Thinking Art [electronic resource] / by Antoon van den Braembussche.
Erişim Adresi
ISBN
9781402056383
Dil Kodu
İngilizce
Yer Numarası
DK/12458
Basım Bildirimi
1st ed. 2009.
Yayın Bilgisi
Dordrecht : Springer Netherlands : Imprint: Springer, 2009.
Fiziksel Niteleme
XXI, 310 p. online resource.
İçindekiler Notu
The Nature of Art: Classical Answers to the Question “What Is Art?” -- Introduction: What Is Philosophy of Art? -- The Nature of Art: Classical Answers to the Question “What Is Art?” -- The Imitation Theory -- Expression Theories -- Formalism -- Art as a Synthesis of Form and Expression -- Aesthetic Judgment: The Legacy of Kant -- Art in a Historical and Social Perspective -- ‘The End of Art’: The Contemporary Interest in Hegel -- Art and Society: A Neomarxist Perspective -- The Language of Art: From Phenomenology to Poststructuralism -- The Phenomenological Perspective -- The Modern Version of Formalism: The Semiotic Point of View -- The Post-structuralist Perspective -- Epilogue.
Özet, vb.
In the twentieth century, avant-garde movements have pushed the concept of art far beyond its traditional boundaries. In this dynamical process of constant renewal the prestige of thinking about art as a legitimizing practice has come to the fore. So it is hardly surprising that the past decades have been characterized by a revival or even breakthrough of philosophy of art as a discipline. However, the majority of books on aesthetics fail to combine a systematical philosophical discourse with a real exploration of art practice. Thinking Art attempts to deal with this traditional shortcoming. It is indeed not only an easily accessible and systematic account of the classical, modern and postmodern theories of art, but also concludes each chapter with an artist’s studio in which the practical relevance of the discussed theory is amply demonstrated by concrete examples. Moreover, each chapter ends with a section on further reading, in which all relevant literature is discussed in detail. Thinking Art provides its readers with a theoretical framework that can be used to think about art from a variety of perspectives. More particularly it shows how a fruitful cross-fertilization between theory and practice can be created. This book can be used as a handbook within departments of philosophy, history of art, media and cultural studies, cultural history and, of course, within art academies. Though the book explores theories of art from Plato to Derrida it does not presuppose any acquaintance with philosophy from its readers. It can thus be read also by artists, art critics, museum directors and anyone interested in the meaning of art.
Konu
Arts.
Aesthetics.
Arts.
Fine Art.
Aesthetics.
Aesthetics.
Arts.
Fine Art.
Aesthetics.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |aThe Nature of Art: Classical Answers to the Question “What Is Art?” -- Introduction: What Is Philosophy of Art? -- The Nature of Art: Classical Answers to the Question “What Is Art?” -- The Imitation Theory -- Expression Theories -- Formalism -- Art as a Synthesis of Form and Expression -- Aesthetic Judgment: The Legacy of Kant -- Art in a Historical and Social Perspective -- ‘The End of Art’: The Contemporary Interest in Hegel -- Art and Society: A Neomarxist Perspective -- The Language of Art: From Phenomenology to Poststructuralism -- The Phenomenological Perspective -- The Modern Version of Formalism: The Semiotic Point of View -- The Post-structuralist Perspective -- Epilogue.
520 |aIn the twentieth century, avant-garde movements have pushed the concept of art far beyond its traditional boundaries. In this dynamical process of constant renewal the prestige of thinking about art as a legitimizing practice has come to the fore. So it is hardly surprising that the past decades have been characterized by a revival or even breakthrough of philosophy of art as a discipline. However, the majority of books on aesthetics fail to combine a systematical philosophical discourse with a real exploration of art practice. Thinking Art attempts to deal with this traditional shortcoming. It is indeed not only an easily accessible and systematic account of the classical, modern and postmodern theories of art, but also concludes each chapter with an artist’s studio in which the practical relevance of the discussed theory is amply demonstrated by concrete examples. Moreover, each chapter ends with a section on further reading, in which all relevant literature is discussed in detail. Thinking Art provides its readers with a theoretical framework that can be used to think about art from a variety of perspectives. More particularly it shows how a fruitful cross-fertilization between theory and practice can be created. This book can be used as a handbook within departments of philosophy, history of art, media and cultural studies, cultural history and, of course, within art academies. Though the book explores theories of art from Plato to Derrida it does not presuppose any acquaintance with philosophy from its readers. It can thus be read also by artists, art critics, museum directors and anyone interested in the meaning of art.
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650 0|aAesthetics.
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650 24|aAesthetics.
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041 |aeng
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100 1 |avan den Braembussche, Antoon.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aThinking Art|h[electronic resource] /|cby Antoon van den Braembussche.
250 |a1st ed. 2009.
264 1|aDordrecht :|bSpringer Netherlands :|bImprint: Springer,|c2009.
300 |aXXI, 310 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aThe Nature of Art: Classical Answers to the Question “What Is Art?” -- Introduction: What Is Philosophy of Art? -- The Nature of Art: Classical Answers to the Question “What Is Art?” -- The Imitation Theory -- Expression Theories -- Formalism -- Art as a Synthesis of Form and Expression -- Aesthetic Judgment: The Legacy of Kant -- Art in a Historical and Social Perspective -- ‘The End of Art’: The Contemporary Interest in Hegel -- Art and Society: A Neomarxist Perspective -- The Language of Art: From Phenomenology to Poststructuralism -- The Phenomenological Perspective -- The Modern Version of Formalism: The Semiotic Point of View -- The Post-structuralist Perspective -- Epilogue.
520 |aIn the twentieth century, avant-garde movements have pushed the concept of art far beyond its traditional boundaries. In this dynamical process of constant renewal the prestige of thinking about art as a legitimizing practice has come to the fore. So it is hardly surprising that the past decades have been characterized by a revival or even breakthrough of philosophy of art as a discipline. However, the majority of books on aesthetics fail to combine a systematical philosophical discourse with a real exploration of art practice. Thinking Art attempts to deal with this traditional shortcoming. It is indeed not only an easily accessible and systematic account of the classical, modern and postmodern theories of art, but also concludes each chapter with an artist’s studio in which the practical relevance of the discussed theory is amply demonstrated by concrete examples. Moreover, each chapter ends with a section on further reading, in which all relevant literature is discussed in detail. Thinking Art provides its readers with a theoretical framework that can be used to think about art from a variety of perspectives. More particularly it shows how a fruitful cross-fertilization between theory and practice can be created. This book can be used as a handbook within departments of philosophy, history of art, media and cultural studies, cultural history and, of course, within art academies. Though the book explores theories of art from Plato to Derrida it does not presuppose any acquaintance with philosophy from its readers. It can thus be read also by artists, art critics, museum directors and anyone interested in the meaning of art.
650 0|aArts.
650 0|aAesthetics.
650 14|aArts.
650 24|aFine Art.
650 24|aAesthetics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781402056376
776 08|iPrinted edition:|z9789048118403
776 08|iPrinted edition:|z9789400787094
856 40|uhttps://doi.org/10.1007/978-1-4020-5638-3
912 |aZDB-2-SHU
912 |aZDB-2-SXL
950 |aHumanities, Social Sciences and Law (SpringerNature-11648)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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