit and technology: A long lasting friendship /|r G. Montagna & L. Santos -- |tchapter Prisoners of progress? Women, body and fashion in the 19th century: A reflection on city, society and conspicuous consumption /|r M.J. Pereira Neto -- |tpart, Part III: Arts -- |tchapter The art and architecture of inner progress: Four significances of contemporary creations /|r S.F. Dias -- |tchapter Progress and return: Chaos, action and aesthetic contemplation, or knowledge never begins at the beginning /|r A.S. Guerreiro -- |tchapter Am I always drawing the same drawing? /|r A.L.M.M. Rodrigues -- |tchapter Progress and regress: The current status of art in two post-communist countries /|r G. Horváth -- |tchapter The promotion of art on the path of socio-cultural development /|r M.J. Delgado & M.H. Albuquerque -- |tpart, Part IV: Humanities -- |tchapter Progress versus decadence. In the pursuit of a demystification of the black legend of the Portuguese Empire /|r M.L.G. da Cruz -- |tchapter Shadows of orientalism in Portugal – some notes on theories and practices in Macao early narrative images (16th and 17th centuries) /|r A.P. Avelar -- |tchapter The idea of progress and the practice of slavery in the second half of the 18th century /|r M. do R. Pimentel -- |tchapter On the “bread of Brazil” in the colonial period: Uses, habits and production /|r A.C. De Carvalho Viotti -- |tchapter Progress in the European periphery: An impracticable theory in 19th century Azores? /|r S. Goulart Costa -- |tchapter Progress and remembrance of the Finnish Lutheran work in the Ondonga Kingdom in SouthWest Africa /|r South West Africa K.S. Groop -- |tchapter No past – no progress: Uses of history as a prerequisite of progress in the reinauguration of The Luther Church Helsinki /|r J. Dahlbacka -- |tchapter Art and progress; Portuguese colonial representations in the great world exhibitions /|r M.J. Castro -- |tchapter Progress on display: Universal Exhibitions in the second half of the 19th century /|r A. Cardoso de Matos -- |tchapter Does acculturation mean progress? /|r R. Seredyn˙ska-Abou Eid -- |tchapter Birth of Cape Verdean man in the Writing of Jorge Barbosa /|r H. da Luz -- |tchapter Community empowerment and progress in Africa – notes from the field /|r A.M. Martinho Gale -- |tchapter “Who will not admire the advances of this century?” (Eça de Queirós, Civilização) /|r J.C. Vasconcelos e Sá -- |tchapter Humanism and technology: Comparative analysis of More’s Utopia, Bacon’s New Atlantis, and Miguel Real’s O Último Europeu 2284 /|r M. do R. Monteiro -- |tchapter Imagining the future: A view of progress in H.G.Wells’ science fiction /|r L.S. da Silva -- |tchapter 2 dystopic visions on the relationship of humans and progress – Emile Souvestre and Cordwainer Smith /|r M. do R. Monteiro.
520 2 |a"The texts presented in Proportion Harmonies and Identities (PHI) - Progress(es) - Theories and Practices were compiled with the intent to establish a platform for the presentation, interaction and dissemination of research. It aims also to foster the awareness of and discussion on the topics of Harmony and Proportion with a focus on different progress visions and readings relevant to Architecture, Arts and Humanities, Design, Engineering, Social and Natural Sciences, Technology and their importance and benefits for the community at large. Considering that the idea of progress is a major matrix for development, its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts."--Provided by publisher.
650 0|aHarmony (Aesthetics).
650 0|aProportion.
650 04|aAnthropology - Soc Sci
650 04|aCivil Engineering History
650 04|aCultural Studies
650 07|aSOCIAL SCIENCE / Anthropology / Physical|2bisacsh
650 07|aTECHNOLOGY & ENGINEERING / Civil / General|2bisacsh
700 1 |aPereira Neto, Maria João
700 1 |aRosário Monteiro, Maria do
776 08|iPrint version: |z9780815374152
856 40|uhttps://www.taylorfrancis.com/books/9781351242691|zClick here to view.
901 |aTaylor & Francis
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