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008 151126s2012 xxk| s |||| 0|eng d
020 |a9780230371910|9978-0-230-37191-0
024 7 |a10.1057/9780230371910|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aM1-5000
072 7|aAV|2bicssc
072 7|aMUS000000|2bisacsh
072 7|aAV|2thema
082 04|a780|223
090 |aDK/29863
100 1 |aMeerzon, Y.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aPerforming Exile, Performing Self|h[electronic resource] :|bDrama, Theatre, Film /|cby Y. Meerzon.
250 |a1st ed. 2012.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2012.
300 |aXI, 350 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aStudies in International Performance,|x2947-4957
520 |aThis book examines the life and art of those contemporary artists who by force or by choice find themselves on other shores. It argues that the exilic challenge enables the émigré artist to (re)establish new artistic devices, new laws and a new language of communication in both his everyday life and his artistic work.
650 0|aMusic.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aGeography.
650 0|aTheater|xHistory.
650 0|aSociology.
650 14|aMusic.
650 24|aTheatre and Performance Arts.
650 24|aGeography.
650 24|aTheatre History.
650 24|aSociology.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230221536
776 08|iPrinted edition:|z9781349307029
776 08|iPrinted edition:|z9781349307036
830 0|aStudies in International Performance,|x2947-4957
856 40|uhttps://doi.org/10.1057/9780230371910
912 |aZDB-2-PTC
912 |aZDB-2-SXL
950 |aPalgrave Theatre & Performance Collection (SpringerNature-41147)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)