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008 151216s2014 xxk| s |||| 0|eng d
020 |a9781137315717|9978-1-137-31571-7
024 7 |a10.1057/9781137315717|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aBH1-301
072 7|aHPN|2bicssc
072 7|aPHI001000|2bisacsh
072 7|aQDTN|2thema
082 04|a111.85|223
090 |aDK/27378
100 1 |aHellings, J.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aAdorno and Art|h[electronic resource] :|bAesthetic Theory Contra Critical Theory /|cby J. Hellings.
250 |a1st ed. 2014.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2014.
300 |aXIV, 199 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aA comprehensive, critical and accessible account of Theodor W. Adorno's materialist-dialectical aesthetic theory of art from a contemporary perspective, this volume shows how Adorno's critical theory is awash with images crystallising thoughts to such a degree that it has every reason to be described as aesthetic.
650 0|aAesthetics.
650 0|aArts.
650 0|aCritical theory.
650 14|aAesthetics.
650 24|aArts.
650 24|aCritical Theory.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230347885
776 08|iPrinted edition:|z9781349345083
776 08|iPrinted edition:|z9781349345090
856 40|uhttps://doi.org/10.1057/9781137315717
912 |aZDB-2-PRE
912 |aZDB-2-SXPR
950 |aPalgrave Religion & Philosophy Collection (SpringerNature-41145)
950 |aPhilosophy and Religion (R0) (SpringerNature-43725)