LEADER 02217nam a22005295i 4500
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003 TR_AnAIT
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007 cr nn 008mamaa
008 151217s2014 xxu| s |||| 0|eng d
020 |a9781137394118|9978-1-137-39411-8
024 7 |a10.1057/9781137394118|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aBL41
072 7|aHRAC|2bicssc
072 7|aREL017000|2bisacsh
072 7|aQRAC|2thema
082 04|a200|223
090 |aDK/27490
245 14|aThe Counter-Narratives of Radical Theology and Popular Music|h[electronic resource] :|bSongs of Fear and Trembling /|cedited by M. Grimshaw.
250 |a1st ed. 2014.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2014.
300 |aVII, 222 p. 1 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aRadical Theologies and Philosophies,|x2634-6648
520 |aIn this unique collection, theologians born and formed during the Cold War offer their insights and perspectives on theological relationships with such musical artists and groups as Joy Division, U2, Nick Cave, and John Coltrane. These essays demonstrate that one's personal music preferences can inform and influence professional interests.
650 0|aReligions.
650 0|aMusic.
650 0|aHistory, Modern.
650 0|aReligion and sociology.
650 14|aComparative Religion.
650 24|aMusic.
650 24|aModern History.
650 24|aSociology of Religion.
700 1 |aGrimshaw, M.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137394132
776 08|iPrinted edition:|z9781349483808
776 08|iPrinted edition:|z9781349483815
830 0|aRadical Theologies and Philosophies,|x2634-6648
856 40|uhttps://doi.org/10.1057/9781137394118
912 |aZDB-2-PRE
912 |aZDB-2-SXPR
950 |aPalgrave Religion & Philosophy Collection (SpringerNature-41145)
950 |aPhilosophy and Religion (R0) (SpringerNature-43725)