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008 151201s2013 xxk| s |||| 0|eng d
020 |a9781137328588|9978-1-137-32858-8
024 7 |a10.1057/9781137328588|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aCB3-481
072 7|aHBTB|2bicssc
072 7|aHIS054000|2bisacsh
072 7|aNHTB|2thema
082 04|a306.09|223
090 |aDK/28261
100 1 |aCooper, S.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Soul of Film Theory|h[electronic resource] /|cby S. Cooper.
250 |a1st ed. 2013.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2013.
300 |aX, 209 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aIn this innovative book, Sarah Cooper revisits the history of film theory in order to bring to the fore the neglected concept of the soul and to trace its changing fortunes. The Soul of Film Theory charts the legacy of this multi-faceted, contested term, from the classical to the contemporary era.
650 0|aCivilization|xHistory.
650 0|aCommunication.
650 0|aCulture|xStudy and teaching.
650 0|aMotion pictures|xHistory.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aAesthetics.
650 14|aCultural History.
650 24|aMedia and Communication.
650 24|aCultural Studies.
650 24|aFilm and TV History.
650 24|aFilm and Television Studies.
650 24|aAesthetics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230365131
776 08|iPrinted edition:|z9781349349425
776 08|iPrinted edition:|z9781349349432
856 40|uhttps://doi.org/10.1057/9781137328588
912 |aZDB-2-PCC
912 |aZDB-2-SXL
950 |aPalgrave Media & Culture Collection (SpringerNature-41142)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)