The Chinese History of Literary Theory in Pre-Qin Period [electronic resource] / by Chunqing Li, Shan Li, Changbao Guo, Shaojin Liu.
Erişim Adresi
ISBN
9789819501755
Dil Kodu
İngilizce
Yer Numarası
DK/6452
Yazar
Basım Bildirimi
1st ed. 2025.
Yayın Bilgisi
Singapore : Springer Nature Singapore : Imprint: Springer, 2025.
Fiziksel Niteleme
XII, 436 p. 38 illus., 30 illus. in color. online resource.
İçindekiler Notu
Aesthetic phenomena in the age of pottery -- Aesthetic thoughts in prehistoric religion -- Divine birds and jades -- The implication of Taotie and its rise and fall -- The Sanxingdui and its artistic spirit -- Some key facts in the study of myths in Pre-Qin period -- The primitive thoughts in the mythical world and their artistic highlights -- The formation of myths of Dominion of ancient China and its cultural significance -- A sketch of culture of rites and music in Shang and Zhou dynasty -- The pursuit in art displayed in the culture of rites and music -- The creations in art in the culture of rites and music in Zhou dynasty -- The artistic styles in the culture of rites and music in Zhou dynasty -- The artistic performance in the culture of rites and music in Zhou dynasty -- The primitive artistic spirit in the culture of rites and music in Zhou dynasty and its influence to the posterities -- The life styles of aristocrats in Zhou dynasty and the artistic spirit -- The pursuit in art imbedded in utensils -- The life styles and aesthetic pursuits of aristocrats displayed by the Book of Songs -- The fall of the ritual lives and the evolution of artistic spirit of aristocrats -- The crisis of hierarchy and ritual system and the aesthetic activities in Spring and Autumn period -- The decline of aristocrats and the rise of spirit of secular art -- From culture of rites and music to Confucian theory -- The cultural implications in Shi yan zhi, Fu shi and Yin shi -- The artistic thoughts of Confucious -- The artistic thoughts of Menfucious -- The artistic thoughts of Xunzi -- The structure of the nationality of Chu and its cultural types -- The cultural inclusiveness and conflictions in kingdom Chu -- The secular feelings and transcendent spirit in the rites of Chu -- The ego and the world in painting, sculptures and handicrafts -- The formation of Chuci and its literary functions -- The culture of Chuci and its artistic spirit -- The Dao of Laozi and Zhuangzi that leads to artistic spirit -- The debate on Yan/Yi, Xu/Shi and the vacancy in art -- Xujing and the psychology of art creation in classic China -- The acknowledgment of reverting and the degenerating view on literary and artistic history in China.
Özet, vb.
This book focuses on the synthetic and overall study of the history of literary theory, history of art or history of literary critics. Firstly, it proves itself a good combination of the history of thoughts of literature as well as thoughts of art. This book manages to break the barrier barring the two categories of literature and art apart by regarding the literature and art as the expressive form of the leading artistic spirit or aesthetic taste of one period. Secondly, the book makes itself a unification of history of thoughts in general and thoughts of fine arts. The book puts the thoughts of literature and art into the integral structure of social thoughts and ideas, to disclose the mutual fusion and combination of the thoughts of literature and art with the other and to observe the profound implications of the literary thoughts in a circumstance of intertextual interpretation. Thirdly, this book is also a good mixture of general history and monographic study. In another word, this book displays itself as an overview of the history of thoughts in the one hand and constantly probes into particular topics as monograph in the other hand. This book is designed to outline the general thoughts of literature and art for learners in this field and to provide particular topics for researchers who endeavor to acquire featured observation in history of literature or art in Pre-Qin period. The original scale of the book was about 1 million Chinese characters, and now it is abridged to 300 thousand characters.
Konu
Art __ History.
Literature __ History and criticism.
Literature __ Philosophy.
Art History.
Literary History.
Literary Theory.
Literature __ History and criticism.
Literature __ Philosophy.
Art History.
Literary History.
