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008 151203s2013 xxk| s |||| 0|eng d
020 |a9781137010742|9978-1-137-01074-2
024 7 |a10.1057/9781137010742|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aDK/29717
100 1 |aWhite, G.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aAudience Participation in Theatre|h[electronic resource] :|bAesthetics of the Invitation /|cby G. White.
250 |a1st ed. 2013.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2013.
300 |aX, 224 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aThis book asks that we consider the practices that facilitate audience participation on equal terms with other elements of the theatre maker's art; it offers a theoretical basis for this new approach, illustrated by examples from diverse participatory performances.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aAesthetics.
650 14|aTheatre and Performance Arts.
650 24|aFilm and Television Studies.
650 24|aAesthetics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137010735
776 08|iPrinted edition:|z9781137354631
776 08|iPrinted edition:|z9781349436378
856 40|uhttps://doi.org/10.1057/9781137010742
912 |aZDB-2-PTC
912 |aZDB-2-SXL
950 |aPalgrave Theatre & Performance Collection (SpringerNature-41147)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)