LEADER 02316nam a22005895i 4500
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008 151230s2015 xxk| s |||| 0|eng d
020 |a9781137395443|9978-1-137-39544-3
024 7 |a10.1057/9781137395443|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1993-1999
072 7|aAP|2bicssc
072 7|a1F|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|x1F|2thema
082 04|a791.4095|223
090 |aDK/27884
100 1 |aSharma, Aparna.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aDocumentary Films in India|h[electronic resource] :|bCritical Aesthetics at Work /|cby Aparna Sharma.
250 |a1st ed. 2015.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2015.
300 |aXIII, 276 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aThis book introduces the diverse practices of three non-canonical practitioners: David MacDougall, Desire Machine Collective and Kumar Shahani. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.
650 0|aMotion pictures|xAsia.
650 0|aEthnology|xAsia.
650 0|aCulture.
650 0|aDocumentary films.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aCommunication.
650 0|aMotion pictures|xHistory.
650 14|aAsian Film and TV.
650 24|aAsian Culture.
650 24|aDocumentary Studies.
650 24|aFilm and Television Studies.
650 24|aMedia and Communication.
650 24|aFilm and TV History.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137395436
776 08|iPrinted edition:|z9781349484140
776 08|iPrinted edition:|z9781349484157
856 40|uhttps://doi.org/10.1057/9781137395443
912 |aZDB-2-PCC
912 |aZDB-2-SXL
950 |aPalgrave Media & Culture Collection (SpringerNature-41142)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)