Investigations Into the Phenomenology and the Ontology of the Work of Art [electronic resource] : What are Artworks and How Do We Experience Them? / edited by Peer F. Bundgaard, Frederik Stjernfelt.
Erişim Adresi
ISBN
9783319140902
Dil Kodu
İngilizce
Yer Numarası
DK/9094
Basım Bildirimi
1st ed. 2015.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Springer, 2015.
Fiziksel Niteleme
VI, 264 p. 40 illus., 8 illus. in color. online resource.
Dizi
Contributions to Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology, 2215-1915 ; 81
İçindekiler Notu
Introduction: Peer F. Bundgaard -- Temporal aspects of literary reading; David S. Miall -- Memory and mental states in the appreciation of literature; Marisa Bortolussi and Peter Dixon -- Temporal conflict in the reading experience; Cathrine Kietz -- The aesthetic experience with visual art “at first glance”; Paul J. Locher -- What is a surface? In the real world? And pictures?; John M. Kennedy and Marta Wnuczko -- The idiosyncrasy of beauty: Aesthetic universals and the diversity of taste; Patrick Colm Hogan -- Why we are not all novelists; Shaun Gallagher -- Aesthetic relationship, cognition, and the pleasures of art; Jean-Marie Schaeffer -- More seeing-in: surface seeing, design seeing, and meaning seeing in pictures; Peer F. Bundgaard -- Depiction; John Hyman -- Green war banners in central Copenhagen: A recent political struggle over interpretation — and some implications for art interpretation as such; Frederik Stjernfelt -- The appropriation of the work of art as a semiotic act; FrancisÉdeline and Jean-Marie Klinkenberg -- Sculpture, diagram, and language in the artwork of Joseph Beuys; Wolfgang Wildgen. Index.
Özet, vb.
This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.
Konu
Phenomenology .
Cognitive psychology.
Aesthetics.
Phenomenology.
Cognitive Psychology.
Aesthetics.
Cognitive psychology.
Aesthetics.
Phenomenology.
Cognitive Psychology.
Aesthetics.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 04727nam a22005535i 4500
001 807801
003 TR_AnAIT
005 20260127004828
007 cr nn 008mamaa
008 150622s2015 sz | s |||| 0|eng d
020 |a9783319140902|9978-3-319-14090-2
024 7 |a10.1007/978-3-319-14090-2|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aB829.5.A-Z
072 7|aHPCF3|2bicssc
072 7|aPHI018000|2bisacsh
072 7|aQDHR5|2thema
082 04|a142.7|223
090 |aDK/9094
245 10|aInvestigations Into the Phenomenology and the Ontology of the Work of Art|h[electronic resource] :|bWhat are Artworks and How Do We Experience Them? /|cedited by Peer F. Bundgaard, Frederik Stjernfelt.
250 |a1st ed. 2015.
264 1|aCham :|bSpringer International Publishing :|bImprint: Springer,|c2015.
300 |aVI, 264 p. 40 illus., 8 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aContributions to Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology,|x2215-1915 ;|v81
505 0 |aIntroduction: Peer F. Bundgaard -- Temporal aspects of literary reading; David S. Miall -- Memory and mental states in the appreciation of literature; Marisa Bortolussi and Peter Dixon -- Temporal conflict in the reading experience; Cathrine Kietz -- The aesthetic experience with visual art “at first glance”; Paul J. Locher -- What is a surface? In the real world? And pictures?; John M. Kennedy and Marta Wnuczko -- The idiosyncrasy of beauty: Aesthetic universals and the diversity of taste; Patrick Colm Hogan -- Why we are not all novelists; Shaun Gallagher -- Aesthetic relationship, cognition, and the pleasures of art; Jean-Marie Schaeffer -- More seeing-in: surface seeing, design seeing, and meaning seeing in pictures; Peer F. Bundgaard -- Depiction; John Hyman -- Green war banners in central Copenhagen: A recent political struggle over interpretation — and some implications for art interpretation as such; Frederik Stjernfelt -- The appropriation of the work of art as a semiotic act; FrancisÉdeline and Jean-Marie Klinkenberg -- Sculpture, diagram, and language in the artwork of Joseph Beuys; Wolfgang Wildgen. Index.