Literary Theory.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
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505 0 |aAesthetic phenomena in the age of pottery -- Aesthetic thoughts in prehistoric religion -- Divine birds and jades -- The implication of Taotie and its rise and fall -- The Sanxingdui and its artistic spirit -- Some key facts in the study of myths in Pre-Qin period -- The primitive thoughts in the mythical world and their artistic highlights -- The formation of myths of Dominion of ancient China and its cultural significance -- A sketch of culture of rites and music in Shang and Zhou dynasty -- The pursuit in art displayed in the culture of rites and music -- The creations in art in the culture of rites and music in Zhou dynasty -- The artistic styles in the culture of rites and music in Zhou dynasty -- The artistic performance in the culture of rites and music in Zhou dynasty -- The primitive artistic spirit in the culture of rites and music in Zhou dynasty and its influence to the posterities -- The life styles of aristocrats in Zhou dynasty and the artistic spirit -- The pursuit in art imbedded in utensils -- The life styles and aesthetic pursuits of aristocrats displayed by the Book of Songs -- The fall of the ritual lives and the evolution of artistic spirit of aristocrats -- The crisis of hierarchy and ritual system and the aesthetic activities in Spring and Autumn period -- The decline of aristocrats and the rise of spirit of secular art -- From culture of rites and music to Confucian theory -- The cultural implications in Shi yan zhi, Fu shi and Yin shi -- The artistic thoughts of Confucious -- The artistic thoughts of Menfucious -- The artistic thoughts of Xunzi -- The structure of the nationality of Chu and its cultural types -- The cultural inclusiveness and conflictions in kingdom Chu -- The secular feelings and transcendent spirit in the rites of Chu -- The ego and the world in painting, sculptures and handicrafts -- The formation of Chuci and its literary functions -- The culture of Chuci and its artistic spirit -- The Dao of Laozi and Zhuangzi that leads to artistic spirit -- The debate on Yan/Yi, Xu/Shi and the vacancy in art -- Xujing and the psychology of art creation in classic China -- The acknowledgment of reverting and the degenerating view on literary and artistic history in China.
520 |aThis book focuses on the synthetic and overall study of the history of literary theory, history of art or history of literary critics. Firstly, it proves itself a good combination of the history of thoughts of literature as well as thoughts of art. This book manages to break the barrier barring the two categories of literature and art apart by regarding the literature and art as the expressive form of the leading artistic spirit or aesthetic taste of one period. Secondly, the book makes itself a unification of history of thoughts in general and thoughts of fine arts. The book puts the thoughts of literature and art into the integral structure of social thoughts and ideas, to disclose the mutual fusion and combination of the thoughts of literature and art with the other and to observe the profound implications of the literary thoughts in a circumstance of intertextual interpretation. Thirdly, this book is also a good mixture of general history and monographic study. In another word, this book displays itself as an overview of the history of thoughts in the one hand and constantly probes into particular topics as monograph in the other hand. This book is designed to outline the general thoughts of literature and art for learners in this field and to provide particular topics for researchers who endeavor to acquire featured observation in history of literature or art in Pre-Qin period. The original scale of the book was about 1 million Chinese characters, and now it is abridged to 300 thousand characters.
532 8 |aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
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650 0|aLiterature|xHistory and criticism.
650 0|aLiterature|xPhilosophy.
650 14|aArt History.
650 24|aLiterary History.
650 24|aLiterary Theory.
700 1 |aLi, Shan.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aGuo, Changbao.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aLiu, Shaojin.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
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773 0 |tSpringer Nature eBook
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024 7 |a10.1007/978-981-95-0175-5|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
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072 7|aAC|2bicssc
072 7|aART015000|2bisacsh
072 7|aAGA|2thema
082 04|a709|223
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100 1 |aLi, Chunqing.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Chinese History of Literary Theory in Pre-Qin Period|h[electronic resource] /|cby Chunqing Li, Shan Li, Changbao Guo, Shaojin Liu.
