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020 |a9789401188432|9978-94-011-8843-2
024 7 |a10.1007/978-94-011-8843-2|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
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090 |aDK/9250
100 1 |aBallard, Edward G.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aArt and Analysis|h[electronic resource] :|bAn Essay toward a Theory in Aesthetics /|cby Edward G. Ballard.
250 |a1st ed. 1957.
264 1|aDordrecht :|bSpringer Netherlands :|bImprint: Springer,|c1957.
300 |aXVI, 219 p. 1 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. The Present State of Aesthetic Theory -- 2. Terms and Illustrations -- 3. The Aesthetic Experience -- 4. The Aesthetic Symbol -- 5. The Objective Conditions -- 6. The Psychology of the Contemplative State -- 7. Concepts in Aesthetic Experience -- 8. Magic, Myth, and Art -- 9. Catharsis and Imitation -- 10. Art Within the Limits of Faith -- 11. The Relation of Metaphysics to Aesthetics -- 12. Criticism -- 13. Summary and Conclusion -- Appendix: Artistic Truth -- Index of Authors.
520 |aAesthetics, fledgling of the philosophic brood, is the most suspect of that family. It is suspected of all the philosophical sins: vagueness, disorder, dogmatism, emotionalism, reductionism, compartmentalization. Sometimes its youth is thought to be a sufficient excuse for these divagations. Sometimes the very nature of its content, involving the waywardness of genius, the remoteness of feeling from intellect, the surd of inspiration in even the mildest appreciation, are believed to condemn aes­ thetics irrevocably to the underside of the civilized man's domain. Some philosophers have gloried in this apparently mystical and a-rational quality and have seen in it the very nature of the beautiful; others have come to regard it, rather, as evidence of the unskillfulness of our minds and have turned away from aesthetic problems to the task of sharpening the aesthetician's language and logic. The laughter of the gods is not difficult to discern through the poetry of the more mystical aesthetician or through the prose of the analysts. Meanwhile the manifold complexities and problems of aesthetic experience invite our understanding. For aesthetic experience is a present fact of human life and may, perhaps, be understood by men. Such, at least, will be the present assumption. This is the reason why the title of this book mentions art together with analysis; for if art is intelligible, the work of art and the experience of it may be analyzed into its functional parts.
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532 8 |aInaccessible, or known limited accessibility
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650 0|aArts.
650 14|aArts.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789401181938
776 08|iPrinted edition:|z9789401188449
856 40|uhttps://doi.org/10.1007/978-94-011-8843-2
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950 |aHumanities, Social Sciences and Law (SpringerNature-11648)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)