506 0 |aOpen Access
520 |aThis book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.
650 0|aPhenomenology .
650 0|aCognitive psychology.
650 0|aAesthetics.
650 14|aPhenomenology.
650 24|aCognitive Psychology.
650 24|aAesthetics.
700 1 |aBundgaard, Peer F.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aStjernfelt, Frederik.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319140896
776 08|iPrinted edition:|z9783319140919
776 08|iPrinted edition:|z9783319364551
830 0|aContributions to Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology,|x2215-1915 ;|v81
856 40|uhttps://doi.org/10.1007/978-3-319-14090-2
912 |aZDB-2-SHU
912 |aZDB-2-SXPR
912 |aZDB-2-SOB
950 |aHumanities, Social Sciences and Law (SpringerNature-11648)
950 |aPhilosophy and Religion (R0) (SpringerNature-43725)
001 807801
003 TR_AnAIT
005 20260127004828
007 cr nn 008mamaa
008 150622s2015 sz | s |||| 0|eng d
020 |a9783319140902|9978-3-319-14090-2
024 7 |a10.1007/978-3-319-14090-2|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aB829.5.A-Z
072 7|aHPCF3|2bicssc
072 7|aPHI018000|2bisacsh
072 7|aQDHR5|2thema
082 04|a142.7|223
090 |aDK/9094
245 10|aInvestigations Into the Phenomenology and the Ontology of the Work of Art|h[electronic resource] :|bWhat are Artworks and How Do We Experience Them? /|cedited by Peer F. Bundgaard, Frederik Stjernfelt.
250 |a1st ed. 2015.
264 1|aCham :|bSpringer International Publishing :|bImprint: Springer,|c2015.
300 |aVI, 264 p. 40 illus., 8 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aContributions to Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology,|x2215-1915 ;|v81
505 0 |aIntroduction: Peer F. Bundgaard -- Temporal aspects of literary reading; David S. Miall -- Memory and mental states in the appreciation of literature; Marisa Bortolussi and Peter Dixon -- Temporal conflict in the reading experience; Cathrine Kietz -- The aesthetic experience with visual art “at first glance”; Paul J. Locher -- What is a surface? In the real world? And pictures?; John M. Kennedy and Marta Wnuczko -- The idiosyncrasy of beauty: Aesthetic universals and the diversity of taste; Patrick Colm Hogan -- Why we are not all novelists; Shaun Gallagher -- Aesthetic relationship, cognition, and the pleasures of art; Jean-Marie Schaeffer -- More seeing-in: surface seeing, design seeing, and meaning seeing in pictures; Peer F. Bundgaard -- Depiction; John Hyman -- Green war banners in central Copenhagen: A recent political struggle over interpretation — and some implications for art interpretation as such; Frederik Stjernfelt -- The appropriation of the work of art as a semiotic act; FrancisÉdeline and Jean-Marie Klinkenberg -- Sculpture, diagram, and language in the artwork of Joseph Beuys; Wolfgang Wildgen. Index.
506 0 |aOpen Access
520 |aThis book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.
650 0|aPhenomenology .
650 0|aCognitive psychology.
650 0|aAesthetics.
650 14|aPhenomenology.
650 24|aCognitive Psychology.
650 24|aAesthetics.
700 1 |aBundgaard, Peer F.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aStjernfelt, Frederik.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319140896
776 08|iPrinted edition:|z9783319140919
776 08|iPrinted edition:|z9783319364551
830 0|aContributions to Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology,|x2215-1915 ;|v81
856 40|uhttps://doi.org/10.1007/978-3-319-14090-2
912 |aZDB-2-SHU
912 |aZDB-2-SXPR
912 |aZDB-2-SOB
950 |aHumanities, Social Sciences and Law (SpringerNature-11648)
950 |aPhilosophy and Religion (R0) (SpringerNature-43725)
Materyaller
Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