250 |a1st ed. 2025.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Springer,|c2025.
300 |aXII, 436 p. 38 illus., 30 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bPDF/UA-1|2onix
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |aAesthetic phenomena in the age of pottery -- Aesthetic thoughts in prehistoric religion -- Divine birds and jades -- The implication of Taotie and its rise and fall -- The Sanxingdui and its artistic spirit -- Some key facts in the study of myths in Pre-Qin period -- The primitive thoughts in the mythical world and their artistic highlights -- The formation of myths of Dominion of ancient China and its cultural significance -- A sketch of culture of rites and music in Shang and Zhou dynasty -- The pursuit in art displayed in the culture of rites and music -- The creations in art in the culture of rites and music in Zhou dynasty -- The artistic styles in the culture of rites and music in Zhou dynasty -- The artistic performance in the culture of rites and music in Zhou dynasty -- The primitive artistic spirit in the culture of rites and music in Zhou dynasty and its influence to the posterities -- The life styles of aristocrats in Zhou dynasty and the artistic spirit -- The pursuit in art imbedded in utensils -- The life styles and aesthetic pursuits of aristocrats displayed by the Book of Songs -- The fall of the ritual lives and the evolution of artistic spirit of aristocrats -- The crisis of hierarchy and ritual system and the aesthetic activities in Spring and Autumn period -- The decline of aristocrats and the rise of spirit of secular art -- From culture of rites and music to Confucian theory -- The cultural implications in Shi yan zhi, Fu shi and Yin shi -- The artistic thoughts of Confucious -- The artistic thoughts of Menfucious -- The artistic thoughts of Xunzi -- The structure of the nationality of Chu and its cultural types -- The cultural inclusiveness and conflictions in kingdom Chu -- The secular feelings and transcendent spirit in the rites of Chu -- The ego and the world in painting, sculptures and handicrafts -- The formation of Chuci and its literary functions -- The culture of Chuci and its artistic spirit -- The Dao of Laozi and Zhuangzi that leads to artistic spirit -- The debate on Yan/Yi, Xu/Shi and the vacancy in art -- Xujing and the psychology of art creation in classic China -- The acknowledgment of reverting and the degenerating view on literary and artistic history in China.
520 |aThis book focuses on the synthetic and overall study of the history of literary theory, history of art or history of literary critics. Firstly, it proves itself a good combination of the history of thoughts of literature as well as thoughts of art. This book manages to break the barrier barring the two categories of literature and art apart by regarding the literature and art as the expressive form of the leading artistic spirit or aesthetic taste of one period. Secondly, the book makes itself a unification of history of thoughts in general and thoughts of fine arts. The book puts the thoughts of literature and art into the integral structure of social thoughts and ideas, to disclose the mutual fusion and combination of the thoughts of literature and art with the other and to observe the profound implications of the literary thoughts in a circumstance of intertextual interpretation. Thirdly, this book is also a good mixture of general history and monographic study. In another word, this book displays itself as an overview of the history of thoughts in the one hand and constantly probes into particular topics as monograph in the other hand. This book is designed to outline the general thoughts of literature and art for learners in this field and to provide particular topics for researchers who endeavor to acquire featured observation in history of literature or art in Pre-Qin period. The original scale of the book was about 1 million Chinese characters, and now it is abridged to 300 thousand characters.
532 8 |aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aArt|xHistory.
650 0|aLiterature|xHistory and criticism.
650 0|aLiterature|xPhilosophy.
650 14|aArt History.
650 24|aLiterary History.
650 24|aLiterary Theory.
700 1 |aLi, Shan.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aGuo, Changbao.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aLiu, Shaojin.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789819501748
776 08|iPrinted edition:|z9789819501762
776 08|iPrinted edition:|z9789819501779
856 40|uhttps://doi.org/10.1007/978-981-95-0175-5
912 |aZDB-2-HTY
912 |aZDB-2-SXH
950 |aHistory (SpringerNature-41172)
950 |aHistory (R0) (SpringerNature-43722)
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