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008 151207s2005 xxk| s |||| 0|eng d
020 |a9780230513501|9978-0-230-51350-1
024 7 |a10.1057/9780230513501|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aDK/30686
100 1 |aShort, S.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aCyborg Cinema and Contemporary Subjectivity|h[electronic resource] /|cby S. Short.
250 |a1st ed. 2005.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2005.
300 |aXVI, 251 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aThis book breaks new ground in providing an in-depth critical assessment of cyborg cinema, arguing that it remains one of the most intriguing and provocative cycles to have emerged in contemporary screen culture. Tracing the cinematic cyborg's transition over the last two decades and evaluating the theoretical significance attributed to this figure, it asks what relevance the cyborg continues to have in terms of understanding human identity, our relationship to technology, and to one another.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aMotion pictures, American.
650 0|aMotion pictures|xHistory.
650 0|aEthnology.
650 0|aCulture.
650 0|aCommunication.
650 0|aCulture|xStudy and teaching.
650 14|aFilm and Television Studies.
650 24|aAmerican Film and TV.
650 24|aFilm and TV History.
650 24|aRegional Cultural Studies.
650 24|aMedia and Communication.
650 24|aCultural Studies.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781403921789
776 08|iPrinted edition:|z9781349515639
776 08|iPrinted edition:|z9781349515646
776 08|iPrinted edition:|z9780230302198
856 40|uhttps://doi.org/10.1057/9780230513501
912 |aZDB-2-PSD
912 |aZDB-2-SXS
950 |aPalgrave Social & Cultural Studies Collection (SpringerNature-41148)
950 |aSocial Sciences (R0) (SpringerNature-43726)
