LEADER 01861nam a22004575i 4500
001 826812
003 TR_AnAIT
005 20260131071814
007 cr nn 008mamaa
008 151116s2012 xxk| s |||| 0|eng d
020 |a9781137027061|9978-1-137-02706-1
024 7 |a10.1057/9781137027061|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aP87-96
072 7|aJFD|2bicssc
072 7|aSOC052000|2bisacsh
072 7|aJBCT|2thema
082 04|a302.2|223
090 |aDK/27914
100 1 |aJones, M.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Music Industries|h[electronic resource] :|bFrom Conception to Consumption /|cby M. Jones.
250 |a1st ed. 2012.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2012.
300 |aIX, 223 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aThe music industry is undergoing immense change. This book argues that the transformations occurring across the various music industries - recording, live performance, publishing - can be characterised as much by continuity as by change, raising complex questions about the value of music commodities.
650 0|aCommunication.
650 0|aMusic.
650 14|aMedia and Communication.
650 24|aMusic.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230291485
776 08|iPrinted edition:|z9781349332021
776 08|iPrinted edition:|z9781349332038
856 40|uhttps://doi.org/10.1057/9781137027061
912 |aZDB-2-PCC
912 |aZDB-2-SXL
950 |aPalgrave Media & Culture Collection (SpringerNature-41142)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)