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020 |a9783031988288|9978-3-031-98828-8
024 7 |a10.1007/978-3-031-98828-8|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aD203.2-475
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100 1 |aCho, Joanne Miyang.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 13|aAn Introduction to K-Pop and BTS|h[electronic resource] :|bHybridity and Transcultural Reimaginings /|cby Joanne Miyang Cho, Tessa C. Lee.
250 |a1st ed. 2025.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2025.
300 |aIX, 177 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bPDF/UA-1|2onix
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341 0 |bSingle logical reading order|2onix
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341 0 |bUse of high contrast between text and background color|2onix
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341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |aChapter 1: Introduction: Locating K-Pop in K-Wave and Organization -- Part I: K-Pop: A Historical Analysis -- Chapter 2: A Short History of K-pop: Five Generations -- Chapter 3: The Glocalization of K-Pop: Hybridizing the Global and the Local -- Part II: BTS: A Literary Analysis -- Chapter 4: BTS, the Outsiders: They Had a Blog -- Chapter 5: BTS, the Outliers: They Had a Message -- Chapter 6: They Had an Army: Reimagining Fan Culture.
520 |aThis Palgrave Pivot examines a key area of the Korean Wave or Hallyu, which stands for the global popularity of South Korean popular culture that started in the 1990s. While K-dramas (Korean dramas) have found many viewers throughout Asian countries and some Western countries in recent years, K-pop (Korean popular music) has had broader appeal not only to Asian audiences, but also American (North and South), European, and Middle-Eastern audiences. This book’s unique contribution is to provide a concise and succinct analysis of K-pop from transcultural perspectives through its most famous example, BTS. The first chapter contextualizes K-pop within the Korean Wave movement. The second and third chapters provide a history of K-Pop, spanning from Seo Taiji and Boys in the early 1990s to the present (including BTS and Blackpink), and presents K-pop as a glocalized phenomenon. The fourth, fifth, and sixth chapters critically examine the most prominent band in the K-pop world, BTS, and the unique connections to their transnational fandom called ARMY. Joanne Miyang Cho is Professor at William Paterson University of New Jersey, USA. Tessa C. Lee is Associate Professor of German Studies at Wheaton College, USA.
532 8 |aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aHistory, Modern.
650 0|aCivilization|xHistory.
650 0|aKorea|xHistory.
650 0|aMusic|xHistory and criticism.
650 0|aPopular music.
650 0|aEthnology|xAsia.
650 0|aCulture.
650 14|aModern History.
650 24|aCultural History.
650 24|aHistory of Korea.
650 24|aHistory of Music.
650 24|aPopular Music.
650 24|aAsian Culture.
700 1 |aLee, Tessa C.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031988271
776 08|iPrinted edition:|z9783031988295
776 08|iPrinted edition:|z9783031988301
856 40|uhttps://doi.org/10.1007/978-3-031-98828-8
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950 |aHistory (SpringerNature-41172)
950 |aHistory (R0) (SpringerNature-43722)