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008 151203s2012 xxk| s |||| 0|eng d
020 |a9780230367333|9978-0-230-36733-3
024 7 |a10.1057/9780230367333|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aDK/29712
100 1 |aBrady, Sara.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aPerformance, Politics, and the War on Terror|h[electronic resource] :|b'Whatever it Takes' /|cby Sara Brady.
250 |a1st ed. 2012.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2012.
300 |aXVII, 203 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPerformance Interventions,|x2947-5619
520 |aUsing a performance studies lens, this book is a study of performance in the post-9/11 context of the so-called war on terror. It analyzes conventional theatre, political protest, performance art and other sites of performance to unpack the ways in which meaning has been made in the contemporary global sociopolitical environment.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aCommunication.
650 0|aTheater|xHistory.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 14|aTheatre and Performance Arts.
650 24|aMedia and Communication.
650 24|aTheatre History.
650 24|aFilm and Television Studies.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230234901
776 08|iPrinted edition:|z9781349313631
776 08|iPrinted edition:|z9781349313648
830 0|aPerformance Interventions,|x2947-5619
856 40|uhttps://doi.org/10.1057/9780230367333
912 |aZDB-2-PTC
912 |aZDB-2-SXL
950 |aPalgrave Theatre & Performance Collection (SpringerNature-41147)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)