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020 |a9789401589314|9978-94-015-8931-4
024 7 |a10.1007/978-94-015-8931-4|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aB829.5.A-Z
072 7|aHPCF3|2bicssc
072 7|aPHI018000|2bisacsh
072 7|aQDHR5|2thema
082 04|a142.7|223
090 |aDK/7792
100 1 |aKersten, F.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aGalileo and the ‘Invention’ of Opera|h[electronic resource] :|bA Study in the Phenomenology of Consciousness /|cby F. Kersten.
250 |a1st ed. 1997.
264 1|aDordrecht :|bSpringer Netherlands :|bImprint: Springer,|c1997.
300 |aXVII, 282 p. 5 illus., 1 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aContributions to Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology,|x2215-1915 ;|v29
505 0 |aOne. Intimations of the Gap -- Two. The Gap Represented -- Three. The Gap at the Center -- Four. Room at the Center -- Five. The Room and the Universe -- Six. Life at the Gap -- Seven. Baroque Twins: Science and Opera. The Fin Lieto of the Baroque Formulation of Consciousness -- Eight. The Enclave of the Eccentricity of Ordinary life -- Nine. The Domain of Phenomenological Clarification.
520 |aIntended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness.
532 8 |aAccessibility summary: This PDF is not accessible. It is based on scanned pages and does not support features such as screen reader compatibility or described non-text content (images, graphs etc). However, it likely supports searchable and selectable text based on OCR (Optical Character Recognition). Users with accessibility needs may not be able to use this content effectively. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aInaccessible, or known limited accessibility
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPhenomenology .
650 0|aPhilosophy, Ancient.
650 0|aPhilosophy, Modern.
650 0|aMusic.
650 0|aArts.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aPhenomenology.
650 24|aAncient Philosophy / Classical Philosophy.
650 24|aEarly Modern Philosophy.
650 24|aMusic.
650 24|aFine Art.
650 24|aTheatre and Performance Arts.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780792345367
776 08|iPrinted edition:|z9789048148479
776 08|iPrinted edition:|z9789401589321
830 0|aContributions to Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology,|x2215-1915 ;|v29
856 40|uhttps://doi.org/10.1007/978-94-015-8931-4
912 |aZDB-2-SHU
912 |aZDB-2-SXPR
912 |aZDB-2-BAE
950 |aHumanities, Social Sciences and Law (SpringerNature-11648)
950 |aPhilosophy and Religion (R0) (SpringerNature-43725)
