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008 151128s2015 xxk| s |||| 0|eng d
020 |a9781137388155|9978-1-137-38815-5
024 7 |a10.1057/9781137388155|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aDK/28330
245 10|aStorytelling in the Media Convergence Age|h[electronic resource] :|bExploring Screen Narratives /|cedited by R. Pearson, A. Smith.
250 |a1st ed. 2015.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2015.
300 |aXI, 252 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aWhy do screen narratives remain so different in an age of convergence and globalisation that many think is blurring distinctions? This collection attempts to answer this question using examples drawn from a range of media, from Hollywood franchises to digital comics, and a range of countries, from the United States to Japan.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aMass media.
650 0|aEthnology.
650 0|aCulture.
650 0|aCommunication.
650 0|aMotion pictures|xHistory.
650 14|aFilm and Television Studies.
650 24|aMedia Sociology.
650 24|aRegional Cultural Studies.
650 24|aMedia and Communication.
650 24|aFilm and TV History.
700 1 |aPearson, R.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aSmith, A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137388148
776 08|iPrinted edition:|z9781349481910
776 08|iPrinted edition:|z9781349481927
856 40|uhttps://doi.org/10.1057/9781137388155
912 |aZDB-2-PCC
912 |aZDB-2-SXL
950 |aPalgrave Media & Culture Collection (SpringerNature-41142)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)