LEADER 01982nam a22004815i 4500
001 828615
003 TR_AnAIT
005 20260131054809
007 cr nn 008mamaa
008 151205s2012 xxk| s |||| 0|eng d
020 |a9781137001368|9978-1-137-00136-8
024 7 |a10.1057/9781137001368|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aDK/29714
100 1 |aWalsh, I.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aExperimental Irish Theatre|h[electronic resource] :|bAfter W.B. Yeats /|cby I. Walsh.
250 |a1st ed. 2012.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2012.
300 |aVIII, 202 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aThis book examines experimental Irish theatre that ran counter to the naturalistic 'peasant' drama synonymous with Irish playwriting. Focusing on four marginalised playwrights after Yeats, it charts a tradition linking the experimentation of the early Irish theatre movement with the innovation of contemporary Irish and international drama.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aTheater|xHistory.
650 14|aTheatre and Performance Arts.
650 24|aTheatre History.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230300958
776 08|iPrinted edition:|z9781349336593
776 08|iPrinted edition:|z9781349336609
856 40|uhttps://doi.org/10.1057/9781137001368
912 |aZDB-2-PTC
912 |aZDB-2-SXL
950 |aPalgrave Theatre & Performance Collection (SpringerNature-41147)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)