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020 |a9789401507356|9978-94-015-0735-6
024 7 |a10.1007/978-94-015-0735-6|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aM1-5000
072 7|aAV|2bicssc
072 7|aMUS000000|2bisacsh
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090 |aDK/13134
100 1 |aStevenson, R.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aJuan Bermudo|h[electronic resource] /|cby R. Stevenson.
250 |a1st ed. 1960.
264 1|aDordrecht :|bSpringer Netherlands :|bImprint: Springer,|c1960.
300 |a97 p. 1 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aBiographical Summary -- I. An Annotated Bibliography of Bermudo’s Works -- II. Introductory Matter in the Editions of 1549, 1550, and 1555 -- III. Bermudo’s Sources -- IV. Synopsis of the 1555 Declaración -- Books I (37), II (40), III (43), IV (48), V (60) -- V. Keyboard Arrangements and Original Compositions -- List of Works Cited.
520 |aBERMUDO alone of the many Spanish theorists and composers of the 16th century seems to have written anything specifically for New World use. All the more fitting is it, then, to have completed this monograph in a part of the Spanish Indies that was stirring every Andalusian's imagination during the days when he was first sending his books across the Atlantic. In every way his was a remarkable personality. He was the first to compose and publish any organ music in Spain. As if the publication of such music in staff-notation were not enough he also published the first Spanish keyboard piece in tablature. He was the first in Spain to print any music in score. He is cited by Pincherle as the first to publish a harp method anywhere. He pioneered with the first treatise specifically designed for female use. He also "enjoys" the distinction of having become in Tapia's Verge! de Musica (1570) the most ruthlessly plagiarized writer in Spanish musical history. If bulk determines preeminence he stands above even Tomas de Santa Maria - who published only one volume, and that containing considerably less text. If range of interests determines rank no one else writing in Spanish during his century even approaches him. Nor does anyone else in Spanish have so many authorities at his fingertips.
532 8 |aAccessibility summary: This PDF is not accessible. It is based on scanned pages and does not support features such as screen reader compatibility or described non-text content (images, graphs etc). However, it likely supports searchable and selectable text based on OCR (Optical Character Recognition). Users with accessibility needs may not be able to use this content effectively. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aInaccessible, or known limited accessibility
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aMusic.
650 0|aMusic|xMathematics.
650 14|aMusic.
650 24|aMathematics in Music.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789401502269
776 08|iPrinted edition:|z9789401507363
856 40|uhttps://doi.org/10.1007/978-94-015-0735-6
912 |aZDB-2-SHU
912 |aZDB-2-SXL
912 |aZDB-2-BAE
950 |aHumanities, Social Sciences and Law (SpringerNature-11648)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)