Cartoon Conflicts [electronic resource] : Contemporary Controversies and Historical Precedents / edited by Richard Scully, Paulo Jorge Fernandes, Ritu Gairola Khanduri.
Erişim Adresi
ISBN
9783031697623
Dil Kodu
İngilizce
Yer Numarası
DK/6395
Basım Bildirimi
1st ed. 2025.
Yayın Bilgisi
Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2025.
Fiziksel Niteleme
XXII, 471 p. 125 illus. online resource.
Dizi
Palgrave Studies in the History of the Media, 2634-6583
İçindekiler Notu
1: Introduction -- 2: The Political Cartoon – History and Historiography -- 3: Striking Weapons: Cartoons during the American Civil War, 1861-1865 -- 4: Culture Wars within a ‘United’ Kingdom: Irish Cartoons in a British Empire, 1870-1872 -- 5: Caricature and identity crisis on the satirical war between Punch and Pontos nos ii (1889-90) -- 6: ‘“Why should public men be held up to ridicule?”: The George Reid Caricature Controversy of 1904 and its Echoes in the Continuities and Discontinuities in Australia in 2012 -- 7: The Conspiracy of Laughter: Cartoons and their Critics in India -- 8: Brazilian Disputed Imaginaries: Graphic Humour in the Black and Indigenous Press in the 1970s-80s -- 9: The Decade of Jyllands Posten and Charlie Hebdo: 2005-2015 -- 10: Mark Knight versus Serena Williams – Game, Set, and Match for Political Correctness? -- 11: A Blind Man and a Dog Walk into a Cartoon: The Limits of Humour, Antisemitism and Racism and Informal Censorship in the Contemporary Liberal Press -- 12: Zapiro as Zorro: Political Cartooning during the South African HIV/AIDS Crisis -- 13: Conclusion.
Özet, vb.
"A fascinating and unique, global account of cartooning conflicts and controversies, both historical and contemporary, written in a highly-readable, informative, and often, entertaining style." —Prof. John A. Lent, Publisher/editor-in-chief, International Journal of Comic Art “This collection of essays explores a field very often left to one side by other academics. The editors and contributors have collectively set out the stakes of historical cartoon satire. In its chronological reach and global range, the work contributes to multiple debates and shows an openness to self-questioning and reflection.” —Hugo Frey, Professor of Cultural and Visual History, University of Chichester, UK This edited collection of new research highlights the way in which the cartoon - long regarded as a staple of journalism and freedom of expression - faces new challenges in the twenty-first century that can be far better understood and appreciated if one takes an historical perspective. Current debates over the limits of freedom of expression, 'political correctness', and 'cancel culture' all have their precedents in past controversies over cartoons and caricature; indeed there is a definite continuum between these past instances of debate and their present manifestations. Richard Scully is Professor in Modern History at the University of New England, Australia. Paulo Jorge Fernandes is Assistant Professor in History at Universidade Nova de Lisboa, Portugal. Ritu Gairola Khanduri is Associate Professor in Sociology and Anthropology at the University of Texas at Arlington, USA. Chapters 2 and 10 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Konu
Civilization __ History.
Journalism.
World history.
History, Modern.
Printing.
Publishers and publishing.
Cultural History.
Visual Journalism.
World History, Global and Transnational History.
Modern History.
Printing and Publishing.
Journalism.
World history.
History, Modern.
Printing.
Publishers and publishing.
Cultural History.
Visual Journalism.
World History, Global and Transnational History.
Modern History.
Printing and Publishing.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |a1: Introduction -- 2: The Political Cartoon – History and Historiography -- 3: Striking Weapons: Cartoons during the American Civil War, 1861-1865 -- 4: Culture Wars within a ‘United’ Kingdom: Irish Cartoons in a British Empire, 1870-1872 -- 5: Caricature and identity crisis on the satirical war between Punch and Pontos nos ii (1889-90) -- 6: ‘“Why should public men be held up to ridicule?”: The George Reid Caricature Controversy of 1904 and its Echoes in the Continuities and Discontinuities in Australia in 2012 -- 7: The Conspiracy of Laughter: Cartoons and their Critics in India -- 8: Brazilian Disputed Imaginaries: Graphic Humour in the Black and Indigenous Press in the 1970s-80s -- 9: The Decade of Jyllands Posten and Charlie Hebdo: 2005-2015 -- 10: Mark Knight versus Serena Williams – Game, Set, and Match for Political Correctness? -- 11: A Blind Man and a Dog Walk into a Cartoon: The Limits of Humour, Antisemitism and Racism and Informal Censorship in the Contemporary Liberal Press -- 12: Zapiro as Zorro: Political Cartooning during the South African HIV/AIDS Crisis -- 13: Conclusion.
