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008 151028s2011 xxu| s |||| 0|eng d
020 |a9780230118829|9978-0-230-11882-9
024 7 |a10.1057/9780230118829|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aDK/29662
100 1 |aBennett, M.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aReassessing the Theatre of the Absurd|h[electronic resource] :|bCamus, Beckett, Ionesco, Genet, and Pinter /|cby M. Bennett.
250 |a1st ed. 2011.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2011.
300 |aIX, 179 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aFifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aLiterature.
650 0|aTheater|xHistory.
650 0|aArts.
650 14|aTheatre and Performance Arts.
650 24|aLiterature.
650 24|aTheatre History.
650 24|aArts.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230113381
776 08|iPrinted edition:|z9781349295197
776 08|iPrinted edition:|z9781349295203
776 08|iPrinted edition:|z9781137378767
856 40|uhttps://doi.org/10.1057/9780230118829
912 |aZDB-2-PTC
912 |aZDB-2-SXL
950 |aPalgrave Theatre & Performance Collection (SpringerNature-41147)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)