Zero Generation Holocaust Literature [electronic resource] : The Art of Non-Survival / by Adam J. Goldwyn.
Erişim Adresi
ISBN
9783032030610
Dil Kodu
İngilizce
Yer Numarası
DK/6451
Basım Bildirimi
1st ed. 2025.
Yayın Bilgisi
Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2025.
Fiziksel Niteleme
VIII, 253 p. 1 illus. online resource.
Dizi
The Holocaust and its Contexts, 2731-572X
İçindekiler Notu
Chapter 1. Death Sentences: Writing Resistance in the Shadow of Execution -- Chapter 2. Apprehensions of Death in the Ghetto: The Holocaust Diaries of Dawid Sierakowiak and Chaim Kaplan -- Chapter 3. Visions of Death in Transit: Yitzchak Katznelson, Felix Nussbaum, and “Final Letters” from the Holocaust Trains -- Chapter 4. Holocaust Epistolarity: Zero Generation Letters as Witness Literature -- Chapter 5. Autobiography in Auschwitz: Buried Manuscripts as “Tragic Self-Portraits of the Sonderkommando” -- Chapter 6. Hannah Szenes as Zero Generation Writer.
Özet, vb.
This book is about “zero generation” witness literature: texts written by those who died in the Holocaust and who knew, at the time of their writing, that they would not survive. As such, they offer a unique perspective that differs from the more widely read and taught literature written by first generation survivors like Elie Wiesel and Primo Levi. These texts were produced across the concentrationary universe and include: the ghetto diaries of Dawid Sierakowiak (Łódź) and Chaim Kaplan (Warsaw); transit camp work, such as the paintings of Felix Nussbaum (Saint-Cyprien) and the poetry of Yitchak Katznelson (Vittel); anonymous letters thrown from cattle cars; Sonderkommando writing and photography from Auschwitz; non-Jewish letter-writing from Gestapo prisons by Helmuth-James and Freya Von Moltke (Tegel); and the literary work of Hannah Szenes, from her diaries in Palestine to her last poetry and letter in a Budapest prison the day of her execution. Adam J. Goldwyn is Professor of English at North Dakota State University, USA. He is the author, most recently, of Homer, Humanism, Holocaust (Palgrave Macmillan, 2022), Rae Dalven: The Life of a Greek-Jewish Immigrant (2022), and Witness Literature in Byzantium (Palgrave Macmillan, 2021).
Konu
World War, 1939-1945.
Literature __ History and criticism.
Europe __ History __ 1492-.
Civilization __ History.
Creative nonfiction.
History of World War II and the Holocaust.
Literary History.
History of Modern Europe.
Cultural History.
Non-Fiction Literature.
Literature __ History and criticism.
Europe __ History __ 1492-.
Civilization __ History.
Creative nonfiction.
History of World War II and the Holocaust.
Literary History.
History of Modern Europe.
Cultural History.
Non-Fiction Literature.
Kurum Adı
Eseri Alıntıla
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Dijital Kaynak
MARC Görünümü
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520 |aThis book is about “zero generation” witness literature: texts written by those who died in the Holocaust and who knew, at the time of their writing, that they would not survive. As such, they offer a unique perspective that differs from the more widely read and taught literature written by first generation survivors like Elie Wiesel and Primo Levi. These texts were produced across the concentrationary universe and include: the ghetto diaries of Dawid Sierakowiak (Łódź) and Chaim Kaplan (Warsaw); transit camp work, such as the paintings of Felix Nussbaum (Saint-Cyprien) and the poetry of Yitchak Katznelson (Vittel); anonymous letters thrown from cattle cars; Sonderkommando writing and photography from Auschwitz; non-Jewish letter-writing from Gestapo prisons by Helmuth-James and Freya Von Moltke (Tegel); and the literary work of Hannah Szenes, from her diaries in Palestine to her last poetry and letter in a Budapest prison the day of her execution. Adam J. Goldwyn is Professor of English at North Dakota State University, USA. He is the author, most recently, of Homer, Humanism, Holocaust (Palgrave Macmillan, 2022), Rae Dalven: The Life of a Greek-Jewish Immigrant (2022), and Witness Literature in Byzantium (Palgrave Macmillan, 2021).
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532 8 |aNo reading system accessibility options actively disabled
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650 0|aCivilization|xHistory.
650 0|aCreative nonfiction.
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650 24|aLiterary History.
650 24|aHistory of Modern Europe.
650 24|aCultural History.
650 24|aNon-Fiction Literature.
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245 10|aZero Generation Holocaust Literature|h[electronic resource] :|bThe Art of Non-Survival /|cby Adam J. Goldwyn.
250 |a1st ed. 2025.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2025.
300 |aVIII, 253 p. 1 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bPDF/UA-1|2onix
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aThe Holocaust and its Contexts,|x2731-572X
505 0 |aChapter 1. Death Sentences: Writing Resistance in the Shadow of Execution -- Chapter 2. Apprehensions of Death in the Ghetto: The Holocaust Diaries of Dawid Sierakowiak and Chaim Kaplan -- Chapter 3. Visions of Death in Transit: Yitzchak Katznelson, Felix Nussbaum, and “Final Letters” from the Holocaust Trains -- Chapter 4. Holocaust Epistolarity: Zero Generation Letters as Witness Literature -- Chapter 5. Autobiography in Auschwitz: Buried Manuscripts as “Tragic Self-Portraits of the Sonderkommando” -- Chapter 6. Hannah Szenes as Zero Generation Writer.
520 |aThis book is about “zero generation” witness literature: texts written by those who died in the Holocaust and who knew, at the time of their writing, that they would not survive. As such, they offer a unique perspective that differs from the more widely read and taught literature written by first generation survivors like Elie Wiesel and Primo Levi. These texts were produced across the concentrationary universe and include: the ghetto diaries of Dawid Sierakowiak (Łódź) and Chaim Kaplan (Warsaw); transit camp work, such as the paintings of Felix Nussbaum (Saint-Cyprien) and the poetry of Yitchak Katznelson (Vittel); anonymous letters thrown from cattle cars; Sonderkommando writing and photography from Auschwitz; non-Jewish letter-writing from Gestapo prisons by Helmuth-James and Freya Von Moltke (Tegel); and the literary work of Hannah Szenes, from her diaries in Palestine to her last poetry and letter in a Budapest prison the day of her execution. Adam J. Goldwyn is Professor of English at North Dakota State University, USA. He is the author, most recently, of Homer, Humanism, Holocaust (Palgrave Macmillan, 2022), Rae Dalven: The Life of a Greek-Jewish Immigrant (2022), and Witness Literature in Byzantium (Palgrave Macmillan, 2021).
532 8 |aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aWorld War, 1939-1945.
650 0|aLiterature|xHistory and criticism.
650 0|aEurope|xHistory|x1492-.
650 0|aCivilization|xHistory.
650 0|aCreative nonfiction.
650 14|aHistory of World War II and the Holocaust.
650 24|aLiterary History.
650 24|aHistory of Modern Europe.
650 24|aCultural History.
650 24|aNon-Fiction Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783032030603
776 08|iPrinted edition:|z9783032030627
776 08|iPrinted edition:|z9783032030634
830 0|aThe Holocaust and its Contexts,|x2731-572X
856 40|uhttps://doi.org/10.1007/978-3-032-03061-0
912 |aZDB-2-HTY
912 |aZDB-2-SXH
950 |aHistory (SpringerNature-41172)
950 |aHistory (R0) (SpringerNature-43722)
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