520 |a"A fascinating and unique, global account of cartooning conflicts and controversies, both historical and contemporary, written in a highly-readable, informative, and often, entertaining style." —Prof. John A. Lent, Publisher/editor-in-chief, International Journal of Comic Art “This collection of essays explores a field very often left to one side by other academics. The editors and contributors have collectively set out the stakes of historical cartoon satire. In its chronological reach and global range, the work contributes to multiple debates and shows an openness to self-questioning and reflection.” —Hugo Frey, Professor of Cultural and Visual History, University of Chichester, UK This edited collection of new research highlights the way in which the cartoon - long regarded as a staple of journalism and freedom of expression - faces new challenges in the twenty-first century that can be far better understood and appreciated if one takes an historical perspective. Current debates over the limits of freedom of expression, 'political correctness', and 'cancel culture' all have their precedents in past controversies over cartoons and caricature; indeed there is a definite continuum between these past instances of debate and their present manifestations. Richard Scully is Professor in Modern History at the University of New England, Australia. Paulo Jorge Fernandes is Assistant Professor in History at Universidade Nova de Lisboa, Portugal. Ritu Gairola Khanduri is Associate Professor in Sociology and Anthropology at the University of Texas at Arlington, USA. Chapters 2 and 10 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aCivilization|xHistory.
650 0|aJournalism.
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245 10|aCartoon Conflicts|h[electronic resource] :|bContemporary Controversies and Historical Precedents /|cedited by Richard Scully, Paulo Jorge Fernandes, Ritu Gairola Khanduri.
250 |a1st ed. 2025.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2025.
300 |aXXII, 471 p. 125 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bPDF/UA-1|2onix
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in the History of the Media,|x2634-6583
505 0 |a1: Introduction -- 2: The Political Cartoon – History and Historiography -- 3: Striking Weapons: Cartoons during the American Civil War, 1861-1865 -- 4: Culture Wars within a ‘United’ Kingdom: Irish Cartoons in a British Empire, 1870-1872 -- 5: Caricature and identity crisis on the satirical war between Punch and Pontos nos ii (1889-90) -- 6: ‘“Why should public men be held up to ridicule?”: The George Reid Caricature Controversy of 1904 and its Echoes in the Continuities and Discontinuities in Australia in 2012 -- 7: The Conspiracy of Laughter: Cartoons and their Critics in India -- 8: Brazilian Disputed Imaginaries: Graphic Humour in the Black and Indigenous Press in the 1970s-80s -- 9: The Decade of Jyllands Posten and Charlie Hebdo: 2005-2015 -- 10: Mark Knight versus Serena Williams – Game, Set, and Match for Political Correctness? -- 11: A Blind Man and a Dog Walk into a Cartoon: The Limits of Humour, Antisemitism and Racism and Informal Censorship in the Contemporary Liberal Press -- 12: Zapiro as Zorro: Political Cartooning during the South African HIV/AIDS Crisis -- 13: Conclusion.
520 |a"A fascinating and unique, global account of cartooning conflicts and controversies, both historical and contemporary, written in a highly-readable, informative, and often, entertaining style." —Prof. John A. Lent, Publisher/editor-in-chief, International Journal of Comic Art “This collection of essays explores a field very often left to one side by other academics. The editors and contributors have collectively set out the stakes of historical cartoon satire. In its chronological reach and global range, the work contributes to multiple debates and shows an openness to self-questioning and reflection.” —Hugo Frey, Professor of Cultural and Visual History, University of Chichester, UK This edited collection of new research highlights the way in which the cartoon - long regarded as a staple of journalism and freedom of expression - faces new challenges in the twenty-first century that can be far better understood and appreciated if one takes an historical perspective. Current debates over the limits of freedom of expression, 'political correctness', and 'cancel culture' all have their precedents in past controversies over cartoons and caricature; indeed there is a definite continuum between these past instances of debate and their present manifestations. Richard Scully is Professor in Modern History at the University of New England, Australia. Paulo Jorge Fernandes is Assistant Professor in History at Universidade Nova de Lisboa, Portugal. Ritu Gairola Khanduri is Associate Professor in Sociology and Anthropology at the University of Texas at Arlington, USA. Chapters 2 and 10 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
532 8 |aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aCivilization|xHistory.
650 0|aJournalism.
650 0|aWorld history.
650 0|aHistory, Modern.
650 0|aPrinting.
650 0|aPublishers and publishing.
650 14|aCultural History.
650 24|aVisual Journalism.
650 24|aWorld History, Global and Transnational History.
650 24|aModern History.
650 24|aPrinting and Publishing.
700 1 |aScully, Richard.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aFernandes, Paulo Jorge.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aGairola Khanduri, Ritu.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031697616
776 08|iPrinted edition:|z9783031697630
776 08|iPrinted edition:|z9783031697647
830 0|aPalgrave Studies in the History of the Media,|x2634-6583
856 40|uhttps://doi.org/10.1007/978-3-031-69762-3
912 |aZDB-2-HTY
912 |aZDB-2-SXH
950 |aHistory (SpringerNature-41172)
950 |aHistory (R0) (SpringerNature-43722)
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